We got busy during the Thanksgiving holiday and put together a long-planned collection of free educational resources for K‑12 students and their parents and teachers. We’re just getting started with the list, and we’re hoping you could help make it better with your own suggestions. Right now the collection features 200 helpful resources, including free video lessons/tutorials; free mobile apps; free audiobooks, ebooks and textbooks; quality YouTube channels; free foreign language lessons; test prep materials; and free web resources in academic subjects such as literature, history, science and computing. We hope you make good use of it with your families. We hope you tell a friend. And, right now, we hope you’ll tell us what great resources we’re missing. We’d really appreciate it if you would send us your thoughts.
You can start browsing here: 200 Free K‑12 Educational Resources: Video Lessons, Web Sites, Apps & More.
You can find this list in the future by clicking on K‑12 Resources in the top navigation bar.
Read More...Earlier this month, PBS premiered The Mind of a Chef, a 16-episode series that features narrator Anthony Bourdain taking viewers inside the mind of the award-winning Korean-American chef David Chang. In the series premiere above, David “dissects the roots of his passion for ramen dishes and tsukemen on a trip to Japan,” giving you an overview of the famous noodle and taking you right to a ramen factory. If the first episode, um, whets your appetite, then you’ll want to spend time with nine other episodes from the series. They’re now posted online for a limited time, courtesy of PBS, and they each run about 20 minutes. But don’t dilly dally, some will go offline on November 30.
via Kottke
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When famous movie directors shoot television spots, they usually focus on the merits of a particular product: Wim Wenders and Stella Artois, Wes Anderson and the Hyundai Azera, Jean-Luc Godard and Schick aftershave. Above, you’ll see one by Joel and Ethan Coen meant not to endorse but to oppose. Premised on the notion that the name “clean coal” masks a not-especially-clean technology, “Clean Coal Clean” dishes it out against the coal industry — “the most trusted name in coal” — with a satirical pastiche of household cleaning spray commercials. I’ll say this: if any pair of filmmakers can get me to watch a video about the politics of coal, the guys behind Raising Arizona, Barton Fink, and A Serious Man can. The clip just below offers a look into the production of another “Clean Coal Clean” parody commercial, and a rare chance to see the Coen brothers at work.
Marla Dickerson in the Los Angeles Times provides background on this “latest salvo in the media battle between the coal industry and environmentalists over the role that carbon fuels should play in the United States’ energy future.” Dickerson quotes a coal spokesman on how the “the industry spent more than $50 billion since the 1970s installing pollution-control equipment and designing plants that are more efficient.” She also lays out the environmentalists’ argument: “the coal industry’s marketing campaign has left Americans with the impression that such ‘clean coal” technology already exists. Such a breakthrough has yet to be developed,” she quotes the Sierra Cub’s coal campaign director as saying, “and may never be at a cost that makes economic sense.” Of course, not even a genius auteur — not even two of them — can make up your mind on this issue. But with these spots, the Coen brothers and the Alliance for Climate Protection reiterate an invaluable point: whether about household cleaners or energy sources, never believe the hype.
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Colin Marshall hosts and produces Notebook on Cities and Culture. Follow him on Twitter at @colinmarshall.
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Non-profit Khan Academy, an organization dedicated to “providing a free world-class education for anyone anywhere,” does so primarily through online video courses and lectures. The over 3600 videos are free and access is open to anyone (anywhere), allowing K‑12 students to study math, science, computer science, finance & economics, humanities, and test prep. The organization was founded in 2006 by MIT and Harvard grad Salman Khan, who began by tutoring relatives and friends in Bangladesh while he worked as a hedge fund analyst in the States. His videos became so in-demand that he decided to quit his job and distribute them full-time, funded by donations from individuals and major donors like the Bill and Melinda Gates Foundation.
While there is a healthy amount of skepticism about the efficacy of Khan’s methods, there’s no shortage of demand for the kind of instruction he offers to students all over the world. To further meet that demand, Khan Academy has just released an app for iPhone and iPod Touch. Unlike the app released this past March for the iPad, the iPhone version does not allow interactivity. Users can view videos but cannot, as with the iPad app, download playlists, read subtitles, and log progress, making this version “more for consumption rather than full interaction.” Nevertheless, and whether critics like it or not, this represents a further step for distance learning, as education increasingly moves out of the classroom and into the handheld devices of networks of students no longer restricted by geography or physical mobility.
The app has been added to our brand-spanking new collection: 200 Free K‑12 Educational Resources: Video Lessons, Web Sites, Apps & More
Via Makeuseof
Josh Jones is a doctoral candidate in English at Fordham University and a co-founder and former managing editor of Guernica / A Magazine of Arts and Politics.
Read More...This collection provides a list of free educational resources for K‑12 students (kindergarten through high school students) and their parents and teachers. Please tell us if we’re missing something valuable.
Below you will find free video lessons/tutorials; free mobile apps; free audiobooks, ebooks and textbooks; quality YouTube channels; free foreign language lessons; test prep materials; and free web resources in academic subjects like literature, history, science and computing.
Home Schooling Resources
Free Audio Books, eBooks and Textbooks
Foreign Languages
Video Lessons/Tutorials
Art & Visual Culture (Web Resources)
As the Ramones so memorably didn’t sing, “Twenty-twenty-twenty-four hours to go…I want a piece of bacon.” Substitute ham, and you’ve got yourself Collective Cadenza’s History of Misheard Lyrics, Opus No. 13. The classically trained performers are nothing if not game. The visual aids are ridiculously on message. The goal? A one-take musical compendium of pop’s most commonly misapprehended phrases. (Prior projects include subjecting “What a Wonderful World” to sixteen musical genres and a lovely History of Lyrics That Aren’t Lyrics.)
With all the current debate over the real world worthiness of expensive college educations, it’s reassuring to see recent Julliard grads helping themselves to the crown once sported by Mr. Jaws and Dr. Demento.
And now, readers, it’s your turn to shake it like a polar bear ninja. Was your favorite aural fail acknowledged above? Or will you be using the space below to demand its inclusion in a follow up?
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Enduring conspiracy theories aside, the 1969 moon landing (above) was a rousing success for the government space program known as NASA. After a decade-long space race, during which it seemed to all observers that the Soviets had the edge, the U.S. landed Apollo 11–carrying Neil Armstrong and Buzz Aldrin–at the Sea of Tranquility on July 20, 1969. Nixon was president, the Vietnam War and its opposition raged, and Leonid Brezhnev helmed a stagnant Soviet empire.
On the great list of Cold War what-ifs, the near-miss of the Bay of Pigs is surely number one. But for all the space nerds out there, this one ranks pretty high: What if Aldrin and Armstrong never made it back? This was, of course, a distinct possibility, and one that the Nixon administration prepared for. While we were told during this last presidential election that Mitt Romney failed to write a concession speech, William Safire, speechwriter for Richard Nixon, did write a speech in the event that Apollo 11 couldn’t make the return trip. The speech, entitled IN EVENT OF MOON DISASTER, is a something of a terse and poignant masterpiece. Below is an excerpt of Safire’s brief, hypothetical address:
These two men are laying down their lives in mankind’s most noble goal: the search for truth and understanding.
They will be mourned by their families and friends; they will be mourned by the nation; they will be mourned by the people of the world; they will be mourned by a Mother Earth that dared send two of her sons into the unknown.
In their exploration, they stirred the people of the world to feel as one; in their sacrifice, they bind more tightly the brotherhood of man.
In ancient days, men looked at the stars and saw their heroes in the constellations. In modern times, we do much the same, but our heroes are epic men of flesh and blood.
Others will follow, and surely find their way home. Man’s search will not be denied. But these men were the first, and they will remain the foremost in our hearts.
For every human being who looks up at the moon in the nights to come will know that there is some corner of another world that is forever mankind.
Would the space program have continued had these two brave pioneers died on the moon? Certainly. But this moment of triumph would instead be remembered—like the Challenger disaster of 1986—as a moment of great loss and a very serious setback for our forays into outer space.
Read the full speech here at Letters of Note.
Josh Jones is a doctoral candidate in English at Fordham University and a co-founder and former managing editor of Guernica / A Magazine of Arts and Politics.
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The next time you feel frustrated with your aging personal computer, just watch the video above. In these fifty seconds, the National Museum of Computing fires up the Harwell Dekatron, also known as the Wolverhampton Instrument for Teaching Computation — or, naturally, the WITCH. Holder of the title of the world’s oldest working original digital computer, the WITCH, first built in 1951, went into retirement from Wolverhampton’s Staffordshire Technical College in 1973. A three-year restoration of the computer — all two-and-a-half tons, 828 flashing Dekatron valves, and 480 relays of it — began in 2008. Now, having just finished returning the machine to tip-top shape, they’ve actually booted it up, as you can see. “In 1951 the Harwell Dekatron was one of perhaps a dozen computers in the world,” The National Museum of Computing’s press release quotes its trustee Kevin Murrell as saying, “and since then it has led a charmed life surviving intact while its contemporaries were recycled or destroyed.”
The Harwell Atomic Energy Research Establishment provided the Dekatron its first tasks, cranking out calculations formerly done by hand. When it passed into obsolescence there in 1957, Staffordshire Technical College took the massive computer off Harwell’s hands, and there it became the WITCH, used for teaching purposes over the next sixteen years. When it outlived even its educational use, the WITCH went on display at the Birmingham Museum of Science and Industry, and finally to dismantlement and storage. Now it offers a whirring, clattering, flashing, retro-technological spectacle to new generations of computer enthusiasts. Some of them may be shocked to learn that, by virtue of sheer age, it doesn’t adhere to some of the very qualities of digital computing they take for granted: it doesn’t calculate in binary code, but decimal code, hence the name “Dekatron.” Though its practical applications would seem limited in the modern world, rest assured that some young hobbyist is even now pondering how to get the thing onto the web.
h/t: BoingBoing
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Colin Marshall hosts and produces Notebook on Cities and Culture. Follow him on Twitter at @colinmarshall.
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“Thanksgiving Day, Nov. 28, 1986” first appeared in print in Tornado Alley, a chapbook published by William S. Burroughs in 1989. Two years later, Gus Van Sant (Good Will Hunting, My Own Private Idaho, Milk) shot a montage that brought the poem to film, making it at least the second time the director adapted the beat writer to film.
If you’ve seen Burroughs use Shakepseare’s face for target practice, or if you’ve watched The Junky’s Christmas, you’ll know that he wasn’t kind to convention or tradition. And there are no prisoners taken here, as you’ll see above. Now time for a little Thanksgiving dinner.…
h/t BoingBoing
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Image via Wikimedia Commons
Even resolute non-Deadheads have been passing around “Deadhead,” Nick Paumgarten’s recent New Yorker piece on “the vast recorded legacy of the Grateful Dead.” Like much of the most interesting magazine journalism, the article digs deep into and provides a primer on a subculture that goes deep. Casual Dead listeners know there exists a large and dedicated body of fervently un-casual Dead listeners, the fans who may have followed the band around on its touring days but now collect every last one of its recorded performances, official, unofficial, or otherwise. “It was denser, feverish, otherworldly,” Paumgarten describes his first experience hearing a Dead bootleg. “If you took an interest, you’d copy a few tapes, listen to those over and over, until they began to make sense, and then copy some more. Before long, you might have a scattershot collection, with a couple of tapes from each year. It was all Grateful Dead, but because of the variability in sonic fidelity, and because the band had been at it for twenty years, there were many different flavors and moods. Even the compromised sound quality became a perverse part of the appeal. Each tape seemed to have its own particular note of decay, like the taste of the barnyard in a wine or a cheese.”
Do you aspire to join those Paumgarten calls “the tapeheads, the geeks, the throngs of workaday Phil Schaaps, who approach the band’s body of work with the intensity and the attention to detail that one might bring to birding, baseball, or the Talmud”? If so, the internet, and specifically the Internet Archive’s Grateful Dead collection, has cranked the barrier to entry way down. Its 11,215 free Grateful Dead recordings should keep you busy for some time. “You can browse the recordings by year, so if you click on, say, 1973 you will see links to two hundred and ninety-four recordings, beginning with four versions of a February 9th concert at Stanford and ending with several versions of December 19th in Tampa,” writes Paumgarten. “Most users merely stream the music; it’s a hundred cassette trays, in the Cloud.” If you need a break from these concerts, in all their variable-fidelity glory, listen to Paumgarten talk matters Dead with music critic Sasha Frere-Jones on the New Yorker Out Loud podcast (listen here). And if you find the Dead not quite to your taste — guitarist Jerry Garcia famously compared their dedicated niche audience to “people who like licorice” — why not move on to the Fugazi archive?
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Colin Marshall hosts and produces Notebook on Cities and Culture. Follow him on Twitter at @colinmarshall.
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