From today’s vanÂtage, the first decade of the twenÂtiÂeth cenÂtuÂry can look like an even more disÂtant periÂod of hisÂtoÂry than it is. In many corÂners of urban civÂiÂlizaÂtion, the cabarets, teaÂrooms, and othÂer near-parÂaÂlytÂiÂcalÂly manÂnered instiÂtuÂtions of the Belle Époque were very much going conÂcerns. To those who lived in that era, it must have been easy enough to believe that the ways of nineÂteenth-cenÂtuÂry-style arisÂtocÂraÂcy and empire could perÂpetÂuÂate themÂselves forÂevÂer. Yet those were also the years of Georges MĂ©liès Le VoyÂage dans la Lune, the Wright brothÂers’ first flight; the proÂlifÂerÂaÂtion of autoÂmoÂbiles and subÂway trains; RusÂsiÂa’s loss in war to Japan and first revÂoÂluÂtion; EinÂstein’s disÂcovÂery of relÂaÂtivÂiÂty, the phoÂtoÂelecÂtric effect, and BrownÂian motion; and PicasÂso’s Les DemoiÂselles d’AvÂiÂgnon.
The world as it was, in othÂer words, was givÂing way to the world as it would be. Such is the conÂtext of the docÂuÂmenÂtary footage colÂlectÂed — and colÂorized, and upscaled — in the video at the top of the post. BeginÂning in a bustling workÂing-class street in Hollinwood, EngÂland, this tour of the nineÂteen-hunÂdreds conÂtinÂues on to places like Spain, India, ChiÂna, New York, Japan, Brazil, DenÂmark, AusÂtria, and GerÂmany.
One aspect of all this footage liable to catch the twenÂty-first-cenÂtuÂry eye is all the myrÂiÂad forms of transÂportaÂtion on disÂplay, some runÂning on soleÂly aniÂmal or even human musÂcle, and othÂers proÂpelled by the kind of engines then at the heart of indusÂtriÂal revÂoÂluÂtions the world over. (You can even catch a glimpse of WupÂperÂtal’s susÂpendÂed SchweÂbeÂbahn, preÂviÂousÂly feaÂtured here on Open CulÂture.)
All this gives us a clearÂer sense of why so many conÂtemÂpoÂrary observers expressed feelÂings of civÂiÂlizaÂtionÂal whiplash, espeÂcialÂly if, as was becomÂing more and more comÂmon, they’d emiÂgratÂed from a less techÂnoÂlogÂiÂcalÂly advanced sociÂety to a more techÂnoÂlogÂiÂcalÂly advanced one. For those livÂing at the edge of progress, the shape of things to come (a phrase latÂer used as a book title by one such observÂer, the proÂlifÂic H. G. Wells) was anyÂone’s guess, and it’s hardÂly surÂprisÂing that so many forÂward-lookÂing philosoÂphies, ideÂoloÂgies, and art moveÂments would arise from such a ferÂment. Still, it would have takÂen a preÂscient mind indeed to foreÂsee the ascenÂdance of comÂmuÂnism, Nazism, the AmerÂiÂcan empire, and mass broadÂcast media just ahead, to say nothÂing of two world wars. William GibÂson had yet to be born, let alone to utter his now-famous quote, but as we can see, the future was already here in the nineÂteen-tens — and unevenÂly disÂtribÂuted.
RelatÂed conÂtent:
Footage of Cities Around the World in the 1890s: LonÂdon, Tokyo, New York, Venice, Moscow & More
Paris Had a MovÂing SideÂwalk in 1900, and a Thomas EdiÂson Film CapÂtured It in Action
ImmacÂuÂlateÂly Restored Film Lets You RevisÂit Life in New York City in 1911
Berlin Street Scenes BeauÂtiÂfulÂly Caught on Film (1900–1914)
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities and the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles. FolÂlow him on the social netÂwork forÂmerÂly known as TwitÂter at @colinmarshall.












