Behold Octavia Butler’s Motivational Notes to Self

Hand­writ­ten notes on the inside cov­er of one of Octavia E. Butler’s com­mon­place books, 1988

I was attract­ed to sci­ence fic­tion because it was so wide open. I was able to do any­thing and there were no walls to hem you in and there was no human con­di­tion that you were stopped from exam­in­ing. —Octavia E. But­ler

Like many authors, the late Octavia E. But­ler took up writ­ing at a young age.

At 11, she was churn­ing out tales about hors­es and romance.

At 12, she saw Dev­il Girl from Mars, and fig­ured (cor­rect­ly) she could tell a bet­ter sto­ry than that, using 2 fin­gers to peck out sto­ries on the Rem­ing­ton type­writer her moth­er bought at her request.

At 13, she found a copy of The Writer mag­a­zine aban­doned on a bus seat, and learned that it was pos­si­ble to sub­mit her work for pub­li­ca­tion.

After a decade’s worth of rejec­tion slips, she sold her first two sto­ries, thanks in part to her asso­ci­a­tion with the Clar­i­on Sci­ence Fic­tion Writ­ing Work­shop, which she became involved with on the rec­om­men­da­tion of her men­tor, sci­ence fic­tion writer Har­lan Elli­son.

She went on to become the first sci­ence fic­tion writer to receive a pres­ti­gious MacArthur “genius” award, gar­ner­ing mul­ti­ple Hugo and Neb­u­la awards for her work.

An aster­oid is named after her, as is a moun­tain on Pluto’s moon.

Hailed as the Moth­er of Afro Futur­ism, she won the PEN Amer­i­can Cen­ter life­time achieve­ment award in writ­ing.

But pro­fes­sion­al suc­cess nev­er cloud­ed her view of her­self as the 10-year-old writer who was unsure if library-lov­ing black kids like her would be allowed inside a book­store.

Iden­ti­fy­ing as a writer helped her move beyond her crip­pling shy­ness and dyslex­ia. As she wrote in an auto­bi­o­graph­i­cal essay, “Pos­i­tive Obses­sion”:

I believed I was ugly and stu­pid, clum­sy, and social­ly hope­less. I also thought that every­one would notice these faults if I drew atten­tion to myself. I want­ed to dis­ap­pear. Instead, I grew to be six feet tall. Boys in par­tic­u­lar seemed to assume that I had done this grow­ing delib­er­ate­ly and that I should be ridiculed for it as often as pos­si­ble.

I hid out in a big pink notebook—one that would hold a whole ream of paper. I made myself a uni­verse in it. There I could be a mag­ic horse, a Mar­t­ian, a telepath….There I could be any­where but here, any time but now, with any peo­ple but these.

She devel­oped a life­long habit of cheer­ing her­self on with moti­va­tion­al notes, writ­ing them in her jour­nals, on lined note­book paper, in day plan­ners and on repur­posed pages of an old wall cal­en­dar.

She held her­self account­able by writ­ing out demand­ing sched­ules to accom­pa­ny her lofty, doc­u­ment­ed goals.

And though she wea­ried of the con­stant invi­ta­tions to serve on lit­er­ary pan­els devot­ed to sci­ence fic­tion writ­ers of col­or, at which she’d be asked the same ques­tions she’d answered dozens of times before, she was res­olute about pro­vid­ing oppor­tu­ni­ties for young black writ­ers … and read­ers, who found reflec­tions of them­selves in her char­ac­ters. As she remarked in an inter­view with The New York Times

When I began writ­ing sci­ence fic­tion, when I began read­ing, heck, I wasn’t in any of this stuff I read. The only black peo­ple you found were occa­sion­al char­ac­ters or char­ac­ters who were so fee­ble-wit­ted that they couldn’t man­age any­thing, any­way. I wrote myself in, since I’m me and I’m here and I’m writ­ing.

Her brand of sci­ence fic­tiona label she often tried to duck, iden­ti­fy­ing her­self on her busi­ness card sim­ply as “writer”serves as a lens for con­sid­er­ing con­tem­po­rary issues: sex­u­al vio­lence, gun vio­lence, cli­mate change, gen­der stereo­types, the prob­lems of late-stage cap­i­tal­ism, the plight of undoc­u­ment­ed immi­grants, and, not least, racism.

She side­stepped utopi­an sci­ence fic­tion, believ­ing that imper­fect humans are inca­pable of  form­ing a per­fect soci­ety. “Nobody is per­fect,” she told Vibe:

One of the things I’ve dis­cov­ered even with teach­ers using my books is that peo­ple tend to look for ‘good guys’ and ‘bad guys,’ which always annoys the hell out of me. I’d be bored to death writ­ing that way. But because that’s the only pat­tern they have, they try to fit my work into it.

Learn more about the life and work of Octavia E. But­ler (1947–2006) here.

I shall be a best­selling writer. After Ima­go, each of my books will be on the best­seller lists of LAT, NYT, PW, WP, etc. My nov­els will go onto the above lists whether pub­lish­ers push them hard or not, whether I’m paid a high advance or not, whether I ever win anoth­er award or not.

This is my life. I write best­selling nov­els. My nov­els go onto the best­seller lists on or short­ly after pub­li­ca­tion. My nov­els each trav­el up to the top of the best­seller lists and they reach the top and they stay on top for months . Each of my nov­els does this.

So be it! I will find the way to do this. See to it! So be it! See to it!

My books will be read by mil­lions of peo­ple!

I will buy a beau­ti­ful home in an excel­lent neigh­bor­hood

I will send poor black young­sters to Clar­i­on or oth­er writer’s work­shops

I will help poor black young­sters broad­en their hori­zons

I will help poor black young­sters go to col­lege

I will get the best of health care for my moth­er and myself

I will hire a car when­ev­er I want or need to.

I will trav­el when­ev­er and wher­ev­er in the world that I choose

My books will be read by mil­lions of peo­ple!

So be it! See to it!

via Austin Kleon

Relat­ed Con­tent: 

Why Should We Read Pio­neer­ing Sci-Fi Writer Octavia But­ler? An Ani­mat­ed Video Makes the Case

Octavia Butler’s 1998 Dystopi­an Nov­el Fea­tures a Fascis­tic Pres­i­den­tial Can­di­date Who Promis­es to “Make Amer­i­ca Great Again”

Watch a 5‑Part Ani­mat­ed Primer on Afro­fu­tur­ism, the Black Sci-Fi Phe­nom­e­non Inspired by Sun Ra

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday.

 

A Collection of 500 Free Textbooks from Springer

FYI. To help sup­port every­one dur­ing the COVID-19 lock­down, Springer has released a ton of free text­books. Since the Springer web­site isn’t super user-friend­ly, some­one cre­at­ed a web­page that makes it eas­i­er to find and even down­load these texts. The books will remain free at least through the end of July. So start rum­mag­ing now.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

1,700 Free Online Cours­es from Top Uni­ver­si­ties

1,000 Free Audio Books: Down­load Great Books for Free

The 150 Best Pod­casts to Enrich Your Mind

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An Introduction to Thought Forms, the Pioneering 1905 Theosophist Book That Inspired Abstract Art: It Has Returned to Print

“It is some­times dif­fi­cult to appre­ci­ate the impact that the late-nine­teenth cen­tu­ry (and ongo­ing) occult move­ment called Theos­o­phy had on glob­al cul­ture,” Mitch Horowitz writes in his intro­duc­tion to the new­ly repub­lished 1905 Theo­soph­i­cal book, Thought Forms. That impact man­i­fest­ed “spir­i­tu­al­ly, polit­i­cal­ly, and artis­ti­cal­ly” in the work of lit­er­ary fig­ures like James Joyce and William But­ler Yeats and reli­gious fig­ures like Jid­du Krish­na­mur­ti, hand­picked as a teenag­er by Theosophist leader Charles W. Lead­beat­er to become the group’s mes­sian­ic World Teacher.

The Theo­soph­i­cal Soci­ety helped re-intro­duce Bud­dhism, or a new­ly West­ern­ized ver­sion, to West­ern Europe and the U.S., pub­lish­ing the 1881 “Bud­dhist Cat­e­chism” by Hen­ry Steel Olcott, a for­mer Colonel for the Union Army. Olcott co-found­ed the soci­ety in New York City in 1875 with Russ­ian occultist Hele­na Blavatsky. Soon after­ward, the group of spir­i­tu­al seek­ers relo­cat­ed to India. “Near­ly a cen­tu­ry before the Bea­t­les’ trek to Rishikesh,” writes Hor­witz, “Blavatsky and Olcott laid the tem­plate for the West­ern­er seek­ing wis­dom in the East.”

Theos­o­phy also had a sig­nif­i­cant influ­ence on mod­ern art, includ­ing the work of Wass­i­ly Kandin­sky, until recent­ly con­sid­ered the first Abstract painter—that is until the paint­ings of Hilma af Klint came to be wide­ly known. The reclu­sive Swedish artist, whom we’ve cov­ered here a few times before, came first, though no one knew it at the time. After show­ing her rev­o­lu­tion­ary abstract work to philoso­pher and one­time Ger­man and Aus­tri­an Theo­soph­i­cal Soci­ety leader Rudolf Stein­er, she was told to hide it for anoth­er fifty years.

Theos­o­phy gained many promi­nent con­verts in the UK, Europe, and around the world. Af Klint joined the Swedish soci­ety and remained a mem­ber until 1915. The sym­bol­ism in her mys­te­ri­ous abstrac­tions, which she attrib­uted to clair­voy­ant com­mu­ni­ca­tion with “an enti­ty named Amaliel,” may also have been sug­gest­ed by the draw­ings in Thought Forms, an illus­trat­ed book cre­at­ed by Theo­soph­i­cal Soci­ety lead­ers Lead­beat­er and Annie Besant, who was “an ear­ly suf­frag­ist and polit­i­cal activist,” notes Sacred Bones Books. The small press will release a new edi­tion of the book online and in stores on Novem­ber 6. (See their Kick­starter page here and video trail­er below.)

Besant was “far ahead of her time as an artist and thinker. Theos­o­phy was the first occult group to open its doors to women and Thought Forms offers a reminder that the his­to­ry of mod­ernist abstrac­tion and women’s con­tri­bu­tion to it is still being writ­ten.” Although that unfold­ing his­to­ry cen­tral­ly includes af Klint and Besant, the lat­ter did not actu­al­ly make all of the illus­tra­tions we find in this strange book. She and Lead­beat­er claimed to have received, through clair­voy­ant means, “forms caused by def­i­nite thoughts thrown out by one of them, and also watched the forms pro­ject­ed by oth­er per­sons under the influ­ence of var­i­ous emo­tions.”

So Besant would write in 1896 in the Theo­soph­i­cal jour­nal Lucifer. After these “exper­i­ments,” the two then described going into trances and view­ing “auras, vor­tices, ether­ic mat­ter, astral pro­jec­tions, ener­gy forms, and oth­er expres­sions from the unseen world.” The two described these visions to a col­lec­tion of visu­al artists, who ren­dered them into the paint­ings in the 1905 book.

Among those who do study the Theo­soph­i­cal Society’s impact, its first gen­er­a­tion of publications—especially Olcott’s “Bud­dhist Cat­e­chism” and Blavatsky’s 1888 The Secret Doc­trine—are espe­cial­ly well-known texts. But Thought Forms may prove “the most wide­ly read, last­ing, and direct­ly influ­en­tial book to emerge from the rev­o­lu­tion that Theos­o­phy ignit­ed,” Horowitz argues.

“By many esti­mates, Thought Forms marks the ger­mi­na­tion of abstract art”—originated through sev­er­al artists’ best guess at what visions of psy­chic phe­nom­e­na might look like. You can fol­low Sacred Bones’ Kick­starter cam­paign here.

Relat­ed Con­tent:  

A Vision­ary 115-Year-Old Col­or The­o­ry Man­u­al Returns to Print: Emi­ly Noyes Vanderpoel’s Col­or Prob­lems

Dis­cov­er Hilma af Klint: Pio­neer­ing Mys­ti­cal Painter and Per­haps the First Abstract Artist

New Hilma af Klint Doc­u­men­tary Explores the Life & Art of the Trail­blaz­ing Abstract Artist

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Daniel Radcliffe Writes a Thoughtful Response to J.K. Rowling’s Statements about Trans Women

Image by Gage Skid­more, via Wiki­me­dia Com­mons

There are many more impor­tant things hap­pen­ing in the world than the tweets of Har­ry Pot­ter author J.K. Rowl­ing, but the tweets of J.K. Rowl­ing are nonethe­less wor­thy of atten­tion, for the sake of fans of the series, many of whom are young and do not under­stand why their par­ents might sud­den­ly be angry with her, or who are very angry with her them­selves. As you have prob­a­bly heard, Rowl­ing has dou­bled and tripled down on state­ments oth­ers have repeat­ed­ly told her are trans­pho­bic, igno­rant, and offen­sive.

What­ev­er you think of her tweets (and if you agree with her, you’re prob­a­bly only read­ing this post to dis­agree with me), they sig­nal a fail­ure of empa­thy and humil­i­ty on Rowling’s part. She could just say noth­ing and try to lis­ten and learn more. Empa­thy does not require that we whol­ly under­stand another’s lived expe­ri­ence. Only that we can imag­ine feel­ing the feel­ings some­one has about it—feelings of mar­gin­al­iza­tion, dis­ap­point­ment, fear, desire for recog­ni­tion and respect, what­ev­er; and that we trust they know more about who they are than we do.

Rowl­ing is nei­ther a trans woman, nor a doc­tor, nor an expert on gen­der iden­ti­ty, a fact that Daniel Rad­cliffe, Har­ry Pot­ter him­self, points out in his response to her:

Trans­gen­der women are women. Any state­ment to the con­trary eras­es the iden­ti­ty and dig­ni­ty of trans­gen­der peo­ple and goes against all advice giv­en by pro­fes­sion­al health care asso­ci­a­tions who have far more exper­tise on this sub­ject mat­ter than either Jo or I. Accord­ing to The Trevor Project, 78% of trans­gen­der and non­bi­na­ry youth report­ed being the sub­ject of dis­crim­i­na­tion due to their gen­der iden­ti­ty. It’s clear that we need to do more to sup­port trans­gen­der and non­bi­na­ry peo­ple, not inval­i­date their iden­ti­ties, and not cause fur­ther harm.

While the author has qual­i­fied her dog­mat­ic state­ments by express­ing sup­port for the trans com­mu­ni­ty and say­ing she has many trans friends, this doesn’t explain why she feels the need to offer unin­formed opin­ions about peo­ple who face very real harm from such rhetoric: who are rou­tine­ly vic­tims of vio­lent hate crimes and are far more like­ly to live in pover­ty and face employ­ment dis­crim­i­na­tion.

Radcliffe’s thought­ful, kind response will get more clicks if it’s sold as “Har­ry Pot­ter Claps Back at J.K. Rowl­ing” or “Har­ry Pot­ter DESTROYS J.K. Rowl­ing” or “Har­ry Pot­ter Bites the Hand that Fed Him” or some­thing, but he wants to make it clear “that is real­ly not what this is about, nor is it what’s impor­tant right now” and that he would­n’t be where he is with­out her. He clos­es with a love­ly mes­sage to the series’ fans, one that might apply to any of our trou­bled rela­tion­ships with an artist and their work:

To all the peo­ple who now feel that their expe­ri­ence of the books has been tar­nished or dimin­ished, I am deeply sor­ry for the pain these com­ments have caused you. I real­ly hope that you don’t entire­ly lose what was valu­able in these sto­ries to you. If these books taught you that love is the strongest force in the uni­verse, capa­ble of over­com­ing any­thing; if they taught you that strength is found in diver­si­ty, and that dog­mat­ic ideas of pure­ness lead to the oppres­sion of vul­ner­a­ble groups; if you believe that a par­tic­u­lar char­ac­ter is trans, non­bi­na­ry, or gen­der flu­id, or that they are gay or bisex­u­al; if you found any­thing in these sto­ries that res­onat­ed with you and helped you at any time in your life — then that is between you and the book that you read, and it is sacred. And in my opin­ion nobody can touch that. It means to you what it means to you and I hope that these com­ments will not taint that too much.

The state­ment was post­ed at the Trevor Project, an orga­ni­za­tion pro­vid­ing “cri­sis inter­ven­tion and sui­cide pre­ven­tion ser­vices to les­bian, gay, bisex­u­al, trans­gen­der, queer & ques­tion­ing (LGBTQ) young peo­ple under 25.” Learn more about resources for young peo­ple who might need men­tal health sup­port at their site.

Update: You can read Rowl­ing’s response, post­ed today here.

Relat­ed Con­tent:

J.K. Rowl­ing Defends Don­ald Trump’s Right to Be “Offen­sive and Big­ot­ed”

J.K. Rowl­ing Is Pub­lish­ing Her New Children’s Nov­el Free Online, One Chap­ter Per Day

Har­ry Pot­ter Final­ly Gets Trans­lat­ed Into Scots: Hear & Read Pas­sages from Har­ry Pot­ter and the Philosopher’s Stane

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

An Anti-Racist Reading List: 20 Books Recommended by Open Culture Readers

You may have received an email from your favorite online retail­er, your boss, uni­ver­si­ty pres­i­dent, or the CEO of your bank: “It has come to our atten­tion that racism is real, and it is real­ly, real­ly bad.” Oppor­tunism is real too, but a sig­nif­i­cant num­ber of indi­vid­u­als seem to have final­ly drawn the same con­clu­sion and feel moral­ly com­pelled to do some­thing about an epi­dem­ic that has—very discriminately—killed tens of thou­sands of black, indige­nous, and peo­ple of col­or in the U.S. through the unequal dis­tri­b­u­tion of med­ical resources, and dozens more at the hands of the police and racist vig­i­lantes. That’s only in the past three months.

But racism isn’t new; the cur­rent con­flict has been on its way for a very long time. How long? Anti-racist schol­ar and activist Ibram X. Ken­di, author of the Nation­al Book Award-Win­ning Stamped from the Begin­ning, would say from the country’s ear­li­est set­tle­ment and enslave­ment of African peo­ple. “For near­ly six cen­turies,” he writes, “antiracist ideas have been pit­ted against two kinds of racist ideas: seg­re­ga­tion­ist and assim­i­la­tion­ist,” Ken­di wrote dur­ing the protests in Fer­gu­son and oth­er U.S. cities. At the time, antiracists were large­ly char­ac­ter­ized in main­stream media as fringe agi­ta­tors, naïve Gen‑Z neo­phytes, and pos­si­ble for­eign agents, not “real Amer­i­cans.”

How things have changed in six years. Antiracism has become a default posi­tion, all of a sud­den, for per­haps the first time in U.S. his­to­ry, so much so that every com­pa­ny and insti­tu­tion has issued some sort of state­ment in sup­port of Black Lives Mat­ter, and every­one is col­lect­ing and shar­ing Anti-Racist Read­ing Lists, near­ly all of which con­tain Kendi’s fol­low-up book, last year’s How to Be an Anti-Racist (which he dis­cuss­es above with Brené Brown). How long this will last is any­one’s guess, but it is with­out a doubt a cul­tur­al sea change a long time in the mak­ing.

Ken­di and White Fragili­ty author Robin DiAn­ge­lo are the “mac dad­dies of the bunch” of recent antiracist authors, Lau­ren Michele Jack­son writes at Vul­ture, and it’s become a crowd­ed field as more and more Amer­i­cans attempt to come to grips with a nation­al his­to­ry many of them are learn­ing for the first time. As Ken­di and Pulitzer Prize-win­ning jour­nal­ist Nikole Han­nah-Jones, cre­ator of the 1619 project, dis­cuss on Chris Hayes’ pod­cast at the top, the country’s past as it is taught to us and as it hap­pened are two entire­ly dif­fer­ent things. Antiracism has always rec­og­nized the vicious, cease­less mur­der, dis­en­fran­chise­ment, and ran­sack­ing of black and brown peo­ple, and has pushed against the nar­ra­tives that deny or excuse these acts.

Car­ol Ander­son, author of White Rage, has giv­en us one of the most raw, com­pelling, and exhaus­tive­ly researched accounts of the vio­lence of Recon­struc­tion and the lynch­ings of the ear­ly 20th cen­tu­ry. Above, she links the mur­der of 25-year-old Ahmaud Arbery and recent police killings to the shock­ing­ly bru­tal racism that fol­lowed the Civ­il War. Anderson’s book also rou­tine­ly appears on sug­gest­ed read­ing lists, and well it should. All of these schol­ars and authors have pro­duced acces­si­ble work full of his­to­ries one might pre­vi­ous­ly have only encoun­tered in grad­u­ate-lev­el col­lege and uni­ver­si­ty cours­es. It is essen­tial infor­ma­tion for peo­ple com­mit­ted to over­turn­ing racist sys­tems, which is exact­ly why it has been left out of the text­books.

For all the urgency of edu­ca­tion, the anti-racist book­list is an ambigu­ous kind of cur­ren­cy. Jack­son won­ders what func­tion it serves, exact­ly. Read­ing lists can be an eru­dite brush-off, a polite way of say­ing, “go away and read a book.” They can be a way to sig­nal mas­tery and work for online mer­it badges rather than real ben­e­fi­cial action. They can “feel good to solic­it, good to mete out, but some­one at some point has to get down to the busi­ness of read­ing. And there, between giv­ing and receiv­ing, lies a great gulf. No one can quite account for what hap­pens. Read­ing, hope­ful­ly, but you nev­er can be sure.”

Jackson’s cri­tique of the anti-racist read­ing list is worth read­ing before engag­ing with lists of books, recent and his­tor­i­cal, that oppose racist ideas, poli­cies, and sys­tems. What are we look­ing for in such lists? And can we real­ly make good use of them? She makes a case for why fic­tion, poet­ry, and dra­ma should not appear, since they deserve the sta­tus of art, not as instru­men­tal works of social change. “It is unfair,” Jack­son writes, “to beg oth­er lit­er­a­ture and oth­er authors, many of them dead, to do this sort of work for some­one,” when the work they set out to do is pri­mar­i­ly cre­ative. Ignor­ing genre “rein­forces an already per­ni­cious lit­er­ary divide that books writ­ten by or about minori­ties are for edu­ca­tion­al pur­pos­es” only.

Despite many poten­tial blind spots, despite the fact that “our cus­tom­ar­i­ly wan atten­tion spans have been dec­i­mat­ed” by pan­dem­ic and protest, the read­ing “has to get done,” Jack­son weari­ly admits. Anti-racist book­lists must cir­cu­late. And read­ers must make crit­i­cal judg­ments about which books to read and what to take away from them, since we’re giv­en the equiv­a­lent of a syl­labus with­out a class or an instruc­tor. We trust that our read­ers can find their way and will make a good faith effort to do the read­ing. There won’t be a grad­ed exam; the test is far more con­se­quen­tial than that.

We solicit­ed an anti-racist read­ing list on Twit­ter and chose the books below sub­mit­ted by our read­ers. Since there’s no such thing as a defin­i­tive list, and dif­fer­ent kinds of read­ers have dif­fer­ent needs, we include oth­er col­lec­tions of read­ings lists here, includ­ing “41 Children’s Books to Sup­port Con­ver­sa­tions on Race, Racism, and Resis­tance.” You’ll find an anti-racist read­ing list on Twit­ter, here, com­piled by doc­tor­al researcher Vic­to­ria Alexan­der, and a list on LinkedIn enti­tled “Why White Peo­ple Stay Silent on Racism, and What to Read First,” from orga­ni­za­tion­al psy­chol­o­gist Adam Grant.

If this is over­whelm­ing but you feel you must start to engage with the his­to­ry and the­o­ry of anti-racism, don’t despair or buy a pile of books you know you can’t read right now. All of the most promi­nent anti-racist authors have been in high demand for inter­views. “There are snap­pi­er places to glean the long-sto­ry-short of Amer­i­ca, like pod­casts, if it took some­one this long to care,” writes Jack­son, or if, like so many mil­lions of oth­er stressed out, angry, griev­ing, out-of-work Amer­i­cans, you’re sim­ply too burned out to crack anoth­er book. But if you’re will­ing and able to dig in, see our read­er-sub­mit­ted list below and sug­gest oth­er titles you’d rec­om­mend in the com­ments. If you pre­fer audio­books, many of these texts also exist as audio­books on Audi­ble. Get details on Audi­ble’s free tri­al here.

Between the World and Me—Ta-Nehisi Coates: Hailed by Toni Mor­ri­son as “required read­ing,” a bold and per­son­al lit­er­ary explo­ration of America’s racial his­to­ry by “the most impor­tant essay­ist in a gen­er­a­tion and a writer who changed the nation­al polit­i­cal con­ver­sa­tion about race” (Rolling Stone)

Biased: Uncov­er­ing the Hid­den Prej­u­dice That Shapes What We See, Think, and Do—Jen­nifer L. Eber­hardt PhD: How do we talk about bias? How do we address racial dis­par­i­ties and inequities? What role do our insti­tu­tions play in cre­at­ing, main­tain­ing, and mag­ni­fy­ing those inequities? What role do we play? With a per­spec­tive that is at once sci­en­tif­ic, inves­tiga­tive, and informed by per­son­al expe­ri­ence, Dr. Jen­nifer Eber­hardt offers us the lan­guage and courage we need to face one of the biggest and most trou­bling issues of our time. She expos­es racial bias at all lev­els of society—in our neigh­bor­hoods, schools, work­places, and crim­i­nal jus­tice sys­tem. Yet she also offers us tools to address it.

Black Like Me—John Howard Grif­fin: The his­to­ry-mak­ing clas­sic about cross­ing the line in Amer­i­ca’s seg­re­gat­ed south. The Atlanta Jour­nal & Con­sti­tu­tion calls it “One of the deep­est, most pen­e­trat­ing doc­u­ments yet set down on the racial ques­tion.”

How To Be An Antiracist — Ibram X. Ken­di: “What do you do after you have writ­ten Stamped From the Begin­ning, an award-win­ning his­to­ry of racist ideas? … If you’re Ibram X. Ken­di, you craft anoth­er stun­ner of a book.… What emerges from these insights is the most coura­geous book to date on the prob­lem of race in the West­ern mind, a con­fes­sion­al of self-exam­i­na­tion that may, in fact, be our best chance to free our­selves from our nation­al nightmare.”—The New York Times

I Can’t Breathe: A Killing on Bay Street—Matt Tiab­bi: A work of riv­et­ing lit­er­ary jour­nal­ism that explores the roots and reper­cus­sions of the infa­mous killing of Eric Gar­ner by the New York City police.

Just Mer­cy: A Sto­ry of Jus­tice and Redemp­tion—Bryan Steven­son: “Every bit as mov­ing as To Kill a Mock­ing­bird, and in some ways more so … a sear­ing indict­ment of Amer­i­can crim­i­nal jus­tice and a stir­ring tes­ta­ment to the sal­va­tion that fight­ing for the vul­ner­a­ble some­times yields.”—David Cole, The New York Review of Books

On the Cour­t­house Lawn: Con­fronting the Lega­cy of Lynch­ing in the Twen­ty-First Cen­tu­ry—Sher­ri­lyn A. Ifill: “This path­break­ing book by Sher­ri­lyn Ifill shows how the ugli­est mes­sages from our racial his­to­ry and pol­i­tics can hide open­ly in the pub­lic square. Her unflinch­ing mem­o­ry restores hope for the com­mon good.”—Taylor Branch, Pulitzer Prize–winning author of Part­ing the Waters

So You Want to Talk About Race—Ijeo­ma Oluo: “Ijeo­ma Olu­o’s [book] is a wel­come gift to us all — a crit­i­cal offer­ing dur­ing a moment when the hard work of social trans­for­ma­tion is ham­pered by the inabil­i­ty of any­one who ben­e­fits from sys­temic racism to reck­on with its costs. Olu­o’s man­date is clear and pow­er­ful: change will not come unless we are brave enough to name and remove the many forces at work stran­gling free­dom. Racial suprema­cy is but one of those forces.” ―Dar­nell L. Moore, author of No Ash­es in the Fire

Stamped from the Begin­ning: The Defin­i­tive His­to­ry of Racist Ideas in Amer­i­ca—Ibram X. Ken­di: The Nation­al Book Award win­ning his­to­ry of how racist ideas were cre­at­ed, spread, and deeply root­ed in Amer­i­can soci­ety. In this deeply researched and fast-mov­ing nar­ra­tive, Ken­di chron­i­cles the entire sto­ry of anti-black racist ideas and their stag­ger­ing pow­er over the course of Amer­i­can his­to­ry. He uses the life sto­ries of five major Amer­i­can intel­lec­tu­als to dri­ve this his­to­ry: Puri­tan min­is­ter Cot­ton Math­er, Thomas Jef­fer­son, abo­li­tion­ist William Lloyd Gar­ri­son, W.E.B. Du Bois, and leg­endary activist Angela Davis.

Stamped: Racism, Antiracism, and You—Jason Reynolds and Ibram X. Ken­di: “Read­ers who want to tru­ly under­stand how deeply embed­ded racism is in the very fab­ric of the U.S., its his­to­ry, and its sys­tems will come away edu­cat­ed and enlight­ened. Wor­thy of inclu­sion in every home and in cur­ric­u­la and libraries every­where. Impres­sive and much need­ed.” ―Kirkus

Sun­down Towns—James Loewen: In this ground­break­ing work, soci­ol­o­gist James W. Loewen brings to light decades of hid­den racial exclu­sion in Amer­i­ca. In a sweep­ing analy­sis of Amer­i­can res­i­den­tial pat­terns, Loewen uncov­ers the thou­sands of “sun­down towns”—almost exclu­sive­ly white towns where it was an unspo­ken rule that blacks weren’t welcome—that cropped up through­out the twen­ti­eth cen­tu­ry, most of them locat­ed out­side of the South.

The Auto­bi­og­ra­phy of Mal­colm X: As Told to Alex Haley: In the sear­ing pages of this clas­sic 1964 auto­bi­og­ra­phy, Mal­colm X out­lines the lies and lim­i­ta­tions of the Amer­i­can Dream, along with the inher­ent racism in a soci­ety that denies its non­white cit­i­zens the oppor­tu­ni­ty to dream.

The Col­or of Law—Richard Roth­stein: Roth­stein argues with exact­ing pre­ci­sion and fas­ci­nat­ing insight how seg­re­ga­tion in America—the inces­sant kind that con­tin­ues to dog our major cities and has con­tributed to so much recent social strife—is the byprod­uct of explic­it gov­ern­ment poli­cies at the local, state, and fed­er­al lev­els.

The Fire Next Time—James Bald­win: “Bald­win’s best­seller from 1963, which com­mem­o­rat­ed the cen­ten­ni­al of the sign­ing of the Eman­ci­pa­tion Procla­ma­tion, still res­onates pow­er­ful­ly today. The late author’s book con­sists of two essays that exam­ine racial injus­tice in Amer­i­ca, includ­ing his own expe­ri­ence grow­ing up as a black teenag­er in Harlem.”

The New Jim Crow: Mass Incar­cer­a­tion in the Age of Col­or­blind­ness —Michelle Alexan­der: The New Jim Crow “took the acad­e­my and the streets by storm, and forced the nation to recon­sid­er the sys­tems that allowed for bla­tant discrimination.”—The Chron­i­cle of High­er Edu­ca­tion

The Oth­er by Wes Moore: “This is a fas­ci­nat­ing book about two young men from Bal­ti­more with the same name. One, the author, became a Rhodes Schol­ar while the oth­er land­ed in jail. It’s as much a med­i­ta­tion on cir­cum­stance and luck as it is a com­men­tary on how suc­cess­ful our soci­ety is in man­ag­ing those who are on the precipice, both social­ly and eco­nom­i­cal­ly.”

The Per­son You Mean to Be: How Good Peo­ple Fight Bias—Dol­ly Chugh: An inspir­ing guide from Dol­ly Chugh, an award-win­ning social psy­chol­o­gist at the New York Uni­ver­si­ty Stern School of Busi­ness, on how to con­front dif­fi­cult issues includ­ing sex­ism, racism, inequal­i­ty, and injus­tice so that you can make the world (and your­self) bet­ter.

The Warmth of Oth­er Suns—Isabel Wilk­er­son: In this epic, beau­ti­ful­ly writ­ten mas­ter­work, Pulitzer Prize–winning author Isabel Wilk­er­son chron­i­cles one of the great untold sto­ries of Amer­i­can his­to­ry: the decades-long migra­tion of black cit­i­zens who fled the South for north­ern and west­ern cities, in search of a bet­ter life.

White Fragili­ty: Why It’s So Hard for White Peo­ple to Talk About Racism—Robin DiAn­ge­lo: The New York Times best-sell­ing book explor­ing the coun­ter­pro­duc­tive reac­tions white peo­ple have when their assump­tions about race are chal­lenged, and how these reac­tions main­tain racial inequal­i­ty.

White Rage—Car­ol Ander­son: “White Rage is a riv­et­ing and dis­turb­ing his­to­ry that begins with Recon­struc­tion and lays bare the efforts of whites in the South and North alike to pre­vent eman­ci­pat­ed black peo­ple from achiev­ing eco­nom­ic inde­pen­dence, civ­il and polit­i­cal rights, per­son­al safe­ty, and eco­nom­ic oppor­tu­ni­ty.” — The Nation

Why Are All the Black Kids Sit­ting Togeth­er in the Cafe­te­ria?—Bev­er­ly Daniel Tatum: Walk into any racial­ly mixed high school and you will see Black, White, and Lati­no youth clus­tered in their own groups. Is this self-seg­re­ga­tion a prob­lem to address or a cop­ing strat­e­gy? Bev­er­ly Daniel Tatum, a renowned author­i­ty on the psy­chol­o­gy of racism, argues that straight talk about our racial iden­ti­ties is essen­tial if we are seri­ous about enabling com­mu­ni­ca­tion across racial and eth­nic divides. This ful­ly revised edi­tion is essen­tial read­ing for any­one seek­ing to under­stand the dynam­ics of race in Amer­i­ca.

Relat­ed Con­tent: 

Noam Chom­sky Explains the Best Way for Ordi­nary Peo­ple to Make Change in the World, Even When It Seems Daunt­ing

Watch Ava DuVernay’s 13th Free Online: An Award-Win­ning Doc­u­men­tary Reveal­ing the Inequal­i­ties in the US Crim­i­nal Jus­tice Sys­tem

Albert Ein­stein Explains How Slav­ery Has Crip­pled Everyone’s Abil­i­ty to Think Clear­ly About Racism

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

An Emotional Journey into the Heart of August Sander’s Iconic Photograph, “Three Farmers on Their Way to a Dance”

The por­trait is your mir­ror. It’s you.August Sander

A pic­ture is worth a thou­sand words, and com­pelling por­traits that speak elo­quent­ly to a crit­i­cal moment in his­to­ry often earn many more than that.

Author John Green’s thought­ful Art Assign­ment inves­ti­ga­tion into Three Farm­ers on Their Way to a DanceAugust Sanders’ 1914 pho­to­graph, taps into our need to inter­pret what we’re look­ing at.

The descrip­tive title (the piece is alter­na­tive­ly referred to as Young Farm­ers) offers some clues, as does the date.

The sub­jects’ youth and location—a remote vil­lage in the Ger­man Westerwald—suggest, cor­rect­ly as it turns out, that they would soon be bound for what Green terms “anoth­er dance,” WWI.

Green has learned far more about the peo­ple in his favorite pho­to since he cov­ered it in a 2‑minute seg­ment for his vlog­broth­ers chan­nel below.

Much of the short­er video’s nar­ra­tion car­ries over to the Art Assign­ment script, but this time, Green has the help of “a com­mu­ni­ty of prob­lem solvers” who con­tributed research that fleshed out the nar­ra­tive.

We now know the young farm­ers’ iden­ti­ties, actu­al occu­pa­tions, what they did in the war, and their even­tu­al fate.

Dit­to their con­nec­tion to pho­tog­ra­ph­er Sanders, who lugged his equip­ment on foot to the remote moun­tain path the friends would be trav­el­ing in fin­ery made pos­si­ble by the Sec­ond Indus­tri­al Rev­o­lu­tion.

A con­sum­mate sto­ry­teller, Greene makes a meal out of what he has learned.

It would pro­vide the basis for a hel­lu­va book…though here anoth­er author has beat­en Green to the punch. Richard Pow­ers’ nov­el, also titled Three Farm­ers on Their Way to a Dance, was a Nation­al Book Crit­ics Cir­cle Award Final­ist in 1985.

Relat­ed Con­tent: 

The First Pho­to­graph Ever Tak­en (1826)

Take a Visu­al Jour­ney Through 181 Years of Street Pho­tog­ra­phy (1838–2019)

See the First Pho­to­graph of a Human Being: A Pho­to Tak­en by Louis Daguerre (1838)

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Here lat­est project is an ani­ma­tion and a series of free down­load­able posters, encour­ag­ing cit­i­zens to wear masks in pub­lic and wear them prop­er­ly. Fol­low her @AyunHalliday.

J.K. Rowling Is Publishing Her New Children’s Novel Free Online, One Chapter Per Day

Image via Wiki­me­dia Com­mons

J.K. Rowl­ing may be the queen of chil­dren’s lit­er­a­ture, but how many of her fans have noticed she has­n’t pub­lished a book for chil­dren in near­ly thir­teen years? Today’s twen­tysome­things will recall fond­ly the sum­mer of 2007, when they descend­ed upon book­stores for their copy, or copies, of the con­clud­ing vol­ume of the Har­ry Pot­ter series. There­after Rowl­ing, no doubt eager to write for an audi­ence clos­er to her own age, put out the bleak social com­e­dy The Casu­al Vacan­cy and a series of crime thrillers under the pseu­do­nym Robert Gal­braith. Rowl­ing’s lat­est Gal­braith nov­el Trou­bled Blood is sched­uled for pub­li­ca­tion in the fall of this year, but the cur­rent gen­er­a­tion of young read­ers can enjoy her new fairy tale The Ick­abog online now as she seri­al­izes it for free over the next two months.

“The idea for The Ick­abog came to me while I was still writ­ing Har­ry Pot­ter,” says Rowl­ing in an intro­duc­to­ry post on her own web site. Hav­ing writ­ten “most of a first draft in fits and starts between Pot­ter books,” she end­ed up shelv­ing it for near­ly a decade. “Over time I came to think of it as a sto­ry that belonged to my two younger chil­dren, because I’d read it to them in the evenings when they were lit­tle, which has always been a hap­py fam­i­ly mem­o­ry.”

The unfin­ished man­u­script came back to mind more recent­ly as a pos­si­ble enter­tain­ment for chil­dren in coro­n­avirus lock­down all over the world. “As I worked to fin­ish the book, I start­ed read­ing chap­ters night­ly to the fam­i­ly again. This was one of the most extra­or­di­nary expe­ri­ences of my writ­ing life.”

With the work now com­plete, Rowl­ing will “be post­ing a chap­ter (or two, or three) every week­day between 26th May and 10th July on The Ick­abog web­site.” The first chap­ter, which is avail­able now, begins as fol­lows:

Once upon a time, there was a tiny coun­try called Cor­nu­copia, which had been ruled for cen­turies by a long line of fair-haired kings. The king at the time of which I write was called King Fred the Fear­less. He’d announced the ‘Fear­less’ bit him­self, on the morn­ing of his coro­na­tion, part­ly because it sound­ed nice with ‘Fred’, but also because he’d once man­aged to catch and kill a wasp all by him­self, if you didn’t count five foot­men and the boot boy.

This prose will feel famil­iar to par­ents who grew up read­ing Har­ry Pot­ter them­selves, and who will sure­ly be pleased to see Rowl­ing’s sig­na­ture sense of humo(u)r still in effect. These par­ents can read The Ick­abog’s week­ly install­ments to their own chil­dren, as well as encour­age those artis­ti­cal­ly inclined to con­tribute their own visu­als to the sto­ry by par­tic­i­pat­ing in the Ick­abog illus­tra­tion com­pe­ti­tion. “Cre­ativ­i­ty, inven­tive­ness and effort are the most impor­tant things,” Rowl­ing notes. “We aren’t nec­es­sar­i­ly look­ing for the most tech­ni­cal skill!” She also empha­sizes, as regards the sto­ry itself, that though its themes include “truth and the abuse of pow­er,” it “isn’t intend­ed to be read as a response to any­thing that’s hap­pen­ing in the world right now.” Many fac­tors have con­tributed to Rowl­ing’s great suc­cess, but her pref­er­ence for the time­less over the top­i­cal sure­ly isn’t a minor one. Read her sto­ry here.

Relat­ed Con­tent:

How J.K. Rowl­ing Plot­ted Har­ry Pot­ter with a Hand-Drawn Spread­sheet

J.K. Rowl­ing Pub­lish­es New Har­ry Pot­ter Sto­ry About the Malev­o­lent Dolores Umbridge

J.K. Rowl­ing Defends Don­ald Trump’s Right to Be “Offen­sive and Big­ot­ed”

J.K. Rowl­ing Tells Har­vard Grads Why Suc­cess Begins with Fail­ure

Clas­sic Children’s Books Now Dig­i­tized and Put Online: Revis­it Vin­tage Works from the 19th & 20th Cen­turies

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

Bill Gates Recommends 5 Thought-Provoking Books to Read This Summer

Have free time on your hands? Then let Bill Gates sug­gest five books to fill your days. Most take you deep­er into think­ing about our chal­leng­ing times. At least one pro­vides a men­tal escape. Bill writes:

Upheaval: Turn­ing Points for Nations in Cri­sis, by Jared Dia­mond. I’m a big fan of every­thing Jared has writ­ten, and his lat­est is no excep­tion. The book explores how soci­eties react dur­ing moments of cri­sis. He uses a series of fas­ci­nat­ing case stud­ies to show how nations man­aged exis­ten­tial chal­lenges like civ­il war, for­eign threats, and gen­er­al malaise. It sounds a bit depress­ing, but I fin­ished the book even more opti­mistic about our abil­i­ty to solve prob­lems than I start­ed. More here.

Nine Pints: A Jour­ney Through the Mys­te­ri­ous, Mirac­u­lous World of Blood. If you get grossed out by blood, this one prob­a­bly isn’t for you. But if you’re like me and find it fas­ci­nat­ing, you’ll enjoy this book by a British jour­nal­ist with an espe­cial­ly per­son­al con­nec­tion to the sub­ject. I’m a big fan of books that go deep on one spe­cif­ic top­ic, so Nine Pints (the title refers to the vol­ume of blood in the aver­age adult) was right up my alley. It’s filled with super-inter­est­ing facts that will leave you with a new appre­ci­a­tion for blood. More here.

A Gen­tle­man in Moscow, by Amor Towles. It seems like every­one I know has read this book. I final­ly joined the club after my broth­er-in-law sent me a copy, and I’m glad I did. Towles’s nov­el about a count sen­tenced to life under house arrest in a Moscow hotel is fun, clever, and sur­pris­ing­ly upbeat. Even if you don’t enjoy read­ing about Rus­sia as much as I do (I’ve read every book by Dos­toyevsky), A Gen­tle­man in Moscow is an amaz­ing sto­ry that any­one can enjoy. More here.

Pres­i­dents of War: The Epic Sto­ry, from 1807 to Mod­ern Times, by Michael Beschloss. My inter­est in all aspects of the Viet­nam War is the main rea­son I decid­ed to pick up this book. By the time I fin­ished it, I learned a lot not only about Viet­nam but about the eight oth­er major con­flicts the U.S. entered between the turn of the 19th cen­tu­ry and the 1970s. Beschloss’s broad scope lets you draw impor­tant cross-cut­ting lessons about pres­i­den­tial lead­er­ship. More here.

The Future of Cap­i­tal­ism: Fac­ing the New Anx­i­eties, by Paul Col­lier. Collier’s lat­est book is a thought-pro­vok­ing look at a top­ic that’s top of mind for a lot of peo­ple right now. Although I don’t agree with him about everything—I think his analy­sis of the prob­lem is bet­ter than his pro­posed solutions—his back­ground as a devel­op­ment econ­o­mist gives him a smart per­spec­tive on where cap­i­tal­ism is head­ed.

Find anoth­er addi­tion­al list of books Gates con­sid­ers worth read­ing here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How Bill Gates Reads Books

Bill Gates Describes His Biggest Fear: “I Rate the Chance of a Wide­spread Epi­dem­ic Far Worse Than Ebo­la at Well Over 50 Per­cent” (2015)

Bill Gates Names 5 Books You Should Read This Sum­mer (2018)

Bill Gates Rec­om­mends Five Books for Sum­mer 2017

5 Books Bill Gates Wants You to Read This Sum­mer (2016)

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