Hear the First Book of Homer’s Iliad Read Aloud in the Original Greek

You can, of course, learn the Greek lan­guage as it’s spo­ken today. You can also learn Greek as it was spo­ken in antiq­ui­ty — and as it was, until fair­ly recent­ly in his­tor­i­cal time, taught to stu­dents in the mod­ern West. But it’s a fair­ly dif­fer­ent endeav­or again to learn Greek as Homer spoke it. The fact of the mat­ter is that no human being ever real­ly spoke like Achilles, Agamem­non, Odysseus, Pene­lope, or any of the oth­er char­ac­ters in the Ili­ad and Odyssey. Home­r’s many lit­er­ary achieve­ments through these works include the cre­ation and com­mand of a kind of syn­the­sized poet­ic Greek, com­bin­ing qual­i­ties of region­al Ion­ic and Aeolic dialects with var­i­ous forms and expres­sions that were out­dat­ed even in the eighth cen­tu­ry BC. If it served the meter, Homer used it.

Need­less to say, when most of us attempt to read Homer aloud in the orig­i­nal, we get it all or most­ly wrong, even if we’re famil­iar with mod­ern Greek. We’d have to spend a long time indeed in the world of clas­si­cists before hear­ing a more accu­rate record­ing than the one above, deliv­ered by a YouTu­ber called Thomas Whichel­lo.

On his chan­nel, Whichel­lo spe­cial­izes in per­form­ing ven­er­a­ble lit­er­ary texts with a pro­nun­ci­a­tion and cadence as close to peri­od-accu­rate as pos­si­ble, often in the orig­i­nal lan­guage, some­times with his own musi­cal accom­pa­ni­ment. He’s done read­ings of the Bible, Shake­speare, Keats, and Wilde, but none so far has been so pop­u­lar as his ren­di­tion of the first book of the Ili­ad, accom­pa­nied by sub­ti­tles of Home­r’s text and an Eng­lish trans­la­tion.

A Greek here in 2026 with no par­tic­u­lar knowl­edge of the clas­si­cal lan­guage may under­stand a quar­ter of the indi­vid­ual words Whichel­lo uses, and maybe half of them in cer­tain pas­sages. Actu­al­ly being able to fol­low the sto­ry, how­ev­er, is anoth­er mat­ter. Still, you can get a sur­pris­ing amount out of the video even if you under­stand noth­ing at all, since Whichel­lo is aim­ing not just for lin­guis­tic accu­ra­cy, but also emo­tion­al res­o­nance in his deliv­ery. Ignore his glass­es, but­ton-down shirt, micro­phone, and win­dow frame, and you could almost be sit­ting around a camp­fire with him near­ly 30 cen­turies ago. Note, also, that the com­menters include gen­uine clas­si­cists who call his the best read­ing they’ve ever heard — as well as view­ers, cre­den­tialed or oth­er­wise, eager to hear him name all those mighty Achaean ships in Book 2.

Relat­ed con­tent:

Watch All 18,225 Lines of the Ili­ad Read by 66 Actors in a Marathon Event For an Audi­ence of 50,000

Hear What Homer’s Odyssey Sound­ed Like When Sung in the Orig­i­nal Ancient Greek

Learn Ancient Greek in 118 Free Lessons: A Free Online Course from Bran­deis & Har­vard

The Ancient Greeks: A Free Online Course from Wes­leyan Uni­ver­si­ty

Lis­ten to The Epic of Gil­gamesh Being Read in its Orig­i­nal Ancient Lan­guage, Akka­di­an

Hear Beowulf and Gawain and the Green Knight Read in Their Orig­i­nal Old and Mid­dle Eng­lish by an MIT Medieval­ist

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

An Introduction to the Islamic World: 1,000 Years of History in 19 Minutes

Ref­er­ences to Islam in major media can make it sound mono­lith­ic and eter­nal. But it’s actu­al­ly a much younger and less uni­fied phe­nom­e­non than many of us imag­ine, espe­cial­ly if we hap­pen to live out­side the Mid­dle East. As a reli­gion, it dates back “only” to the sev­enth cen­tu­ry, when it was found­ed by the Prophet Muham­mad. As an engine of large-scale civ­i­liza­tion, Islam took a bit longer to come into its own, and it has­n’t stopped under­go­ing divi­sions, trans­for­ma­tions, declines, and rebirths since. Here on Open Cul­ture, we recent­ly fea­tured a video from YouTube chan­nel How So cov­er­ing 1,000 years of medieval Euro­pean his­to­ry in 20 min­utes. The one above does the same thing for the Islam­ic world’s first mil­len­ni­um, end­ing with the rise of the Ottoman Empire.

After he unit­ed the for­mer­ly poly­the­is­tic Arab tribes under his new faith, Muham­mad lived for a decade longer. His death in the year 632 marked the last time that every believ­er in Islam would have been on the same page. It was at that point that the title caliph, or suc­ces­sor, was defined, and the first four caliphs after Muham­mad held pow­er for thir­ty years, the peri­od in which the first Mus­lim state emerged.

The caliphate, as their ter­ri­to­ry was called, expand­ed wide­ly across and out of the Ara­bi­an Penin­su­la, into the ter­ri­to­ries of the Byzan­tine and Sas­san­ian empires. Sup­port­ers of the ear­ly caliph Ali ibn Abi Tal­ib argued that he was the true heir to Islam, and detrac­tors that he was­n’t. Even­tu­al­ly, the for­mer group became known as the Shias, and the lat­ter as the Sun­nis, the two sides of a schism of which prac­ti­cal­ly every­one today has heard.

Less­er known to the gen­er­al pub­lic are the Umayyads, Abbasids, Buyids, and Fatimids, all of them major play­ers in the con­tin­u­ing expan­sion of Islam well into the Mid­dle Ages. But the still-famil­iar place names of Dam­as­cus, Jerusalem, Bagh­dad, and Con­stan­tino­ple (or, as we know it, Istan­bul) are just as impor­tant in these chap­ters of the sto­ry of Islam, and with­out under­stand­ing that reli­gion, it’s impos­si­ble to under­stand the diverse forms that civ­i­liza­tion has tak­en in those places and oth­ers in the wider region of the world around them. The cri­sis of author­i­ty that began set­ting in after Muham­mad’s death has, in some sense, per­sist­ed for near­ly four­teen cen­turies now, more than long enough to have become a defin­ing char­ac­ter­is­tic of the Islam­ic world. What shape its soci­eties will take over the next mil­len­ni­um, it would sure­ly take a prophet to know.

Relat­ed Con­tent:

The Birth and Rapid Rise of Islam, Ani­mat­ed (622‑1453)

500+ Beau­ti­ful Man­u­scripts from the Islam­ic World Now Dig­i­tized & Free to Down­load

How Medieval Islam­ic Engi­neer­ing Brought Water to the Alham­braThe Com­plex Geom­e­try of Islam­ic Art & Design: A Short Intro­duc­tion

The World Map That Intro­duced Sci­en­tif­ic Map­mak­ing to the Medieval Islam­ic World (1154 AD)

Learn Islam­ic & Indi­an Phi­los­o­phy with 107 Episodes of the His­to­ry of Phi­los­o­phy With­out Any Gaps Pod­cast

1,000 Years of Medieval Euro­pean His­to­ry in 20 Min­utes

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

A Tour of Athens’ Acropolis, Explained with 3D Reconstructions

Since it was first built as a Myce­naean fortress in the thir­teenth cen­tu­ry BC, what we now know as the Acrop­o­lis has been used to wor­ship not just Greek gods, but also, in lat­er peri­ods, the Vir­gin Mary and Allah. Now, of course, with its days of mil­i­tary and reli­gious func­tions long behind it, it stands as a set of ruins. Still, they’re very pop­u­lar ruins, as evi­denced by the crowds cap­tured in the video above from Manuel Bra­vo. Though most tourists at the Acrop­o­lis come with the idea that its build­ings would have looked more glo­ri­ous in the dis­tant past, few can have much of a sense of how to imag­ine that with any accu­ra­cy. Using 3D mod­els, Bra­vo inte­grates views of how the Parthenon, the Tem­ple of Athena Nike, and oth­er struc­tures look now with how they would have looked in Athens’ gold­en age.

To ful­ly appre­ci­ate the Acrop­o­lis requires not just an idea of how it was orig­i­nal­ly intend­ed to look, as Bra­vo empha­sizes, but also the inten­tions of ancient Greek archi­tec­ture. The approach up the hill was meant to feel like an ascent from the mun­dane world into the sacred one.

Enter­ing the cen­tral space on top, the vis­i­tor was led to view­ing points that showed the sur­round­ing col­lec­tion of build­ings at their most dra­mat­ic, a design the archi­tects might have described as cin­e­mat­ic, had cin­e­ma exist­ed at the time. Even in its ruined state, the Acrop­o­lis still trans­mits a sense of how, where, and to what degree that vis­i­tor was meant to be filled with awe, as well as where he was meant to look. And noth­ing up there — at least in the absence of Phidias’ thir­ty-foot stat­ue Athena Pro­ma­chos — draws atten­tion as delib­er­ate­ly as the Parthenon.

As we pre­vi­ous­ly not­ed here on Open Cul­ture, if you make the trip to the Acrop­o­lis your­self, you can now see the Parthenon with­out scaf­fold­ing (or, depend­ing on when you go, a min­i­mum of scaf­fold­ing) for the first time in 200 years. That lack of obstruc­tion makes it eas­i­er to envi­sion the glo­ries of that cel­e­brat­ed build­ing back when it was both the tem­ple of Athena and the trea­sury of Athens. But as Bra­vo says, if you real­ly want to gaze upon the Parthenon as the ancients knew it, mar­bles and all, you’ll have to make the trek out to Nashville, Ten­nessee, where a full-scale repli­ca was built in 1897 for the city’s Cen­ten­ni­al Expo­si­tion. It may feel a bit odd to turn up in a place known for coun­try music and bach­e­lorette par­ties in search of the archi­tec­tur­al, and per­haps spir­i­tu­al foun­da­tion of Europe. But then, civ­i­liza­tion has nev­er tak­en a pre­dictable course.

Relat­ed Con­tent:

How the Ancient Greeks Built Their Mag­nif­i­cent Tem­ples: The Art of Ancient Engi­neer­ing

A 3D Mod­el Reveals What the Parthenon and Its Inte­ri­or Looked Like 2,500 Years Ago

A Vir­tu­al Tour of Ancient Athens: Fly Over Clas­si­cal Greek Civ­i­liza­tion in All Its Glo­ry

The City of Nashville Built a Full-Scale Repli­ca of the Parthenon in 1897, and It’s Still Stand­ing Today

How the World’s Biggest Dome Was Built: The Sto­ry of Fil­ip­po Brunelleschi and the Duo­mo in Flo­rence

Take a High Def, Guid­ed Tour of Pom­peii

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

Take a Random Walk Around the Berlin Wall Just Months Before Its Sudden Fall (Summer 1989)

Offi­cial­ly, the Berlin Wall fell on Novem­ber 9, 1989. Demo­li­tion would take more than four years, and a few sec­tions remain for memo­r­i­al pur­pos­es, but it was on that date that pas­sage between East and West Berlin — and thus East and West Ger­many — opened to all cit­i­zens of both coun­tries. To say that it came as a sur­prise would be a seri­ous under­state­ment. Ear­li­er that year, even the best informed observers were pre­dict­ing that the wall would stand for at least a few more decades. Ear­li­er that day, for that mat­ter, the offi­cials involved in the open­ing did­n’t fore­see that Social­ist Uni­ty Par­ty of Ger­many Sec­re­tary of Infor­ma­tion Gün­ter Sch­abows­ki would, that evening, mis­tak­en­ly declare on nation­al tele­vi­sion that the lib­er­al­iza­tion of bor­der trav­el was effec­tive “imme­di­ate­ly, with­out delay.”

When the bor­der guards final­ly gave up their attempts to hold the line around 11:00 that night, the sur­round­ing scene in both Berlins had turned into what atten­dees now remem­ber, 36 years lat­er, as the biggest street fes­ti­val of their lives. To those of us unable to join in the cel­e­bra­tion at the time, it may seem unlike­ly that such an event could real­ly have occurred with no inti­ma­tions what­so­ev­er.

Yet the footage shot by a trav­el­er in Berlin dur­ing the sum­mer of 1989, right there in the vicin­i­ty of the wall, depicts a city where events seem to be frozen. Though the built envi­ron­ment isn’t with­out touch­es of fad­ed grandeur here and there (and as many West Berlin­ers were soon to dis­cov­er, the real urban state­li­ness was over East), the over­all impres­sion giv­en by what was then the red hot cen­ter of Cold War geopol­i­tics is that of a dullsville.

The most out­ward­ly inter­est­ing fea­ture in these parts of Berlin at the very end of the nine­teen-eight­ies is, of course, the wall itself: the brutish­ness of its form, the hum­drum men­ace of its guards, the accu­mu­la­tion of graf­fi­ti both polit­i­cal and apo­lit­i­cal. At one point, the tourist’s cam­corder cap­tures the memo­ri­als for fall­en wall jumpers, the most recent of which, a cer­tain Chris Guef­froy, had made his fate­ful escape attempt from the East that past Feb­ru­ary. His­to­ry would soon immor­tal­ize him as the last per­son to be shot try­ing to get over the wall, though not the last to die doing so. That title belongs to Win­fried Freuden­berg, who in March of 1989 fell from a bal­loon he’d rigged up to fly across the bor­der. At this point, when the rapid urban evo­lu­tion of the reuni­fied Ger­man cap­i­tal has long since made it one of the most pop­u­lar cities in Europe, nei­ther she nor Guef­froy would rec­og­nize the for­mer East Berlin they were des­per­ate to escape — nor, for that mat­ter, the West Berlin of which they dreamed.

Relat­ed Con­tent:

How the Berlin Wall Worked: The Engi­neer­ing & Struc­tur­al Design of the Wall That For­mi­da­bly Divid­ed East & West

See Berlin Before and After World War II in Star­tling Col­or Video

The Gold­en Age of Berlin Comes to Life in the Clas­sic, Avant-Garde Film, Berlin: Sym­pho­ny of a Metrop­o­lis (1927)

The Dos & Don’ts of Dri­ving to West Berlin Dur­ing the Cold War: A Weird Piece of Ephemera from the 1980s

Bruce Spring­steen Plays East Berlin in 1988: I’m Not Here For Any Gov­ern­ment. I’ve Come to Play Rock

Watch Samuel Beck­ett Walk the Streets of Berlin Like a Boss, 1969

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

Who Would Be King of the United States If George Washington Had Become a Monarch?

The young George Wash­ing­ton may nev­er have hacked up his father’s cher­ry tree and refused to lie about it, but his life nev­er­the­less offers plen­ty of deeds both vir­tu­ous and ade­quate­ly doc­u­ment­ed. It was no small thing, for instance, to refuse to seek a third term as the first Pres­i­dent of the Unit­ed States of Amer­i­ca — much less to exchange that title for “King of the Unit­ed States of Amer­i­ca.” As every enthu­si­ast of Amer­i­can his­to­ry knows, this set the prece­dent, only once vio­lat­ed and there­after writ­ten into law, of a two-term lim­it. But as every enthu­si­ast of alter­nate Amer­i­can his­to­ry has won­dered, what would have hap­pened had Wash­ing­ton become king? And if the U.S. monar­chy had remained intact for the past 227 years, who would rule it today?

In the Use­fulCharts video above, Matt Bak­er explains a series of dif­fer­ent suc­ces­sion sce­nar­ios. While none is high­ly plau­si­ble in itself, they togeth­er give an idea of the lines along which Amer­i­can monar­chi­cal his­to­ry could have played out, at least assum­ing that every oth­er event played out exact­ly the same way as it has in our real­i­ty.

One of the first com­pli­cat­ing fac­tors is that Wash­ing­ton him­self had no bio­log­i­cal descen­dants. Giv­en that, we can trace down a the­o­ret­i­cal roy­al lin­eage start­ing with his adopt­ed son, born from his wife Martha’s first mar­riage; with the nephew he select­ed as the pri­ma­ry heir of his estate; or with the senior-most heir of his father (own­er of the notion­al cher­ry tree). Not that any of those major paths through the chart of Wash­ing­ton’s indi­rect descen­dants is nec­es­sar­i­ly straight­for­ward either.

The whole mat­ter seems at least as com­pli­cat­ed as fig­ur­ing out who would be the Roman emper­or if Rome had nev­er fall­en, an exer­cise Bak­er works through in anoth­er Use­fulCharts video pre­vi­ous­ly fea­tured here on Open Cul­ture. The pos­si­bil­i­ties for the Amer­i­can monarch in 2026 come down to King Robert III, or Robert E. Lee V (and great-great grand­son of Robert E. Lee); Queen Bryn­da, or Bryn­da Hansen; King Richard, or Richard Wash­ing­ton; and King Lar­ry II, or Lawrence Shaffn­er, the descen­dant of George Wash­ing­ton’s nephew Bushrod. Bak­er finds that Shaffn­er is the most con­vinc­ing can­di­date for the job, which is hard to deny. Even apart from the rel­e­vant famil­ial, polit­i­cal, and legal fac­tors, con­sid­er that name again. King Lar­ry: apart from the title, how much more Amer­i­can could it pos­si­bly sound?

Relat­ed con­tent:

Who Would Be Emper­or If the Roman Empire Still Exist­ed Today?

How George Wash­ing­ton Became Pres­i­dent of the Unit­ed States: It Was Weird­er Than You Think

George Washington’s 110 Rules for Civil­i­ty and Decent Behav­ior

What We Can Learn from Past Pres­i­dents

A Japan­ese Illus­trat­ed His­to­ry of Amer­i­ca (1861): Fea­tures George Wash­ing­ton Punch­ing Tigers, John Adams Slay­ing Snakes & Oth­er Fan­tas­tic Scenes

A Visu­al Time­line of World His­to­ry: Watch the Rise & Fall of Civ­i­liza­tions Over 5,000 Years

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The Spread of Christianity Animated, from Antiquity Until Today, on an Animated Map

Chris­tian­i­ty has long been close­ly iden­ti­fied with West­ern civ­i­liza­tion. The asso­ci­a­tion is espe­cial­ly strong, in mod­ern times, with the Unit­ed States of Amer­i­ca, that source of deri­sive­ly quot­ed, quite pos­si­bly apoc­ryphal argu­ments that “if Eng­lish was good enough for Jesus Christ, it ought to be good enough for our chil­dren.” But of course, Jesus nev­er heard a word of Eng­lish, and though the spread of the reli­gion named after him did shift into high gear not long after his death — to say noth­ing of after Con­stan­ti­ne’s — it took its sweet time get­ting to the Amer­i­can con­ti­nent. In fact, it does­n’t show up there until more than five and a half min­utes into the new eight-minute video from Ollie Bye above, which ani­mates Chris­tian­i­ty’s his­tor­i­cal prop­a­ga­tion on a world map.

It’s a world map by the end, in any case: the view zooms out as the reach of Chris­tian­i­ty increas­es, start­ing with the region we now call the Mid­dle East and end­ing up with every con­ti­nent on dis­play, none of them untouched save Antarc­ti­ca (which actu­al­ly does have eight church­es of its own). Remark­able though it is that this first-cen­tu­ry “desert reli­gion” has tak­en root in such a vari­ety of envi­ron­ments, cul­tures, and soci­eties, it has­n’t come through that process com­plete­ly unchanged.

Indeed, Bye’s map includes a run­ning leg­end of its major vari­ants, from Nicene, Celtic, and Chal­cedon­ian Chris­tian­i­ty ear­ly on to Angli­can, Luther­an, Bap­tist, and many more in our time. It makes less sense to speak of the spread of Chris­tian­i­ty, per­haps, than the spread of Chris­tian­i­ties.

In the sin­gu­lar or the plur­al, what has made all this so adapt­able to such a wide vari­ety of human set­tings? Chris­tian­i­ty’s non-eth­nic uni­ver­sal­ism sure­ly has some­thing to do with it, as does the broad emo­tion­al res­o­nance of its core nar­ra­tives of sin, sal­va­tion, and rebirth. The assid­u­ous trans­la­tion of its texts and out­ward march of mis­sion­ar­ies and oth­er car­ri­ers of the gospel has been going on almost since the very begin­ning. Through­out its his­to­ry, Chris­tian­i­ty has also shown the ver­sa­til­i­ty to thrive as a clan­des­tine under­ground move­ment, a state reli­gion, and every­thing in between. All the while, it has assim­i­lat­ed qual­i­ties of the civ­i­liza­tions it enters, from Gre­co-Roman phi­los­o­phy to Celtic fes­ti­vals to Kore­an shaman­is­tic tra­di­tions. In fact, I’m writ­ing this very post from one of the many church cafés in Seoul, as con­vinc­ing an expe­ri­ence as to under­score Chris­tian­i­ty’s improb­a­ble — and con­tin­u­ing — endurance.

Relat­ed con­tent:

Ani­mat­ed Map Shows How the Five Major Reli­gions Spread Across the World (3000 BC — 2000 AD)

180,000 Years of Reli­gion Chart­ed on a “His­tom­ap” in 1943

The Birth and Rapid Rise of Islam, Ani­mat­ed (622‑1453)

A Visu­al Map of the World’s Major Reli­gions (and Non-Reli­gions)

World Reli­gions Explained with Use­ful Charts: Hin­duism, Bud­dhism, Judaism, Islam, Chris­tian­i­ty & More

The His­to­ry of the World in One Video: Every Year from 200,000 BCE to Today

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

Hand-Colored Photographs from 19th Century Japan: 110 Images Capture the Waning Days of Traditional Japanese Society

What we euphemisti­cal­ly refer to as the “Open­ing of Japan” cat­alyzed a peri­od of seis­mic upheaval for the proud for­mer­ly closed coun­try. Between the fall of the Toku­gawa shogu­nate in 1853 and the Mei­ji restora­tion in 1868, Japan­ese soci­ety changed rapid­ly due to the sud­den forced influx of for­eign cap­i­tal and influ­ence, much of it destruc­tive. “Unem­ploy­ment rose,” writes his­to­ri­an John W. Dow­er, “Domes­tic prices soared sky high…. Much of Japan was wracked by famine in the mid 1860s…. As if all this were not curse enough, the for­eign­ers also brought cholera with them.” They also brought pho­tog­ra­phy, and both West­ern and Japan­ese pho­tog­ra­phers doc­u­ment­ed not only the country’s pro­found trans­for­ma­tion, but also its tra­di­tion­al dress and cul­ture.

Closed for 200 years, Japan became a source of end­less fas­ci­na­tion for West­ern­ers as arti­facts made their way across the sea. Among them was “an exten­sive pho­to­graph­ic doc­u­men­ta­tion of Japan,” notes the New York Pub­lic Library, and “of inter­ac­tion between the Japan­ese and for­eign­ers” (Com­modore Perry’s expe­di­tion to Tokyo Bay includ­ed a daguerreo­type pho­tog­ra­ph­er.)

“In the broad­est sense, pho­tog­ra­phy entered Asia from Europe and Amer­i­ca as part of the process of colo­nial­ism, but soon took root in those regions with local pho­tog­ra­phers.”

The col­orized images you see here come from the NYPL’s large col­lec­tion of late 19th cen­tu­ry Japan­ese pho­tog­ra­phy, tak­en by pho­tog­ra­phers like the Ital­ian-British Felice Beato and his Japan­ese stu­dent Kim­bei, who “assist­ed Beato in the hand-col­or­ing of pho­tographs until 1863,” then “set up his own large and flour­ish­ing stu­dio in Yoko­hama in 1881.” The archive pro­vides “a rich resource for the under­stand­ing of the polit­i­cal, social, eco­nom­ic, and artis­tic his­to­ry of Asia from the 1870s to the ear­ly 20th cen­tu­ry.” These images date from between 1890 and 1909, by which time much of Japan had already been exten­sive­ly west­ern­ized in dress, archi­tec­ture, and style of gov­ern­ment.

To many Japan­ese, the old ways, sus­tained through a cou­ple hun­dred years of iso­la­tion, must have seemed in dan­ger of slip­ping away. To many West­ern­ers, how­ev­er, the encounter with Japan offered a kind of cul­tur­al renew­al. As the Met­ro­pol­i­tan Muse­um of Art points out, “a tidal wave of for­eign imports” from Asia, includ­ing “wood­cut prints by mas­ters of the ukiyo‑e school… trans­formed Impres­sion­ist and Post-Impres­sion­ist art.” Euro­pean col­lec­tors, traders, and artists dis­cov­ered a mania for all things Japan­ese, even as some of its cul­tur­al forms threat­ened to dis­ap­pear. Enter the NYPL’s dig­i­tal col­lec­tion, Pho­tographs of Japan, here.

Note: An ear­li­er ver­sion of this post appeared on our site in 2017.

Relat­ed Con­tent:

Behold the Mas­ter­piece by Japan’s Last Great Wood­block Artist: View Online Tsukio­ka Yoshitoshi’s One Hun­dred Aspects of the Moon (1885)

What Hap­pens When a Japan­ese Wood­block Artist Depicts Life in Lon­don in 1866, Despite Nev­er Hav­ing Set Foot There

Japan­ese Kabu­ki Actors Cap­tured in 18th-Cen­tu­ry Wood­block Prints by the Mys­te­ri­ous & Mas­ter­ful Artist Sharaku

The Evo­lu­tion of The Great Wave off Kana­gawa: See Four Ver­sions That Hoku­sai Paint­ed Over Near­ly 40 Years

Josh Jones is a writer and musi­cian based in Durham, NC. 

Every Book of the Bible Explained in One Video

Whether we’re reli­gious or not, we can all agree that the Bible isn’t just a book. In fact, it’s at least 66 of them, 39 Old Tes­ta­ment and 27 in the New, and that’s just in the Protes­tant tra­di­tion. Even if you’ve nev­er read a sin­gle page of the Bible, you may well have a decent idea of what quite a few of those books con­tain: the sto­ries of Adam, Eve, Noah, and the cre­ation in Gen­e­sis; the plagues and Moses part­ing the Red Sea in Exo­dus; the var­i­ous depic­tions of Jesus in the Gospels that define his pop­u­lar image; the apoc­a­lyp­tic grotes­queries of Rev­e­la­tion. That’s even like­li­er to be true if you watch Hochela­ga, the YouTube chan­nel that just came out with a new video explain­ing all those sto­ries and every­thing in between.

The result is long, to be sure, but not as long as you might expect: Hochela­ga cre­ator Tom­mie Trelawny man­ages to cov­er the 66 books of the Bible in two hours, the length of an ordi­nary fea­ture film. For visu­als, he draws upon the his­to­ry of West­ern art, whose con­nec­tions with Chris­tian­i­ty and pen­chant for depict­ing the reli­gion’s cen­tral events goes with­out say­ing.

In the case of bib­li­cal fig­ures like Jon­ah, Job, or Lot’s wife (before or after her con­ver­sion into a pil­lar of salt), we’ve devel­oped our own men­tal images at least through cul­tur­al osmo­sis, informed or not by the visions of Renais­sance mas­ters. But how many of us can call so eas­i­ly scenes from the books of Oba­di­ah, Hag­gai, or Phile­mon up in our mind’s eye?

This video may prove most help­ful in pro­vid­ing a “big pic­ture” of the Bible, allow­ing view­ers with no expe­ri­ence of bib­li­cal schol­ar­ship to place iso­lat­ed episodes to which they’ve heard ref­er­ences all their lives in con­text with each oth­er. And yet, it’s also entire­ly pos­si­ble that they’ll come out of these two hours won­der­ing to what extent all these parts real­ly fit togeth­er in the first place. Col­lect­ed from mate­r­i­al orig­i­nal­ly writ­ten over cen­turies and in var­i­ous forms, not to men­tion passed through the vagaries of trans­la­tion, the Bible could hard­ly be expect­ed to present itself with pol­ished coher­ence. Whether or not you believe it con­tains the word of God, you could well feel ready, after Hochela­ga’s overview, to grap­ple with its text in all its lin­guis­tic rich­ness, its sur­pris­ing con­tra­dic­tions, and its moral grandeur — as well as its more-than-occa­sion­al strange­ness.

Relat­ed Con­tent:

Chris­tian­i­ty Through Its Scrip­tures: A Free Course from Har­vard Uni­ver­si­ty

Why Real Bib­li­cal Angels Are Creepy, Beast­ly, and Hard­ly Angel­ic

What Hap­pened to Jesus’ Twelve Dis­ci­ples After the Bible — It Wasn’t Pret­ty

How Many Lives Does God Take in the Bible: An Inves­ti­ga­tion into a Sur­pris­ing­ly High Body Count

Dis­cov­er Thomas Jefferson’s Cut-and-Paste Ver­sion of the Bible, and Read the Curi­ous Edi­tion Online

Isaac Asimov’s Guide to the Bible: A Wit­ty, Eru­dite Atheist’s Guide to the World’s Most Famous Book

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

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