Enjoy Dazzling & Dizzying 360° Virtual Tours of Los Angeles Landmarks

Remem­ber when arm­chair trav­el meant a book, a mag­a­zine, a hand­ful of post­cards, or the occa­sion­al after-din­ner slideshow of the neigh­bors’ vaca­tion pho­tos?

Those were the days.

The throngs of trav­el “influ­encers”—both pro­fes­sion­al and aspirant—have tak­en much of the fun out of liv­ing through oth­ers’ vis­its to far-flung locales. The focus seems to have shift­ed from imag­in­ing our­selves in their shoes to feel­ing oppressed by their high­ly-staged, heav­i­ly-fil­tered Insta­gram-per­fect exis­tence.

Pho­tog­ra­ph­er Jim New­ber­ry’s daz­zling, dizzy­ing 360° pho­tos of Los Ange­les, like the views of Echo Park, Chi­na­town, East L.A., and Down­town, above, offer arm­chair trav­el­ers trans­porta­tion back to those gid­dy pre-influ­encer days.

(Angeli­nos and oth­er LA-versed vis­i­tors will enjoy swoop­ing through City of Angels land­marks as if rotat­ing on the no-par­al­lax point, too.)

The Chica­go trans­plant admits that it took a while for him to find his Los Ange­les groove:

After being dis­abused of my Mid­west­ern, anti‑L.A. views, I’ve found that the city has much more to offer than I had imag­ined, but the gems of Los Ange­les often don’t reveal them­selves read­i­ly; it takes a bit of leg­work to seek out the best spots, and well worth it. Moun­tains, beach­es, vibrant urban life, tons of muse­ums, gor­geous nature.

While easy-to-use “one-shot” 360 cam­eras exist, New­ber­ry prefers the qual­i­ty afford­ed by using a high-res­o­lu­tion non-360 cam­era with a wide angle lens, mount­ed on a panoram­ic tri­pod head that rotates it in such a way as to pre­vent per­spec­tive errors.

With the equip­ment set up in the cen­ter of the room, he shoots four pho­tos, spaced 90° apart. Anoth­er shot is aimed direct­ly down­ward toward the floor.

Panoram­ic soft­ware helps to stitch the images togeth­er for a “spher­i­cal panora­ma,” giv­ing view­ers an expe­ri­ence that’s the dig­i­tal equiv­a­lent of swivel­ing their heads in awe.

Newberry’s rov­ing lens turns Lee Lawrie’s Zodi­ac Chan­de­lierDean Cornwell’s Cal­i­for­nia his­to­ry murals, and the dec­o­ra­tive ceil­ing sten­cils of the Cen­tral Pub­lic Library’s Grand Rotun­da into a gor­geous kalei­do­scope.

The Taoist Thien Hau Tem­ple in Chi­na­town is a more recent attrac­tion, found­ed in the 1980s in a for­mer Chris­t­ian church. Com­mu­ni­ty mem­bers raised funds to build the larg­er tem­ple, above, ded­i­cat­ing it in 2006 as a shrine to Mazu, the god­dess of the sea, pro­tec­tor of fish­er­man and sailors.

The Muse­um of Juras­sic Tech­nol­o­gy, a self-described “edu­ca­tion­al insti­tu­tion ded­i­cat­ed to the advance­ment of knowl­edge and the pub­lic appre­ci­a­tion of the Low­er Juras­sic,” served as Newberry’s point of entry, when man­age­ment okayed his request to shoot 360° pho­tos there:

It’s a very spe­cial place—my panoram­ic pho­tos are no match for an in-per­son vis­it. Unlike many oth­er muse­ums these days, the Muse­um of Juras­sic Tech­nol­o­gy does­n’t nor­mal­ly allow pho­tog­ra­phy, and there’s not many pho­tos of the place to be found. 

(In return for per­mis­sion to shoot the museum’s Fau­na of Mir­rors murals, rooftop court­yard, and Tula Tea Room, New­ber­ry agreed to main­tain its mys­te­ri­ous aura by lim­it­ing the pub­li­ca­tion of those pho­tos to his Panoram­ic Eye site. Feast your eyes here.)

The pho­tog­ra­ph­er is look­ing for­ward to work­ing with more muse­ums, cre­at­ing 3‑dimensional doc­u­men­ta­tion of exhibits.

His inter­est in the ephemer­al has also spurred him to cre­ate vir­tu­al tours of local land­marks on the verge of being torn down. Entries in the ongo­ing Lost Land­marks series include Los Feliz’s Good Luck Bar (RIP), Tom Bergin’s Pub (above, spared at the last minute when the Los Ange­les Con­ser­van­cy declared it an His­toric-Cul­tur­al Mon­u­ment), and the Alpine Vil­lage, cur­rent­ly for sale in neigh­bor­ing Tor­rance.

Begin your explo­rations of Jim Newberry’s Panoram­ic Eye 360° vir­tu­al tours of Los Ange­les, includ­ing the Grif­fith Park Obser­va­to­rythe St. Sophia Cathe­dral, and the Every­thing Is Ter­ri­ble! store here.

Relat­ed Con­tent:

Take a 360° Vir­tu­al Tour of Tal­iesin, Frank Lloyd Wright’s Per­son­al Home & Stu­dio

Take a 360 Degree Tour of Minia­ture Mod­els of Famous Land­marks: From the Taj Mahal to The Great Wall of Chi­na

Five Cul­tur­al Tours of Los Ange­les

Ayun Hal­l­i­day is the author of sev­en books, includ­ing No Touch Mon­key! And Oth­er Trav­el Lessons Learned Too Lateand the Chief Pri­ma­tol­o­gist of the East Vil­lage Inkyzine.  Join her in NYC on Mon­day, Sep­tem­ber 9 for anoth­er sea­son of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

Mont Saint-Michel Beautifully Viewed from a Drone

This short film was an award win­ner at the 2015 Drone Film fes­ti­val held in Cabourg, France. Enjoy the ride.

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Watch an Animated Documentary About the Pioneering Journalist & Feminist Icon Nellie Bly

While no longer a house­hold name, the trail­blaz­ing jour­nal­ist Nel­lie Bly (1864–1922) is def­i­nite­ly an endur­ing Amer­i­can icon.

Her like­ness has graced a postage stamp and a fin­ger pup­pet.

Her life has been the sub­ject of numer­ous books and a made-for-TV movie.

Some hun­dred years after its com­ple­tion, her record-break­ing, 72-day round-the-world trip inspired an episode of The Amer­i­can Expe­ri­ence, a puz­zle-cum-boardgame, and a rol­lick­ing song by his­to­ry fans the Dee­dle Dee­dle Dees.

And now? Meet Nel­lie Bly, car­toon action hero. (Hero­ine? Hard to say which hon­orif­ic the opin­ion­at­ed and for­ward-think­ing Bly, born in 1864, would pre­fer…)

Film­mak­er Pen­ny Lane’s “Nel­lie Bly Makes the News,” above, is not the first to rec­og­nize this sort of poten­tial in the pio­neer­ing jour­nal­ist, whose 151st birth­day was cel­e­brat­ed with an ani­mat­ed Google Doo­dle and accom­pa­ny­ing song by Karen O, but Lane (no rela­tion to Lois, the fic­tion­al reporter mod­eled on you-know-who) wise­ly lets Bly speak for her­self.

Not only that, she brings her into the stu­dio for a 21st-cen­tu­ry inter­view, in which an eye-rolling Bly describes the resis­tance she encoun­tered from the male elite, who felt it was not just unseem­ly but impos­si­ble that a young woman should pur­sue the sort of jour­nal­is­tic career she envi­sioned for her­self.

She also touch­es on some of her most famous jour­nal­is­tic stunts, such as the under­cov­er stints in a New York City “insane asy­lum”and box-mak­ing fac­to­ry that led to exposés and even­tu­al­ly, social reform.

Biog­ra­ph­er Brooke Kroeger and brief glimpses of archival mate­ri­als touch on some of the oth­er high­lights in Bly’s auda­cious, self-direct­ed career.

The car­toon Bly’s hair­do and attire are peri­od appro­pri­ate, but her vocal inflec­tions, cour­tesy of broad­cast reporter and voiceover artist Sam­mi Jo Fran­cis, are clos­er in spir­it to that of Broad City’s Ilana Glaz­er.

(Inter­est­ing to note, giv­en Bly’s com­plaints about how promi­nent­ly the one dress she took on her round the world trip fea­tured in out­side sto­ries about that adven­ture, that dress is a pre­oc­cu­pa­tion of The Appre­ci­a­tion of Boot­ed News­women blog. Respect­ful as that site is, the focus there is def­i­nite­ly not on jour­nal­is­tic achieve­ment.)

via Aeon

Relat­ed Con­tent:

New Aug­ment­ed Real­i­ty App Cel­e­brates Sto­ries of Women Typ­i­cal­ly Omit­ted from U.S. His­to­ry Text­books

74 Essen­tial Books for Your Per­son­al Library: A List Curat­ed by Female Cre­atives

New Web Project Immor­tal­izes the Over­looked Women Who Helped Cre­ate Rock and Roll in the 1950s

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inkyzine.  Join her in NYC on Mon­day, Sep­tem­ber 9 for anoth­er sea­son of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

Neil Armstrong, Buzz Aldrin & Michael Collins Go Through Customs and Sign Immigration Form After the First Moon Landing (1969)

Above, find a doc­u­ment signed 50 years ago by Neil Arm­strong, Buzz Aldrin, and Michael Collins after they returned from the first manned trip to the moon. The three astro­nauts came down in the Pacif­ic Ocean and were tak­en to Hon­olu­lu on July 24, 1969, where they sup­pos­ed­ly signed this immi­gra­tion form, declar­ing a car­go of moon rocks and dust. Pres­i­dent Nixon was good enough to let them back into the coun­try.

The form, NASA spokesper­son John Yem­brick told Space.com, is authen­tic. And, he says, it was a joke. He does not, how­ev­er, say exact­ly when the form was signed, either on the day the crew splashed down or some­time after­ward. They did not actu­al­ly arrive in Hon­olu­lu until the 26th. After their return,

The astro­nauts were trapped inside a NASA trail­er as part of a quar­an­tine effort just in case they brought back any germs or dis­ease from the moon. They even wore spe­cial bio­log­i­cal con­tain­ment suits when they walked out on the deck of the USS Hor­net after being retrieved. 

NASA trans­port­ed them to Hous­ton, quar­an­tine trail­er and all, and they emerged from iso­la­tion three weeks lat­er.

Astro­nauts these days most­ly just need a show­er when they touch down, although inter­net savvy Inter­na­tion­al Space Sta­tion astro­naut Chris Had­field did tell some cus­toms relat­ed sto­ries on a Red­dit AMA—maybe noth­ing so weird as the cur­rent space snor­kel­ing up there, but still a pret­ty great read.

Note: An ear­li­er ver­sion of this post orig­i­nal­ly appeared on our site in Decem­ber 2013.

Relat­ed Con­tent:

“Moon Hoax Not”: Short Film Explains Why It Was Impos­si­ble to Fake the Moon Land­ing

Michio Kaku Schools Takes on Moon Land­ing-Con­spir­a­cy Believ­er on His Sci­ence Fan­tas­tic Pod­cast

Dark Side of the Moon: A Mock­u­men­tary on Stan­ley Kubrick and the Moon Land­ing Hoax

Find Astron­o­my Cours­es in our Col­lec­tion of 1300 Free Cours­es Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

How to Read Many More Books in a Year: Watch a Short Documentary Featuring Some of the World’s Most Beautiful Bookstores

You don’t have enough time in life to read all the books you want to. But if you change your habits just a bit, you’ll be able to read many more books in the time you do have left than you oth­er­wise could have. Film­mak­er Max Joseph learns these and oth­er lessons about read­ing in this short doc­u­men­tary, Book­store: How to Read More. In it he trav­els in search of not just the advice of some of the world’s most expert read­ers (or at least some of the most expert read­ers in Amer­i­ca), but also in search of the expe­ri­ence of the most beau­ti­ful book­stores in the world (or at least in west­ern Europe and South Amer­i­ca).

Wait But Why blog­ger Tim Urban tells Joseph he would need to read for only half an hour per day to have read more than a thou­sand books by the end of his time on Earth, ver­sus the sin­gle shelf he might read through with his cur­rent habits.

Eric Bark­er of Bark­ing Up the Wrong Tree sug­gests that Joseph redi­rect his social media-view­ing instincts toward whichev­er book he feels most excit­ed about read­ing in the moment, and that he begin by set­ting his dai­ly read­ing goal so low at first — say, just one page — that it’s prac­ti­cal­ly eas­i­er to meet it than not. (To quote from Moby-Dick, “What can­not habit accom­plish?”) Then Howard Berg, who holds the Guin­ness World Record declar­ing him the fastest read­er alive, breaks down the tech­niques that can the­o­ret­i­cal­ly make each page go by in sec­onds.

But how fast do we real­ly want to read? For coun­sel on the what and the why, Joseph vis­its the office of Ruth J. Sim­mons, pres­i­dent of Prairie View A&M Uni­ver­si­ty and for­mer pres­i­dent of Brown Uni­ver­si­ty. She empha­sizes the impor­tance of read­ing not just fre­quent­ly but wide­ly, a con­di­tion that should­n’t be ter­ri­bly hard to ful­fill giv­en Joseph’s trav­el and shop­ping habits: in the video we see him vis­it a vari­ety of high­ly Insta­gram­ma­ble (and drone-filmable) book­stores every­where from Brus­sels and Maas­tricht to São Paulo and Buenos Aires. One of them, Lis­bon’s Ler Deva­gar, tells him to “read slow­ly” with its very name, echo­ing Sim­mons’ descrip­tion of read­ing as “forced med­i­ta­tion.” That fram­ing is apt, but just like vis­it­ing a new book­store, med­i­ta­tion makes the true bib­lio­phile think of only one thing first: all the vol­umes out there still to be read.

Relat­ed Con­tent:

7 Tips for Read­ing More Books in a Year

The Last Book­store: A Short Doc­u­men­tary on Per­se­ver­ance & the Love of Books

A Secret Book­store in a New York City Apart­ment: The Last of a Dying Breed

What Are the Most Stolen Books? Book­store Lists Fea­ture Works by Muraka­mi, Bukows­ki, Bur­roughs, Von­negut, Ker­ouac & Palah­niuk

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

A New Photo Book Documents the Wonderful Homemade Cat Ladders of Switzerland

There are days when Cal­gon is not escape enough

Days when one longs to be a cat, specif­i­cal­ly a free-rang­ing feline of Bern, Switzer­land, as fea­tured in graph­ic design­er Brigitte Schus­ter’s forth­com­ing book, Swiss Cat Lad­ders

Some Amer­i­can cats come and go freely through—dare we say—doggie doors, those small aper­tures cut into exist­ing points of entry, most com­mon­ly the one lead­ing from kitchen to Great Out­doors.

The cit­i­zens of Bern have aimed much high­er, cus­tomiz­ing their homes in align­ment with both the feline com­mit­ment to inde­pen­dence and their fear­less­ness where heights are con­cerned.

As Schus­ter doc­u­ments, there’s no one solu­tion designed to take cats from upper res­i­den­tial win­dows and patios to the des­ti­na­tions of their choos­ing.

Some build­ings boast sleek ramps that blend seam­less­ly into the exist­ing exte­ri­or design.

In oth­ers, sure­foot­ed pussies must nav­i­gate ram­shackle wood­en affairs, some of which seem bet­ter suit­ed to the hen house.

One cat lad­der con­nects to a near­by tree.

Anoth­er start­ed life as a drain spout.

Humans who pre­fer to out­source their cat lad­ders may elect to pur­chase a pre­fab­ri­cat­ed spi­ral stair­case online.

Pre-order Swiss Cat Lad­ders for 45 € using the order form at the bot­tom of this page. The text, which is in both Ger­man and Eng­lish, includes dia­grams to inspire those who would cater to their own cat’s desire for high fly­ing inde­pen­dence.

All pho­tographs © Brigitte Schus­ter

Via Colos­sal

Relat­ed Con­tent:

An Ani­mat­ed His­to­ry of Cats: How Over 10,000 Years the Cat Went from Wild Preda­tor to Sofa Side­kick

Two Cats Keep Try­ing to Get Into a Japan­ese Art Muse­um … and Keep Get­ting Turned Away: Meet the Thwart­ed Felines, Ken-chan and Go-chan

Meet Fred­die Mer­cury and His Faith­ful Feline Friends

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in New York City this June for the next install­ment of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. And con­grat­u­la­tions to her home­schooled senior, Milo Kotis, who grad­u­ates today! Fol­low her @AyunHalliday.

Street Art for Book Lovers: Dutch Artists Paint Massive Bookcase Mural on the Side of a Building

Book­cas­es are a great ice break­er for those who love to read.

What relief those shelves offer ill-at ease par­ty­go­ers… even when you don’t know a soul in the room, there’s always a chance you’ll bond with a fel­low guest over one of your hosts’ titles.

Occu­py your­self with a good browse whilst wait­ing for some­one to take the bait.

Now, with the aid of Dutch street artists Jan Is De Man and Deef Feed, some res­i­dents of Utrecht have turned their book­cas­es into street art, spark­ing con­ver­sa­tion in their cul­tur­al­ly diverse neigh­bor­hood.

De Man, whose close friends occu­py the ground floor of a build­ing on the cor­ner of Mimosas­traat and Ams­ter­dam, had ini­tial­ly planned to ren­der a giant smi­ley face on an exte­ri­or wall as a pub­lic morale boost­er, but the shape of the three-sto­ry struc­ture sug­gest­ed some­thing a bit more lit­er­ary.

The trompe-l’oeil Boekenkast (or book­case) took a week to cre­ate, and fea­tures titles in eight dif­fer­ent lan­guages.

Look close­ly and you’ll notice both artists’ names (and a smi­ley face) lurk­ing among the spines.

Design mags may make an impres­sion by order­ing books accord­ing to size and col­or, but this com­mu­nal 2‑D boekenkast looks to belong to an avid and omniv­o­rous read­er.

Some Eng­lish titles that caught our eye:

Sapi­ens

The Sub­tle Art of Not Giv­ing a F*ck

Kei­th Richards’ auto­bi­og­ra­phy Life

The Curi­ous Inci­dent of the Dog in the Night­time 

Pride and Prej­u­dice

The Lit­tle Prince

The World Accord­ing to Garp

Jumper

And a classy-look­ing hard­bound Play­boy col­lec­tion that may or may not exist in real life.

(Read­ers, can you spot the oth­er fakes?)

Boekenkast is the lat­est of a num­ber of glob­al book­shelf murals tempt­ing lit­er­ary pil­grims to take a self­ie on the way to the local indie book­shop.

via Bored Pan­da

Relat­ed Con­tent:

Japan­ese Artist Cre­ates Book­shelf Dio­ra­mas That Mag­i­cal­ly Trans­port You Into Tokyo’s Back Alleys

157 Ani­mat­ed Min­i­mal­ist Mid-Cen­tu­ry Book Cov­ers

David Bowie Songs Reimag­ined as Pulp Fic­tion Book Cov­ers: Space Odd­i­ty, Heroes, Life on Mars & More

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in New York City this May for the next install­ment of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

Discover the KattenKabinet: Amsterdam’s Museum Devoted to Works of Art Featuring Cats

Image by T_Marjorie, via Flickr Com­mons

There’s been quite a bit of bark­ing in the media late­ly to her­ald the reopen­ing of the Amer­i­can Ken­nel Club Muse­um of the Dog, relo­cat­ing from St. Louis to New York City’s Park Avenue.

What’s a cat per­son to do?

Per­haps decom­press with­in Amsterdam’s Kat­tenK­abi­net

In con­trast to the Muse­um of the Dog’s glitzy, glass-front­ed HQ, the Cat Cab­i­net main­tains a fair­ly low pro­file inside a 17th-cen­tu­ry canal house. (Sev­er­al vis­i­tors have not­ed in their Trip Advi­sor reviews that the 3‑room museum’s grand envi­rons help jus­ti­fy the €7  admis­sion.)

The Muse­um of the Dog’s high­ly tot­ed “dig­i­tal expe­ri­ences”  and redesigned atri­um sug­gest a cer­tain eager­ness to estab­lish itself as a major 21st-cen­tu­ry insti­tu­tion.

The Kat­tenK­abi­net is more of a stealth oper­a­tion, cre­at­ed as an homage to one J.P. Mor­gan, a dear­ly depart­ed gin­ger tom, who lived upstairs with his own­er.

The inau­gur­al col­lec­tion took shape around presents the for­mi­da­ble Mor­gan received dur­ing his 17 years on earth—paintings, a bronze cat stat­ue, and a fac­sim­i­le of a dol­lar bill fea­tur­ing his like­ness and the mot­to, “We Trust No Dog.”

In spir­it, the Kabi­net hews close­ly to America’s eclec­tic (and fast dis­ap­pear­ing) road­side muse­ums.

No apps, no inter­ac­tive kiosks, a stolid­ly old fash­ioned approach when it comes to dis­play…

It does have a gift shop, where one can pur­chase logo t‑shirts fea­tur­ing an extreme­ly cat-like spec­i­men, viewed from the rear, tail aloft.

While the KattenKabinet’s hold­ings include some mar­quee names—Picasso, Toulouse-Lautrec, and Rembrandt—there’s some­thing com­pelling about the collection’s less well known artists, many of whom embraced the museum’s pet sub­ject again and again.

Muse­um founder Bob Mei­jer rewards vir­tu­al vis­i­tors with some juicy bio­graph­i­cal tid­bits about his artists, cat-relat­ed and oth­er­wise. Take, for exam­ple, Leonor Fini, whose Ubu glow­ers below:

Fini had a three-way rela­tion­ship with the Ital­ian diplo­mat-cum-artist Stanis­lao LeP­ri, who, like Fini, was dif­fi­cult to pin into a cer­tain style, and the Pol­ish lit­er­ary writer Con­stan­tin Jelen­s­ki. The two men were not, how­ev­er, her only house­mates: Fini had dozens of Per­sian cats around her. Indoors you rarely see a pho­to of her with­out a cat in her arms. In the Cat Cab­i­net you can find many of her works, from cheer­ful­ly col­ored cats to high­ly detailed por­traits of cats. The women depict­ed in the paint­ings have that icon­ic mys­tique char­ac­ter­is­tic of Fini’s work.

Tsug­uharu Fou­ji­ta, whose work is a sta­ple of the muse­um, is anoth­er cat-lov­ing-artist-turned-art-him­self, by virtue of Dora Kalmus’ 1927 por­trait, above.

Hil­do Krop is well rep­re­sent­ed through­out Ams­ter­dam, his sculp­tures adorn­ing bridges and build­ings. Two Cats Mak­ing Love, on view at the Kabi­net, is, Mei­jer com­ments,” clear­ly one of his small­er projects and prob­a­bly falls into the cat­e­go­ry of “free work.” One of his most famous works, and of a dif­fer­ent order of mag­ni­tude, is the Berlage mon­u­ment on Vic­to­rieplein in Ams­ter­dam.”

In addi­tion to fine art, the Kabi­net show­cas­es oth­er feline appearances—in vin­tage adver­tis­ing, Tadaa­ki Nar­i­ta’s Lucky cat pin­ball machine, and in the per­son, er, form of 5 live spec­i­mens who have the run of the place.

Those vis­it­ing in the flesh can cat around to some of Amsterdam’s oth­er feline-themed attrac­tions, includ­ing two cat cafes, a cat-cen­tric bou­tique, and the float­ing shel­ter, De Poezen­boot.

And let’s not for­get the oth­er cat muse­ums ‘round the globe, from Min­sk and Malaysia to Syl­va, North Carolina’s Amer­i­can Muse­um of the House Cat.

Begin your explo­ration of the col­lec­tion here.

via the BBC

Relat­ed Con­tent:

Two Cats Keep Try­ing to Get Into a Japan­ese Art Muse­um … and Keep Get­ting Turned Away: Meet the Thwart­ed Felines, Ken-chan and Go-chan

An Ani­mat­ed His­to­ry of Cats: How Over 10,000 Years the Cat Went from Wild Preda­tor to Sofa Side­kick

Edward Gorey Talks About His Love Cats & More in the Ani­mat­ed Series, “Goreytelling”

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in New York City for the next install­ment of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain, this March. Fol­low her @AyunHalliday.E

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