As a young guitar player, perhaps no one inspired me as much as Jimi Hendrix, though I never dreamed I’d attain even a fraction of his skill. But what attracted me to him was his near-total lack of formality—he didn’t read music, wasn’t trained in any classical sense, played an upside-down right-handed guitar as a lefty, and fully engaged his head and heart in every note, never pausing for an instant (so it seemed) to second-guess whether it was the right one. I knew his raw emotive playing was firmly rooted in the Delta blues, but it wasn’t until later in my musical journey that I discovered his return to more traditional form after he disbanded The Experience and formed Band of Gypsys with Billy Cox and Buddy Miles. While most of the recordings he made with them didn’t see official release, they’ve appeared since his death in compilation after boxset after compilation, including one of the most beloved of Hendrix’s blues songs, “Hear My Train A Comin’.”
Originally titled “Get My Heart Back Together” when he played it at Woodstock in 1969, the song is pure roots, with lyrics that bespeak of both Hendrix’s loneliness and his playful dreams of greatness. (“I’m gonna buy this town / And put it all in my shoe.”) Several versions of the song float around on various posthumous releases—both live and as studio outtakes (including two different takes on the excellent 1994 Blues).
But we have the rare treat, above, of seeing Hendrix play the song on a twelve-string acoustic guitar, Lead Belly’s instrument of choice. The footage comes from the 1973 documentary film Jimi Hendrix (which you can watch on YouTube for $2.99). Hendrix first plays the intro, seated alone in an all-white studio, playing folk-style with the fingers of his left hand. It is, of course, flawless, yet still he stops and asks the filmmakers for a redo. “I was scared to death,” he says, betraying the shyness and self-doubt that lurked beneath his mind-blowing ability and flamboyant persona. His playing is no less perfect when he picks up the tune again and plays it through.
Solo acoustic recordings of Hendrix—film and audio—are incredibly rare. If like me you’re a fan of Hendrix, acoustic blues, or both, this video will make you hunger for more Jimi unplugged. While Hendrix did more than anyone before him to turn guitar amps into instruments with his squalls of electric feedback and distorted wah-wah squeals, when you strip his playing down to basics, he’s still pretty much as good as it gets.
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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness.
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Last fall, OpenAI started letting users create custom versions of ChatGPT–ones that would let people create AI assistants to complete tasks in their personal or professional lives. In the months that followed, some users created AI apps that could generate recipes and meals. Others developed GPTs to create logos for their businesses. You get the picture.
If you’re interested in developing your own AI assistant, Vanderbilt computer science professor Jules White has released a free online course called “OpenAI GPTs: Creating Your Own Custom AI Assistants.” On average, the course should take seven hours to complete.
Here’s how he frames the course:
This cutting-edge course will guide you through the exciting journey of creating and deploying custom GPTs that cater to diverse industries and applications. Imagine having a virtual assistant that can tackle complex legal document analysis, streamline supply chain logistics, or even assist in scientific research and hypothesis generation. The possibilities are endless! Throughout the course, you’ll delve into the intricacies of building GPTs that can use your documents to answer questions, patterns to create amazing human and AI interaction, and methods for customizing the tone of your GPTs. You’ll learn how to design and implement rigorous testing scenarios to ensure your AI assistant’s accuracy, reliability, and human-like communication abilities. Prepare to be amazed as you explore real-world examples and case studies, such as:
1. GPT for Personalized Learning and Education: Craft a virtual tutor that adapts its teaching approach based on each student’s learning style, providing personalized lesson plans, interactive exercises, and real-time feedback, transforming the educational landscape.
2. Culinary GPT: Your Personal Recipe Vault and Meal Planning Maestro. Step into a world where your culinary creations come to life with the help of an AI assistant that knows your recipes like the back of its hand. The Culinary GPT is a custom-built language model designed to revolutionize your kitchen experience, serving as a personal recipe vault and meal planning and shopping maestro.
3. GPT for Travel and Business Expense Management: A GPT that can assist with all aspects of travel planning and business expense management. It could help users book flights, hotels, and transportation while adhering to company policies and budgets. Additionally, it could streamline expense reporting and reimbursement processes, ensuring compliance and accuracy.
4. GPT for Marketing and Advertising Campaign Management: Leverage the power of custom GPTs to analyze consumer data, market trends, and campaign performance, generating targeted marketing strategies, personalized messaging, and optimizing ad placement for maximum engagement and return on investment.
You can sign up for the course at no cost here. Or, alternatively, you can elect to pay $49 and receive a certificate at the end.
As a side note, Jules White (the professor) also designed another course previously featured here on OC. It focuses on prompt engineering for ChatPGPT.
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Step right up, folks!
Thrill to the Fire and Flames show!
See the Bearded Lady!
Early in the 20th century, crowds flocked to New York City’s Coney Island, where wonders awaited at every turn.
In 1902, the Brooklyn Daily Eagle published a few of the highlights in store for visitors at Coney Island’s soon-to-open “electric Eden,” Luna Park:
…the most important will be an illustration of Jules Verne’s ‘Twenty Thousand Leagues Under the Sea’, which will cover 55,000 square feet of ground, and a naval spectatorium, which will have a water area of 60,000 square feet. Beside these we will have many novelties, including the River Styx, the Whirl of the Town, Shooting the White Horse Rapids, the Grand Canyon, the ’49 Mining Camp, Dragon Rouge, overland and incline railways, Japanese, Philippine, Irish, Eskimo and German villages, the infant incubator, water show and carnival, circus and hippodrome, Yellowstone Park, zoological gardens, performing wild beasts, sea lions and seals, caves of Capri, the Florida Everglades and Mont Pelee, an electric representation of the volcanic destruction of St. Pierre.
Hold up a sec…what’s this about an infant incubator? What kind of name is that for a roller coaster!?

As it turns out, amid all the exotica and bedazzlements, a building furnished with steel and glass cribs, heated from below by temperature-controlled hot water pipes, was one of the boardwalk’s leading attractions.
Antiseptic-soaked wool acted as a rudimentary air filter, while an exhaust fan kept things properly ventilated.
The real draw were the premature babies who inhabited these cribs every summer, tended to round the clock by a capable staff of white clad nurses, wet nurses and Dr. Martin Couney, the man who had the ideas to put these tiny newborns on display…and in so doing, saved thousands of lives.


Couney, a breast feeding advocate who once apprenticed under the founder of modern perinatal medicine, obstetrician Pierre-Constant Budin, had no license to practice.
Nor did he have an md.
Initially painted as a child-exploiting charlatan by many in the medical community, he was as vague about his background as he was passionate about his advocacy for preemies whose survival depended on robust intervention.
Having presented Budin’s Kinderbrutanstalt — child hatchery — to spectators at 1896’s Great Industrial Exposition of Berlin, and another infant incubator show as part of Queen Victoria Diamond Jubilee Celebration, he knew firsthand the public’s capacity to become invested in the preemies’ welfare, despite a general lack of interest on the part of the American medical establishment.
Thusly was the idea for the boardwalk Infantoriums hatched.

Claire Prentice, author of Miracle at Coney Island: How a Sideshow Doctor Saved Thousands of Babies and Transformed American Medicine, writes that “many doctors at the time held the view that premature babies were genetically inferior ‘weaklings’ whose fate was a matter for God.”
As word of Couney’s Infantorium spread, parents brought their premature newborns to Coney Island, knowing that their chances of finding a lifesaving incubator there was far greater than it would be in the hospital. And the care there would be both highly skilled and free, underwritten by paying spectators who observed the operation through a glass window. Prentice notes that “Couney took in babies from all backgrounds, regardless of race or social class:”
… a remarkably progressive policy, especially when he started out. He did not take a penny from the parents of the babies. In 1903 it cost around $15 (equivalent to around $405 today) a day to care for each baby; Couney covered all the costs through the entrance fees.

The New Yorker’s A. J. Liebling observed Couney at the 1939 World’s Fair in Flushing, Queens, where he had set up in a pink-and-blue building that beckoned visitors with a sign declaring “All the World Loves a Baby:”
The backbone of Dr. Couney’s business is supplied by the repeaters. A repeater becomes interested in one baby and returns at intervals of a week or less to note its growth. Repeaters attend more assiduously than most of the patients’ parents, even though the parents get in on passes. After a preemie graduates, a chronic repeater picks out another one and starts watching it. Dr. Couney’s prize repeater, a Coney Island woman named Cassatt, visited his exhibit there once a week for thirty-six seasons. Repeaters, as one might expect, are often childless married people, but just as often they are interested in babies because they have so many children of their own. “It works both ways,” says Dr. Couney, with quiet pleasure.


It’s estimated that Couney’s incubators spared the lives of more than 6,500 premature babies in the United States, London, Paris, Mexico and Brazil.
Despite his lack of bonafides, a number of pediatricians who toured Couney’s infantoriums were impressed by what they saw, and began referring patients whose families could not afford to pay for medical care. Many, as Liebling reported in 1939, wished his boardwalk attraction could stay open year round, “for the benefit of winter preemies:”
In the early years of the century no American hospital had good facilities for handling prematures, and there is no doubt that every winter many babies whom Dr. Couney could have saved died. Even today it is difficult to get adequate care for premature infants in a clinic. Few New York hospitals have set up special departments for their benefit, because they do not get enough premature babies to warrant it; there are not enough doctors and nurses experienced in this field to go around. Care of prematures as private patients is hideously expensive. One item it involves is six dollars a day for mother’s milk, and others are rental of an incubator and hospital room, oxygen, several visits a day by a physician, and fifteen dollars a day for three shifts of nurses. The New York hospitals are making plans now to centralize their work with prematures at Cornell Medical Center, and probably will have things organized within a year. When they do, Dr. Couney says, he will retire. He will feel he has “made enough propaganda for preemies.”


Listen to a StoryCorps interview with Lucille Horn, a 1920 graduate of Couney’s Coney Island incubators below.
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– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto and Creative, Not Famous Activity Book. She greeted 2024 with thousands of other New Yorkers, taking a polar bear plunge at Coney Island. Follow her @AyunHalliday.
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The concept of propaganda has a great deal of power to fascinate. So does the very word propaganda, which to most of us today sounds faintly exotic, as if it referred mainly to phenomena from distant places and times. But in truth, can any one of us here in the twenty-first century go a day without being subjected to the thing itself? Watch the video above, in which The Paint Explainer lays out 51 different propaganda techniques in 11 minutes, and you’ll more than likely recognize many of the insidiously effective rhetorical tricks labeled therein from your recent everyday life.
You won’t be surprised to hear that these manifest most clearly in the media, both offline and on. The list begins with “agenda setting,” the “ability of the news to influence the importance placed on certain topics by public opinion, just by covering them frequently and prominently.”
Scattered throughout the news, or throughout your social-media feed, advertisements bring out the “beautiful people,” which “suggests that if people buy a product or follow a certain ideology, they, too will be happy or successful” – or, in its basest forms, operates through “classical conditioning,” in which “a natural stimulus is associated with a neutral stimulus enough times to create the same response by using just the neutral one.”
In the even more shameless realm of politics, the common “plain folk” strategy “attempts to convince the audience that the propagandist’s positions reflect the common sense of the people.” When “an individual uses mass media to create an idealized and heroic public image, often through unquestioning flattery and praise,” a powerful “cult of personality” can arise. And in propaganda for everything from presidential candidates to fast-food chains, you’ll hear and read no end of “glittering generalities,” or “emotionally appealing words that are applied to a product idea, but present no concrete argument or analysis.” You can find many of these strategies explained at Wikipedia’s list of propaganda techniques, or this list from the University of Virginia of “propaganda techniques to recognize” — and not just when the “other side” uses them.
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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.
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Nature doesn’t care if you’re happy, but Yale psychology professor Laurie Santos does.
As Dr. Santos points out during the above appearance on The Well, the goals of natural selection have been achieved as long as humans survive and reproduce, but most of us crave something more to consider life worth living.
With depression rising to near epidemic levels on college campuses and elsewhere, it’s worth taking a look at our ingrained behavior, and maybe making some modifications to boost our happiness levels.
Psychology and the Good Life, Dr. Santos’ massive twice weekly lecture class that actively tackles ways of edging closer to happiness, is the most popular course in Yale’s more than 300-year history.
Do we detect some resistance?
Positive psychology — or the science of happiness — is a pretty crowded field lately, and the overwhelming demand created by great throngs of people longing to feel better has attracted a fair number of grifters willing to impart their proven methodologies to anyone enrolling in their paid online courses.
By contrast, Dr. Santos not only has that Yale pedigree, she also cites other respected academics such as the University of Chicago’s Nicholas Epley, a social cognition specialist who believes undersociality, or a lack of face-to-face engagement, is making people miserable, and Harvard’s Dan Gilbert and the University of Virginia’s Timothy Wilson, who co-authored a paper on “miswanting”, or the tendency to inaccurately predict what will truly result in satisfaction and happiness.
Yale undergrad Mickey Rose, who took Psychology and the Good Life in the spring of 2022 to fulfill a social science credit, told the Yale Daily News that her favorite part of the class was that “everything was cited, everything had a credible source and study to back it up:”
I’m a STEM major and it’s kind of my overall personality type to question claims that I find not very believable. Obviously the class made a lot of claims about money, grades, happiness, that are counterintuitive to most people and to Yale students especially.
With Psychology and the Good Life now available to the public for free on Coursera, even skeptics might consider giving Dr. Santos’ recommended “re-wirement practices” a peek, though be forewarned, you should be prepared to put them into practice before making pronouncements as to their efficacy.
It’s all pretty straightforward stuff, starting with “use your phone to actually be a phone”, meaning call a friend or family member to set up an in person get together rather than scrolling through endless social media feeds.
Other common sense adjustments include looking beyond yourself to help by volunteering, resolving to adopt a glass-is-half-full type attitude, cultivating mindfulness, making daily entries in a gratitude journal, and becoming less sedentary.
(You might also give Dr. Santos’ Happiness Lab podcast a go…)
Things to guard against are measuring your own happiness against the perceived happiness of others and “impact bias” — overestimating the duration and intensity of happiness that is the expected result of some hotly anticipated event, acquisition or change in social standing.
Below Dr. Santos gives a tour of the Good Life Center, an on-campus space that stressed out, socially anxious students can visit to get help putting some of those re-wirement practices into play.
Sign up for Coursera’s 10-week Science of Well-Being course here.
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– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto and Creative, Not Famous Activity Book. Follow her @AyunHalliday.
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If you don’t live in a part of the world with a lot of hummingbirds, it’s easy to regard them as not quite of this earth. With their wide array of shimmering colors and frenetic yet eerily stable manner of flight, they can seem like quasi-fantastical creatures even to those who encounter them in reality. They certainly captured the imagination of English ornithologist John Gould, who between the years of 1849 and 1887 created A Monograph of the Trochilidæ, or Family of Humming-Birds, a catalog of all known species of hummingbird at the time. As you might expect, this is just the kind of old book you can peruse at the Internet Archive, but now there’s also an online restoration that returns Gould’s illustrations to their original glory.

A Monograph of the Trochilidæ “is considered one of the finest examples of ornithological illustration ever produced, as well as a scientific masterpiece,” writes the site’s creator, Nicholas Rougeux (previously featured here on Open Culture for his digital restorations of British & Exotic Mineralogy and Euclid’s Elements).
“Gould’s passion for hummingbirds led him to travel to various parts of the world, such as North America, Brazil, Colombia, Ecuador, and Peru, to observe and collect specimens. He also received many specimens from other naturalists and collectors.” Taken together, the work’s five volumes — one of them published as a supplement years after his death — catalog 537 species, documenting their appearance with 418 hand-colored lithographic plates.

All these images were “analyzed and restored to their original vibrant colors in a process that took nearly 150 hours to complete. As much of the original plate was preserved — including the delicate colors of the scenic backgrounds in each vignette.” You can view and download them at the site’s illustrations page, where they come accompanied by Gould’s own text and classified according to the same scheme he originally used. You may not know your Phaëthornis from your Sphenoproctus, to say nothing of your Cyanomyia from your Smaragdochrysis, but after seeing these small wonders of the natural world as Gould did (all arranged into a chromatic spectrum by Rougeux to make a striking poster), you may well find yourself inspired to learn the differences — or at least to put a feeder outside your window.

via Kottke
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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.
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Mushrooms are justly celebrated as virtuous multitaskers.
They’re food, teachers, movie stars, design inspiration…
…and some, as anyone who’s spent time playing or watching The Last of Us can readily attest, are killers.
Hopefully we’ve got some time before civilization is conquered by zombie cordyceps.
For now, the ones to watch out for are amanita phalloide, aka death cap mushrooms.
The powerful amatoxin they harbor is behind 90 percent of mushroom-related fatalities worldwide. It causes severe liver damage, leading to bleeding disorders, brain swelling, and multi-organ failure in those who survive.
A death cap took the life of a three-year-old in British Columbia who mistook one for a tasty straw mushroom on a foraging expedition with his family near their apartment complex.
In Melbourne, a pot pie that tested positive for death caps resulted in the deaths of three adults, and sent a fourth to the hospital in critical condition.
As the animators feast on mushrooms’ limitless visual appeal in the above episode of The Atlantic’s Life Up Close series, author Craig Childs delivers some sobering news:
We did it to ourselves. Humans are the ones who’ve enabled death caps to spread so far beyond their native habitats in Scandinavia and parts of northern Europe, where the poisonous fungi feed on the root tips of deciduous trees, springing up around their hosts in tidy fairy rings.
When other countries import these trees to beautify their city streets, the death caps, whose fragile spores are incapable of traveling long distances when left to their own devices, tag along.
They have sprouted in the Pacific Northwest near imported sweet chestnuts, beeches, hornbeams, lindens, red oaks, and English oaks, and other host species.
As biochemist Paul Kroeger, cofounder of the Vancouver Mycological Society, explained in a 2019 article Childs penned for the Atlantic, the invasive death caps aren’t popping up in deeply wooded areas.
Rather, they are settling into urban neighborhoods, frequently in the grass strips bordering sidewalks. When Childs accompanied Krueger on his rounds, the first of two dozen death caps discovered that day were found in front of a house festooned with Halloween decorations.
Now that they have established themselves, the death caps cannot be rousted. No longer mere tourists, they’ve been seen making the jump to native oaks in California and Western Canada.
Childs also notes that death caps are no longer a North American problem:
They have spread worldwide where foreign trees have been introduced into landscaping and forestry practices: North and South America, New Zealand, Australia, South and East Africa, and Madagascar. In Canberra, Australia, in 2012, an experienced Chinese-born chef and his assistant prepared a New Year’s Eve dinner that included, unbeknownst to them, locally gathered death caps. Both died within two days, waiting for liver transplants; a guest at the dinner also fell ill, but survived after a successful transplant.
Foragers should proceed with extreme caution.
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– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto and Creative, Not Famous Activity Book. Follow her @AyunHalliday.
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“Fascism is a word that’s been used a great deal these last few years,” says the article pictured above (scanned in full here at the Internet Archive). “We come across it in our newspapers, we hear it in our newsreels, it comes up in our bull sessions.” Other than the part about newsreels (today’s equivalent being our social-media feeds, or perhaps the videos put before our eyes by the algorithm), these sentences could well have been published today. Some see the fascist takeover of modern-day democracies as practically imminent, while others argue that the concept itself has no meaning in the twenty-first century. But 78 years ago, when this issue of Army Talk came off the press, fascism was very much a going — and fearsome — concern.
“Beginning in 1943, the War Department published a series of pamphlets for U.S. Army personnel in the European theater of World War II,” writes historian Heather Cox Richardson. The mission of Army Talks, in the publication’s own words, was to help its readers “become better-informed men and women and therefore better soldiers.”
Each issue included a topic for discussion, and on March 25, 1945, that topic was fascism — or, as the headline puts it, “FASCISM!” Under that ideology, defined as “government by the few and for the few,” a small group of political actors achieves “seizure and control of the economic, political, social, and cultural life of the state.” Such ruling classes “permit no civil liberties, no equality before the law. They make their own rules and change them when they choose. If you don’t like it, it’s ‘T.S.’ ”
Fascists come to power, the text explains, in times of hardship, during which they promise “everything to everyone”: land to the farmers, jobs to the workers, customers and profits to the small businessmen, elimination of small businessmen to the industrialists, and so on. When this regime “under which everything not prohibited is compulsory” inevitably fails to deliver a perfect society, things turn violent, both in the country’s internal struggles and in its conflicts with other powers. To many Americans at the time of World War II, this might seem like a wholly foreign disorder, liable to afflict only such distant lands as Italy, Japan, and Germany. But a notional American fascism would look and feel familiar, working “under the guise of ‘super-patriotism’ and ‘super-Americanism.’ Fascist leaders are neither stupid nor naïve. They know that they must hand out a line that ‘sells.’ ”
That someone’s always trying to sell you something in politics — and even more so in American politics — is as true in 2023 as it was in 1945. Though whoever assumed back then that “it couldn’t happen here” presumably figured that the United States was too wealthy a society for fascist temptations to gain a foothold. But even the most favorable economic fortunes can reverse, and “lots of things can happen inside of people when they are unemployed or hungry. They become frightened, angry, desperate, confused. Many, in their misery, seek to find somebody to blame. They look for a scapegoat as a way out. Fascism is always ready to provide one.” And not only fascism: political opportunists of every stripe know full well the power to be drawn from “the insecure and unemployed” looking for someone on who “to pin the blame for their misfortune” — and how easy it is to do so when no one else has a more appealing vision of the future to offer.
You can see a scan of the original document here, and read the text here.
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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.
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Experience long ago conferred the mantle of authority on broadcaster, biologist, natural historian and author David Attenborough, age 97.
In his late 20s, he landed at the BBC, producing live studio broadcasts that ran the gamut from children’s shows, ballet performances and archeological quizzes to programs focused on cooking, religion and politics.
When an educational show starring animals from the London Zoo became a hit with viewers, the powers that be built on its popularity with a fresh take — a show that sent the intrepid young Attenborough around the world, seeking animals in their native habitats. He was accompanied by cameraman Charles Lagus and two zoologists, whom he quickly supplanted as host.
It made for thrilling viewing in an era when wildlife tourism was available to a very few.
The New York Times notes that many of the creatures who cropped up onscreen in these early Zoo Quest episodes were shipped back to London Zoo:
It is not the kind of mission we approve of nowadays, but without it the West might never have gotten interested in wildlife to begin with. We started by shooting exotic species for their skins and bones and trapping them for our zoos, and only recently moved to worrying about their survival in the wild and the health of the planet in general. This history is symbolized by the transformation of Attenborough himself from a talking and writing crocodile hunter to the greatest living advocate of the global ecosystem.
In Borneo in 1956, in search for Komodo dragons, he paused for an encounter with an orangutan, above, and also a big whiff of durian, the spiky, odiferous fruit whose aroma famously got it banned from Singapore’s elegant Raffles Hotel, with taxis, planes, subways, and ferries following suit.
Soon thereafter, the six-episode hunt for the Komodo dragon finds Attenborough in Java, masking his nerves as he uses a cutlass, a willingness to climb trees, and a cloth sack to get the better of a fully grown python.
(Once the serpent was settled at the London Zoo, he made the trek to the BBC for an in-studio appearance.)
You’ll note that this episode is in color.
Although Zoo Quest filmed in color, it aired ten years before color broadcasts were available to UK viewers, so most of the folks watching at home assumed it had been shot in black and white.
In 1960, Attenborough used the latest — now severely outmoded-looking– technology to capture the first audio recording of the indri, Madagascar’s largest lemur for Attenborough’s Wonder of Song.
This audio victory led him to wonder if he could be the first to film an indri.
Frustrated by the thick canopy overhead, Attenborough resorted to playback, successfully tempting the animals to not only come closer, but do so while vocalizing.
Mating calls?
No. Attenborough deduced that they were the indris’ “battle songs”, issued as a warning to the perceived threat of unfamiliar indris.
In 2011, Attenborough returned to Madagascar, listening respectfully to Joseph, a local hunter turned conservationist, who explains how the local populace no longer think of indri as a food source, but rather a symbol of their commitment to preserving the natural world around them. Joseph’s relationship with the indri affords Sir David a rare opportunity, as the indri feed from his hand:
Fifty years ago, I spent days and days and days searching through the forest, with these firing their noise overhead but now this group is so accustomed to seeing people around that I have been right close up to them, something I never believed could have be possible.
Read more about David Attenborough’s Zoo Quest experiences in his memoir, Adventures of a Young Naturalist, and watch a playlist of documentaries for the BBC here.
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– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto and Creative, Not Famous Activity Book. Follow her @AyunHalliday.
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Our definition of budget cookery may differ from celebrity chef Gordon Ramsey’s.
True, the world famous restauranteur and cookbook author speaks of cheap cuts with messianic zeal, but the episode of Gordon Ramsey’s Ultimate Cookery Course dedicated to Food on a Budget, above, also finds him paying a call to Lina Stores’ SoHo location to discuss ham, sausages, and salami with the late “deli maestro” Antonio Saccomani.
It’s not exactly Costco.
Nor can we buy bone-in Lamb with fried bread as a cost conscious dish, though the accompanying milk soaked fried bread — homemade croutons really — will cost slightly less to make this year, as the USDA is predicting that dairy prices will fall after 2022’s historic levels.
As long as we’re at peace with the idea that the man is not ever going to be found stretching rice and beans to feed a family of four for a week when there’s leftover risotto to be resurrected as arancini, the series is a goldmine for chefs of all budgets and experience levels.
It’s not so much the final dishes, as the short cuts and best practices on the journey.
His “chef in Paris” might indeed kill him for uglying up a dish with deliciously humble pan scrapings, but his ironclad maxims to waste nothing and use available ingredients will benefit home chefs with an eye on the bottom line, as well as pros in high end restaurants where profit margins turn on a knife’s edge.
In an age when any fool can Google up dozens of foolproof methods for cooking rice, sometimes it’s reassuring to get this sort of intel straight from the lips of a globally recognized expert. (We’re big fans of Julia Child’s scrambled eggs…)
How does your method measure up against Ramsey’s freely shared secret for cooking perfect rice?
Weigh out 400 grams of rice on a kitchen scale
Rinse with cold water
Season with salt and pepper, and — going up the food chain a bit — 3 pierced cardamom pods and a star anise
Add 600 grams of water (that’s a 1:1.5 ratio for those playing along without kitchen scales or the metric system)
Bring to a boil, and steam, covered for 8–10 minutes
No peeking!
Remove pot from heat and fluff
Such universal tips are the most persuasive reason to stick with the series.
Ramsey’s rapid fire delivery and lack of linked recipes may leave you feeling a bit lost in regard to exact measurements, temperatures, and step by step instructions, but keep your ears peeled and you’ll quickly pick up on how to extend fresh herbs’ shelf life and keep cut potatoes, apples and avocados looking their best.
Other episodes reveal how to grease cake tins, prevent milk from boiling over, remove baked-on residue, peel kiwis and mangos, determine a pineapple’s ripeness, seed pomegranates, skin tomatoes, and keep plastic containers stain-free…
Seriously, who needs TikTok when we have Gordon Ramsey 2012?
Ramsey’s advice to bypass expensive wine when cooking those comparatively cheap cuts of meat low and slow gets a chef’s kiss from us. (In full disclosure, we would happily swig his braising vintage.)
As to the slow-cooked duck, truffles and caramelized figs with ricotta, we must remind ourselves that the series is over 10 years old. These days even eggs feel like a splurge..
Perhaps some stress free cooking tips will lower our stress level over this week’s grocery expenditures?
Here too, there seems to be some discrepancy in Ramsey’s definition and the general public’s. His idea of stress free is achieved through lots of prepwork
If your idea of de-stressing involves skinning & deboning a salmon or making homemade fish stock, you’re in luck.
Obviously the end product will be delicious but the phrase “chili chicken with ginger & coriander” activates both our salivary glands and our impulse to order out…
Watch a full playlist of Gordon Ramsay’s Ultimate Cookery Course here.
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– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto and Creative, Not Famous Activity Book. Follow her @AyunHalliday.
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