These days, you can take a virÂtuÂal tour of paintÂings at the MoMA, Met, Uffizi Gallery, HerÂmitage, RijksmuÂseÂum, and NationÂal Gallery and othÂer major museÂums, thanks to Google’s Art Project. And don’t forÂget the SisÂtine Chapel and the Dead Sea Scrolls.
In 2005, the SunÂdance ChanÂnel aired PorÂtrait of a BookÂstore as an Old Man, a 52 minute docÂuÂmenÂtary that pays homage to George WhitÂman, the AmerÂiÂcan founder of the most famous indeÂpenÂdent bookÂstore in Paris, ShakeÂspeare and ComÂpaÂny. WhitÂman died yesÂterÂday, at age 98, in his apartÂment above the store.
Sylvia Beach first opened a bookÂshop named ShakeÂspeare and ComÂpaÂny in 1918, and it soon became a home for artists of the “Lost GenÂerÂaÂtion” (HemÂingÂway, Pound, FitzgerÂald, Stein, etc.). It also famousÂly pubÂlished James Joyce’s Ulysses in 1922. The shop evenÂtuÂalÂly closed durÂing the Nazi occuÂpaÂtion of Paris. Yet a good decade latÂer, George WhitÂman came along and estabÂlished anothÂer EngÂlish-lanÂguage bookÂstore on the Left Bank and evenÂtuÂalÂly rechrisÂtened it ShakeÂspeare and ComÂpaÂny. WhitÂman’s shop gave sancÂtuÂary to Beat writÂers – Allen GinsÂberg, William S. BurÂroughs and the rest. And it’s this incarÂnaÂtion of the fabled bookÂstore that the docÂuÂmenÂtary takes as its subÂject. Give the docÂuÂmenÂtary some time, and be sure to watch the last five minÂutes – unless you already know how to cut your hair with fire. It will give you a litÂtle feel for WhitÂman and his well-known eccenÂtricÂiÂties. RIP.
On YouTube, the path to eduÂcaÂtion is as narÂrow and as difÂfiÂcult to walk as a razor’s edge. Left to their own devices, kids have a tenÂdenÂcy to veer away from the math tutoÂriÂals and head straight for the water-skiÂing squirÂrels. What’s an eduÂcaÂtor to do?
Google believes it has the answer with “YouTube for Schools,” a new serÂvice that gives teachÂers and adminÂisÂtraÂtors the abilÂiÂty to filÂter out everyÂthing but their own selecÂtions from YouTube EDU, a curatÂed colÂlecÂtion of eduÂcaÂtionÂal videos from sources rangÂing from Sesame Street to HarÂvard.
“We’ve been hearÂing from teachÂers that they want to use the vast array of eduÂcaÂtionÂal videos on YouTube in their classÂroom, but are conÂcerned that stuÂdents will be disÂtractÂed by the latÂest music video or a video of a cute cat, or a video that might not be approÂpriÂate for stuÂdents,” writes YouTube ProdÂuct ManÂagÂer BriÂan Truong. “While schools that comÂpleteÂly restrict access to YouTube may solve this disÂtracÂtion conÂcern, they also limÂit access to hunÂdreds of thouÂsands of eduÂcaÂtionÂal videos on YouTube that can help bring phoÂtoÂsynÂtheÂsis to life, or show what life was like in ancient Greece.”
To help teachÂers find the best mateÂrÂiÂal with ease, YouTube has orgaÂnized the eduÂcaÂtionÂal videos by subÂject and grade levÂel, with more than 300 playlists to choose from at youtube.com/teachers. To learn more, or to sign up, go to youtube.com/schools.
Also don’t miss our own curatÂed list of IntelÂliÂgent YouTube ChanÂnels, which highÂlights the best video colÂlecÂtions on the Google-owned serÂvice.
CountÂdown is a British TV game show revolvÂing around words and numÂbers. In the numÂbers round, conÂtesÂtants select six of twenÂty-four shufÂfled tiles with numÂbers on them. Next, a comÂputÂer genÂerÂates a ranÂdom three-digÂit tarÂget numÂber and the conÂtesÂtants have thirÂty secÂonds to get as close to that numÂber as posÂsiÂble by comÂbinÂing the six numÂbers through addiÂtion, subÂtracÂtion, mulÂtiÂpliÂcaÂtion and diviÂsion. This memÂoÂrable episode of CountÂdown aired in March 1997 and starred James MarÂtin and his rather unusuÂal way of arrivÂing at the tarÂget numÂber of 952.
One YouTube user sugÂgestÂed a difÂferÂent way: 6 x 75 = 450; 450 Ă· 50 = 9; 100 + 3 = 103; 9 x 103 = 927; 927 + 25 = 952
I found yet anothÂer way: 100 + 3 = 103; 103 x 6 = 618; 618 x 75 = 46,350; 46,350 Ă· 50 = 927; 927 + 25 = 952
What about you? Any more sugÂgesÂtions?
By proÂfesÂsion, Matthias RaschÂer teachÂes EngÂlish and HisÂtoÂry at a High School in northÂern Bavaria, GerÂmany. In his free time he scours the web for good links and posts the best finds on TwitÂter.
Sir David AttenÂborÂough is EngÂland’s finest natÂurÂal hisÂtoÂry filmÂmakÂer, best known for his Life colÂlecÂtion, a series of nine nature docÂuÂmenÂtaries aired on the BBC between 1979 and 2008. It’s wideÂly conÂsidÂered the stanÂdard by which all othÂer wildlife proÂgrams are meaÂsured.
In recent weeks, British and AmerÂiÂcan audiÂences have been treatÂed to AttenÂborÂough’s latÂest proÂducÂtion, Frozen PlanÂet (see trailÂer below). It’s thought to be his last major proÂgram with the BBC, and to comÂmemÂoÂrate this mileÂstone, the ad agency RKCR/Y&R has proÂduced a movÂing video that feaÂtures AttenÂborÂough readÂing lines from “What a WonÂderÂful World” — you know, the Louis ArmÂstrong clasÂsic — as scenes from AttenÂborÂough’s docÂuÂmenÂtaries fill the screen.
The ad agency introÂduced the video last week with a litÂtle blog post, which conÂcludÂed by sayÂing: “If you’ve had a shitÂty jourÂney into work today, I promise, this will put your smile back in place.” We could haven’t have said it any worse or betÂter.
Spike Jonze has made a name for himÂself as a wildÂly invenÂtive direcÂtor of music videos and feaÂture films, like Being John Malkovich and AdapÂtaÂtion. He has also creÂatÂed some of the most disÂtincÂtive teleÂviÂsion comÂmerÂcials of the past decade. Today we bring you a few of his greatÂest hits.
In late 2002 Jonze creÂatÂed a stir with his IKEA comÂmerÂcial, “Lamp” (above). The 60-secÂond spot went on to win the Grand Prix at the Cannes Lions InterÂnaÂtionÂal AdverÂtisÂing FesÂtiÂval. Boards magÂaÂzine listÂed “Lamp” as one of the top 10 comÂmerÂcials of the decade, writÂing:
Spike Jonze’s incredÂiÂbly human directÂing touch creÂatÂed a believÂable tenÂderÂness between a woman and her new Ikea lightÂing, elicÂitÂing pure empaÂthy for a loneÂly, disÂcardÂed object, left to sufÂfer curbÂside in the rain, and then shatÂtered it all with one brilÂliant stroke of castÂing that abruptÂly and brusqueÂly brought us all back to realÂiÂty.
Jonze’s starÂtling Gap comÂmerÂcial, “Dust,” (above) became a YouTube senÂsaÂtion immeÂdiÂateÂly folÂlowÂing its release in 2005, but the comÂpaÂny pulled the 90-secÂond ad after testÂing it in only a few cities. PerÂhaps the specÂtaÂcle of a corÂpoÂrate brand exuÂberÂantÂly doing vioÂlence to its image was a bit too much for the boys in the boardÂroom. The deciÂsion to shelve the ad made the comÂpaÂny look even less hip than before. As Seth StevenÂson wrote in Slate, “I just can’t underÂstand spendÂing all that monÂey on a big-name direcÂtor, and a big-budÂget shoot, and then fritÂterÂing the results away on such a limÂitÂed purÂpose. Did Gap not see the posÂsiÂbilÂiÂties? Were they too scared to go for broke?”
AnothÂer ground-breakÂing Jonze comÂmerÂcial from 2005, “HelÂlo TomorÂrow,” (above) was made to introÂduce a self-adjustÂing, “intelÂliÂgent” sneakÂer from AdiÂdas. The spot uses speÂcial effects to creÂate the impresÂsion of a lucid dream. The music was creÂatÂed by Jonze’s brothÂer, Sam “Squeak E. Clean” Spiegel (Jonze’s birth name is Adam Spiegel) and sung by his girlÂfriend at the time, Karen O of the band Yeah Yeah Yeahs. The ad received many awards, includÂing two Gold Lions at Cannes. The sneakÂer was dropped by AdiÂdas in 2006, but the comÂmerÂcial lives on.
Here’s a litÂtle known fact about the rapÂper and actor Ice Cube. DurÂing his younger days, before he became a star, Mr. Cube studÂied archiÂtecÂturÂal draftÂing at the Phoenix InstiÂtute of TechÂnolÂoÂgy in AriÂzona, where he gained an appreÂciÂaÂtion for the way archiÂtects, like rapÂpers, can take existÂing mateÂriÂals and work them into entireÂly new creÂations. Yes, archiÂtects can do mashups, too. And perÂhaps no one did them betÂter than the husÂband-and-wife design duo, Charles and Ray Eames, who built the Eames House, a landÂmark of modÂern archiÂtecÂture, in 1949.
In a video proÂmotÂing a colÂlabÂoÂraÂtive exhibÂit, “PacifÂic StanÂdard Time: Art in L.A. 1945–1980,” Ice Cube driÂves the streets of L.A. and explains his admiÂraÂtion for the Eames House and othÂer Los AngeÂles landÂmarks. MeanÂwhile below, you’ll find some vinÂtage footage that capÂtures Charles Eames (1907–1978), driÂving around the city, givÂing his own analyÂsis of the hodge-podge archiÂtecÂturÂal styles that define Los AngeÂles.
CamÂbridge UniÂverÂsiÂty has had many famous gradÂuÂates, but perÂhaps none is more famous than Isaac NewÂton (class of 1665). This week, CamÂbridge conÂtinÂues to honÂor NewÂton by openÂing a digÂiÂtal archive of NewÂton’s perÂsonÂal papers, which includes an annoÂtatÂed copy of the PrinÂcipÂia, the landÂmark work where the physiÂcist develÂoped his laws of motion and gravÂiÂty. The iniÂtial archive feaÂtures 4,000 pages of scanned mateÂriÂals (roughÂly 20% of the comÂplete NewÂton archive), and evenÂtuÂalÂly CamÂbridge will add mateÂrÂiÂal from Charles DarÂwin, anothÂer famous alum, and othÂer sciÂenÂtifÂic figÂures.
Bonus: If you’re lookÂing to bone up on Physics, you can find many free physics coursÂes in our big colÂlecÂtion of Free Online CoursÂes. Leonard Susskind’s class on ClasÂsiÂcal MechanÂics may be of parÂticÂuÂlar interÂest here.
A year ago, Apple began sellÂing The BeaÂtÂles’ catÂaÂlogue of music on iTunes. Now, twelve months and many milÂlions of downÂloads latÂer, Apple is givÂing away The BeatÂle’s YelÂlow SubÂmaÂrine as a free ebook.
It’s not just any ebook. Based on the 1968 film, this ebook feaÂtures aniÂmatÂed illusÂtraÂtions, 14 video clips from the origÂiÂnal film, audio funcÂtionÂalÂiÂty that magÂiÂcalÂly turns the book into an audio book, and varÂiÂous interÂacÂtive eleÂments. You can “read” the book (downÂload it here) on any iPad, iPhone, or iPod touch. Our apoloÂgies in advance if you use othÂer devices.
The YelÂlow SubÂmaÂrine will be added to our colÂlecÂtion of Free eBooks, which feaÂtures 250 clasÂsics, includÂing texts by Isaac AsiÂmov, Philip K. Dick, DosÂtoÂevsky, KafÂka, Joyce, Nabokov, Austen, NietÂzsche and othÂers. Also don’t miss our equalÂly large colÂlecÂtion of Free Audio Books.
Last WednesÂday, the OccuÂpy moveÂment gained a litÂtle more intelÂlecÂtuÂal momenÂtum when eight facÂulÂty memÂbers from HarÂvard, Boston ColÂlege, and N.Y.U. gathÂered in CamÂbridge to present a dayÂlong Teach-In. In one talk, Archon Fung (Ford FounÂdaÂtion ProÂfesÂsor of DemocÂraÂcy and CitÂiÂzenÂship and Co-DirecÂtor of TransÂparenÂcy PolÂiÂcy Project at HarÂvard) took a vague theÂsis of the OccuÂpy moveÂment — “Shit is Fucked Up and BullÂshit” — and gave it some acaÂdÂeÂmÂic depth in a data-filled talk called “Why Has InequalÂiÂty Grown in AmerÂiÂca? And What Should We Do About It?” The othÂer talks are availÂable on YouTube (see links below) or via audio stream:
Fear and PowÂer — Brad Epps, ProÂfesÂsor of Romance LanÂguages & LitÂerÂaÂtures and DepartÂment Chair for StudÂies in Women, GenÂder, and SexÂuÂalÂiÂty, FacÂulÂty of Arts and SciÂences, HarÂvard UniÂverÂsiÂty
How many of the great philosoÂphers have you actuÂalÂly heard speak? This clip comes from the 1976 docÂuÂmenÂtary Sartre by HimÂself, which feaÂtures disÂcusÂsions with Jean-Paul Sartre and his near-equalÂly famous partÂner Simone de BeauÂvoir, among othÂers. The film was released with EngÂlish subÂtiÂtles in 1979, a year before Sartre died.
In this clip, Sartre critÂiÂcizes modÂern intelÂlecÂtuÂals as “speÂcialÂist workÂers in pracÂtiÂcal knowlÂedge,” who apply “uniÂverÂsal notions and pracÂtices” to parÂticÂuÂlar purÂposÂes deterÂmined by a politÂiÂcal estabÂlishÂment. This can cause a conÂflict of conÂscience: Sartre gives the examÂple of sciÂenÂtists workÂing on the atomÂic bomb, but also proÂfesÂsors whose efforts soleÂly benÂeÂfit a small group of prosÂperÂous stuÂdents. Sartre thinks intelÂlecÂtuÂals use this kind of conÂflict to feel betÂter about themselves–they may sign petiÂtions, side with the workÂing class, etc.–while still not seriÂousÂly quesÂtionÂing themÂselves. IntelÂlecÂtuÂals rage against the machine but are still playÂing their assigned role in it. “[They are] very pleased to have an unhapÂpy conÂscience, because that is what allows [them] to denounce.”
This is an examÂple of his famous notion of “bad faith,” where we disÂasÂsoÂciÂate ourÂselves from our actions, or more comÂmonÂly where we claim to have more limÂitÂed choicÂes than we actuÂalÂly do. Bad faith is posÂsiÂble because of the nature of the self, accordÂing to Sartre: there is no preÂdeÂterÂmined “human nature” or “true you,” but instead you are someÂthing built over time, by your own freely choÂsen actions, too often using the roles and charÂacÂterÂisÂtics othÂers assign to you.
EarÂly in his career, he conÂstructÂed a theÂoÂry of conÂsciousÂness and the self that makes this plauÂsiÂble. The work in which he did this, “The TranÂscenÂdence of the Ego,” is the subÂject of the most recent episode of The ParÂtialÂly ExamÂined Life phiÂlosÂoÂphy podÂcast, proÂfiled in this earÂliÂer Open CulÂture post. The podÂcast has since takÂen off: it’s curÂrentÂly feaÂtured on the main podÂcast page in the iTunes store and has broÂken the top 40 in “top audio podÂcasts,” reachÂing #1 in the phiÂlosÂoÂphy catÂeÂgoÂry.
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