In his 2007 New Yorker essay on performance artist Chris Burden, the critic Peter Schjeldahl wrote that most of Burden’s oeuvre consisted of “powerful works that deal ingeniously with aesthetics and ethics of power.”
Schjeldhal added that “you needn’t like them to be impressed,” and then described some of Burden’s more infamous pieces:
He spent five days in a small locker, with a bottle of water above and a bottle for urine below; slithered, nearly naked and with his hands held behind him, across fifty feet of broken glass in a parking lot; had his hands nailed to the roof of a Volkswagen; was kicked down a flight of stairs; and, on different occasions, incurred apparent risks of burning, drowning, and electrocution.
Burden’s more recent “Metropolis II,” which might seem tame by comparison, features over 1,100 minicars careening through a maze of interconnected freeways. It’s still pretty challenging, even in diluted video form: The noise and constant motion seem calculated to wreck your nerves, and according to this brief segment on the piece, at least one car spins off the tracks every hour. The city may be surreal, but the stress feels as familiar as your last bad rush hour.
You can find a fascinating on-stage interview with the artist in LACMA’s Director’s Series, as well as a wealth of information about Burden’s life and work on the museum’s website.
H/T FastCoDesign
Sheerly Avni is a San Francisco-based arts and culture writer. Her work has appeared in Salon, LA Weekly, Mother Jones, and many other publications. You can follow her on twitter at @sheerly.
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Talk about dodging cinematic bullets. Imagine The Godfather without Marlon Brando. It almost happened. And then Star Wars with Kurt Russell (playing Han Solo). It was a real enough possibility, and here’s the audition tape as proof…
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Star Wars the Musical: The Force is Strong in this One
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Read More...The Israeli mashup artist known as Kutiman gave us Thru Jersusalem last month, a contemplative journey through Jerusalem’s eclectic, local music scene. Now he returns to his Mother of All Funk Chords roots and goes uptempo again, stitching together 80 covers of Led Zeppelin’s 1974 classic, “Black Dog” (original here). Perhaps more than any other I’ve seen, this video gives meaning to the expression “the total is greater than the sum of the parts.” The individual covers hardly stand out, but the mashup delivers the goods.
via Wired
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Kudos to How to be A Retronaut for finding this great clip of Jack Kerouac playing pool in early 1967. We bet he was the coolest player in that particular room (at the Pawtucketville Social Club, in Lowell, Mass). But we’d also bet that he copied that cool, taut persona from Paul Newman’s turn as “Fast Eddie” Felson in the classic movie The Hustler filmed six years earlier.
For more great moments in Beat history, check out Kerouac and Gore Vidal meeting William F. Buckley, Alan Ginsberg’s Tugboat Ride and William S. Burroughs Shooting Shakespeare, all otherwise found in our collection of 275 Cultural Icons.
Sheerly Avni is a San Francisco-based arts and culture writer. Her work has appeared in Salon, LA Weekly, Mother Jones, and many other publications. You can follow her on twitter at @sheerly.
Read More...Back in 2009, Blue Note Records, the influential jazz label, was celebrating its 70th anniversary. And The Bella Vista Social Pub, looking to promote its own summer jazz concerts in Siena, Tuscany, came up with a smart idea. Why not pay tribute to Blue Note (and promote the Italian concert series) by animating the cool cover designs that graced Blue Note albums during its heyday. These cover designs were the work of Reid Miles, a graphic designer who moved from Esquire magazine to Blue Note around 1955, then designed hundreds of aura-creating covers until he left the label in 1967. The animated video above, called Hi-Fi, brings Miles’ work back to life. Graphicology has more on the nostalgia-inducing clip here.
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
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Before the weekend slips away, we want to remember Billie Holiday who was born 98 years ago today. To this day, Holiday is widely considered the greatest jazz vocalist of all time, known for her distinctive phrasing and melancholy voice. Above, we bring you her performance of “Strange Fruit,” a song recorded in 1939 that protested the lynching of African Americans in the South. The composition introduced Holiday to a mainstream audience, giving her career a big break. Down the line, Holiday closed every concert with the song, which continually grew in cultural importance. By 1999, TIME called “Strange Fruit” the song of the century, solidifying its place in the American songbook.
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
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This gorgeous video of a cymbal (shot with a Phantom at 1,000 frames per second) made our morning. And then Kottke’s find below — brilliant footage of vibrating guitar strings — made our afternoon.
Hope you enjoy them as much as we did, and have a great weekend!
Sheerly Avni is a San Francisco-based arts and culture writer. Her work has appeared in Salon, LA Weekly, Mother Jones, and many other publications. You can follow her on twitter at @sheerly.
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Three years ago, the members of the band Interpol sat down with filmmaker David Lynch. It was a casual meeting, an “ice breaker,” that paved the way for a future collaboration.
Skip ahead to 2010, and the collaboration begins. Interpol wants to develop visuals to accompany their performance at the 2011 Coachella Festival, and Lynch agrees to take on the job. The result: “I Touch a Red Button Man,” a short animated film that accompanies Interpol’s song “Lights.” The film (originally shown at Coachella) was officially released online yesterday at HuffPo, where the band also talked about the genesis of the project in their own words.
You can find this film listed in the Animation section of our big collection of Free Movies Online.
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
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Congratulations to the comedian Louis C.K. whose half-hour F/X show Louie was just nominated for an Emmy Award (full list of nominees here). To celebrate, here’s one of our favorite of his riffs from a 2009 appearance on the Conan O’Brien show. (Speaking of Conan, don’t miss his Dartmouth graduation address.)
We love Louis for many reasons, not the least of which is that he can build a killer, harangue-free rant around lines like “the foundations of capitalism are crumbling.” Enjoy.
Sheerly Avni is a San Francisco-based arts and culture writer. Her work has appeared in Salon, LA Weekly, Mother Jones, and many other publications. You can follow her on twitter at @sheerly.
Read More...We reached deep into our archives and pulled out a list of our greatest hits — our favorite science videos from the past five years. 125 videos in total, and the list will grow from here. Right now, it covers everything from Astronomy and Space Travel, to Physics and Biology, and then Psychology and Neuroscience. Our recommendation? Just jump right in here. But if you want a little preview, then let’s start you off with ten slam-dunk videos from the collection:
(Note: In the future, you can access this collection by clicking the “Great Science Videos” link under “Essentials.” Top of the center column.)
Find the full list of Science Videos here…
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