From Emory University comes The First 100 Days of Fascist Germany, an attempt to document online what happened on each day–from January 30, 1933 through May 9, 1933–when Hitler was named Reichskanzler of Germany.
As you can perhaps imagine, the motivation for the project isn’t entirely divorced from current events.
Few English writers of the early twentieth century had the rhetorical zest and zeal of novelist, journalist, and Catholic apologist G.K. Chesterton, and few could have so ably taken on the formidable intellect of H.G. Wells.[...]
As scholars of ancient texts well know, the reconstruction of lost sources can be a matter of some controversy. In the ancient Hebrew and less ancient Christian Biblical texts, for example, critics find the remnants of many previous texts, seemingly stitched together by occasionally careless editors.[...]
In 1943, Swiss chemist Albert Hofmann was synthesizing a new compound called lysergic acid diethylamide-25 when he got a couple of drops on his finger. The chemical, later known worldwide as LSD, absorbed into his system and soon after he experienced an intense state of altered consciousness. In other words, he tripped.[...]
We denizens of the craft-roasting, wi-fi-connected 21st century know well how to drink voluminous quantities of coffee and argue our opinions.[...]
In the first decade or so of the Soviet Union’s existence, “avant-garde experimenters emerged from obscurity to benefit from actual state sponsorship,” writes Harvard professor of Russian Literature Ainsley Morse. Their “aesthetic radicalism jibed nicely with political turmoil.[...]
Last month, Lawrence Livermore National Laboratory put on YouTube 63 now-declassified videos documenting American nuclear tests conducted between 1945 and 1962. According the Lab, “around 10,000 of these films sat idle, scattered across the country in high-security vaults.[...]
Almost all movies tell stories, even the ones that don’t intend to. Put every movie ever made together, and they collectively tell another story: the story of cinema.[...]
One of the greatest challenges for writers and greatest joys for readers of fantasy and science fiction is what we call “world building,” the art of creating cities, countries, continents, planets, galaxies, and whole universes to people with warring factions and nomadic truth seekers.[...]