In 590 AD, Pope Gregory I unveiled a list of the Seven Deadly Sins – lust, gluttony, greed, sloth, wrath, envy and pride – as a way to keep the flock from straying into the thorny fields of ungodliness.[...]
By its very nature, propaganda distorts the truth or tells outright lies. It targets our basest impulses—fear and anger, flight or fight. While works of pure propaganda may pretend to make logical arguments, they eliminate nuance and oversimplify complicated issues to the point of caricature.[...]
Last week we told you about an ambitious video series — The Great War — that will document how World War I unfolded, week-by-week, over a four-year period, from 1914 to 1918. A new video will be released every Thursday, and it will reflect on what happened during the same week 100 years prior.[...]
Image via New York Public Library
Increasingly Facebook seems a virtual pet cemetery, with images of recently departed cats and dogs buttressed with words of heartbreak and consolation.
This summer, we revisited a literacy test from the Jim Crow South. Given predominantly to African-Americans living in Louisiana in 1964, the test consisted of 30 ambiguous questions to be answered in 10 minutes. One wrong answer, and the test-taker was denied the right to vote.[...]
This ambitious project deserves a mention: Mediakraft Networks has launched a video series on Youtube that will document how World War I unfolded, week-by-week, over a four-year period, from 1914 to 1918. A new video will be released every Thursday, and it will reflect on what happened during the same week 100 years prior.[...]
In November of 1964, Martin Luther King received a chilling letter, purportedly from a disillusioned member of the African-American community. “King, look into your heart,” writes MLK’s critic. “You know you are a complete fraud and a great liability to all of us Negroes.”
The letter then turns menacing.
Reference photo for Norman Rockwell’s portrait of Robert F. Kennedy, c. 1968. Courtesy of the Norman Rockwell Museum Collections.
Whatever you think of Norman Rockwell’s paintings and illustrations, you can’t deny them the status of enduring Americana.
Once upon a time, questions about the use-value of art were the height of philistinism. “All art is quite useless,” wrote the aesthete Oscar Wilde, presaging the attitudes of modernists to come. Explaining this statement in a letter to a perplexed fan, Wilde opined that art “is not meant to instruct, or to influence action in any way.[...]
And now, comedian Harry Shearer.
What role do these gifted performers have in common?
Langella and Sir Anthony resurrected the 37th president within the framework of carefully crafted screenplays. Shearer’s approach is just as actorly, but his material isn’t exactly scripted.