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An Introduction to Consumer Neuroscience & Neuromarketing: A Free Online Course from the University of Copenhagen


Thomas Zoë­ga Ram­søy, a neu­ropsy­chol­o­gist at the Uni­ver­si­ty of Copen­hagen, presents An Intro­duc­tion to Con­sumer Neu­ro­science & Neu­ro­mar­ket­ing, a course that explores the fol­low­ing set of ques­tions:

How do we make deci­sions as con­sumers? What do we pay atten­tion to, and how do our ini­tial respons­es pre­dict our final choic­es? To what extent are these process­es uncon­scious and can­not be reflect­ed in overt reports? This course will pro­vide you with an intro­duc­tion to some of the most basic meth­ods in the emerg­ing fields of con­sumer neu­ro­science and neu­ro­mar­ket­ing. You will learn about the meth­ods employed and what they mean. You will learn about the basic brain mech­a­nisms in con­sumer choice, and how to stay updat­ed on these top­ics. The course will give an overview of the cur­rent and future uses of neu­ro­science in busi­ness.

You can take Intro­duc­tion to Con­sumer Neu­ro­science & Neu­ro­mar­ket­ing for free by select­ing the audit option upon enrolling. If you want to take the course for a cer­tifi­cate, you will need to pay a fee.

Intro­duc­tion to Con­sumer Neu­ro­science & Neu­ro­mar­ket­ing will be added to our list of Free Busi­ness Cours­es, a sub­set of our col­lec­tion: 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

For a com­plete list of online cours­es, please vis­it our com­plete col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

For a list of online cer­tifi­cate pro­grams, vis­it 200 Online Cer­tifi­cate & Micro­cre­den­tial Pro­grams from Lead­ing Uni­ver­si­ties & Com­pa­nies, which fea­tures pro­grams from our part­ners Cours­era, Udac­i­ty, Future­Learn and edX.

And if you’re inter­est­ed in Online Mini-Mas­ters and Mas­ter’s Degrees pro­grams from uni­ver­si­ties, see our col­lec­tion: Online Degrees & Mini Degrees: Explore Mas­ters, Mini Mas­ters, Bach­e­lors & Mini Bach­e­lors from Top Uni­ver­si­ties.

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The Changing Landscape of Ancient Rome: A Free Online Course from Sapienza University of Rome

Image by Lil Herodotus, via Wiki­me­dia Com­mons

From Pao­lo Carafa, a pro­fes­sor at Sapien­za Uni­ver­si­ty of Rome, comes a free course that explores the archae­ol­o­gy of ancient Rome. The course descrip­tion for The Chang­ing Land­scape of Ancient Rome. Archae­ol­o­gy and His­to­ry of the Pala­tine Hill reads:

Study­ing ancient — as well as medieval or mod­ern — cities basi­cal­ly means telling local urban sto­ries based on the recon­struc­tion of chang­ing land­scapes through the cen­turies. Giv­en the frag­men­tary nature of archae­o­log­i­cal evi­dence, it is nec­es­sary to cre­ate new images that would give back the phys­i­cal aspect of the urban land­scape and that would bring it to life again. We are not just con­tent with ana­lyz­ing the many ele­ments still vis­i­ble of the ancient city. The con­nec­tions between objects and archi­tec­tures, vis­i­ble and non vis­i­ble build­ings, which have been bro­ken through time have to be rejoined, to acknowl­edge the ele­ments that com­pose the urban land­scape.

Land­scape and its con­tent are a very rel­e­vant and still vital part of any nation­al cul­tur­al her­itage. The course will intro­duce stu­dents to the way we have been reflect­ing on over the last twen­ty years and still are engaged with the study of the past of our cities, begin­ning from the most com­plex case in the ancient Mediter­ranean World: the core of Italy and of Roman Empire. On the oth­er hand, knowl­edge means also preser­va­tion and defense of mate­r­i­al remains and cul­tur­al mem­o­ry.

You can take The Chang­ing Land­scape of Ancient Rome for free by select­ing the audit option upon enrolling. If you want to take the course for a cer­tifi­cate, you will need to pay a fee.

The Chang­ing Land­scape of Ancient Rome will be added to our list, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

For a com­plete list of online cours­es, please vis­it our com­plete col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

For a list of online cer­tifi­cate pro­grams, vis­it 200 Online Cer­tifi­cate & Micro­cre­den­tial Pro­grams from Lead­ing Uni­ver­si­ties & Com­pa­nies, which fea­tures pro­grams from our part­ners Cours­era, Udac­i­ty, Future­Learn and edX.

And if you’re inter­est­ed in Online Mini-Mas­ters and Mas­ter’s Degrees pro­grams from uni­ver­si­ties, see our col­lec­tion: Online Degrees & Mini Degrees: Explore Mas­ters, Mini Mas­ters, Bach­e­lors & Mini Bach­e­lors from Top Uni­ver­si­ties.

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Hear the Earliest Recorded Customer Complaint Letter: From Ancient Sumeria 1750 BC

Three-thou­sand, sev­en-hun­dred, and sev­en­ty-one years ago, in the city of Dil­mun, near Ur in Mesopotamia, there was a mer­chant named Ea-nasir. His busi­ness was in sell­ing met­al ingots that he pur­chased in the Per­sian Gulf. Was he a good mer­chant? Not accord­ing to one of his cus­tomers, Nan­ni. If Yelp had exist­ed back in 1750 BC, Nan­ni would def­i­nite­ly have giv­en Ea-nasir a one-star review.

We know this because Nanni’s com­plaint about Ea-nasir, writ­ten in Akka­di­an cuneiform, still exists. The tiny 4.5x2x1 inch tablet is cur­rent­ly on dis­play at the British Muse­um, and was dis­cov­ered by archae­ol­o­gist Sir Leonard Woo­ley in his 1920s exca­va­tion of Ur.

In the video above, you can hear Nanni’s com­plaint come to life.

Ea-nasir had agreed to sell cop­per ingots to Nan­ni, who sent a ser­vant with some mon­ey to pick them up. Not only were the ingots of low qual­i­ty, but Ea-nasir was rude to the ser­vant, giv­ing him the ol’ “take it or leave it” treat­ment. And not only that, but the ser­vant had to trav­el through ene­my ter­ri­to­ry. And for all the things Nanni’s done for Ea-nasir! (You can just imag­ine Nan­ni pick­ing out a fresh clay tablet and get­ting down to some furi­ous cuneiformin’.)

This read­ing brings out some of the haughty anger from Nanni’s com­plaint, but I won­der if it is being too nice. Maybe Voic­es of the Past should hire a New York cab­bie to have a go the next time they find some sev­er­al-mil­len­nia-old ephemera from Ea-nasir’s for­mer busi­ness quar­ters. We don’t know if Nan­ni ever set­tled his dis­pute, but appar­ent­ly he wasn’t the only one.

The room that Sir Leonard exca­vat­ed con­tained many com­plaints from many cus­tomers, includ­ing sev­er­al back and forths from frus­trat­ed peo­ple all over Mesopotamia. Accord­ing to this Forbes arti­cle, Ea-nasir did have a legit prof­itable busi­ness once, but as his debt grew, the cred­i­tors came call­ing, and he began to stiff peo­ple. What makes Nanni’s let­ter stand out is that he used both the front and back of the tablet to write his with­er­ing assess­ment. We’ve all seen those kind of let­ters.

The full text from Nan­ni reads:

Now, when you had come, you spoke say­ing thus: ‘I will give good ingots to Gim­il-Sin’; this you said to me when you had come, but you have not done it. You have offered bad ingots to my mes­sen­ger, say­ing ‘If you will take it, take it; if you will not take it, go away.’ Who am I that you are treat­ing me in this man­ner — treat­ing me with such con­tempt? and that between gen­tle­men such as we are. I have writ­ten to you to receive my mon­ey, but you have neglect­ed [to return] it. Repeat­ed­ly you have made them [mes­sen­gers] return to me emp­ty-hand­ed through for­eign coun­try. Who is there amongst the Dil­mun traders who has act­ed against me in this way? You have treat­ed my mes­sen­ger with con­tempt. And fur­ther with regard to the sil­ver that you have tak­en with you from my house you make this dis­cus­sion. And on your behalf I gave 18 tal­ents of cop­per to the palace, and Sumi-abum also gave 18 tal­ents of cop­per, apart from the fact that we issued the sealed doc­u­ment to the tem­ple of Samas. With regard to that cop­per, as you have treat­ed me, you have held back my mon­ey in a for­eign ter­ri­to­ry, although you are oblig­at­ed to hand it over to me intact. You will learn that here in Ur I will not accept from you cop­per that is not good. In my house, I will choose and take the ingots one by one. Because you have treat­ed me with con­tempt, I shall exer­cise against you my right of select­ing the cop­per.

It’s kind of com­fort­ing in its own weird way, know­ing that find­ing a good busi­ness you can trust has been an eter­nal quest, whether you’re try­ing to get a refund from eBay or look­ing at some low qual­i­ty ingots and deal­ing with a very annoyed ser­vant.

Relat­ed Con­tent:

Cam­bridge Uni­ver­si­ty Pro­fes­sor Cooks 4000-Year-Old Recipes from Ancient Mesopotamia, and Lets You See How They Turned Out

Hear The Epic of Gil­gamesh Read in the Orig­i­nal Akka­di­an and Enjoy the Sounds of Mesopotamia

Dic­tio­nary of the Old­est Writ­ten Language–It Took 90 Years to Com­plete, and It’s Now Free Online

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the Notes from the Shed pod­cast and is the pro­duc­er of KCR­W’s Curi­ous Coast. You can also fol­low him on Twit­ter at @tedmills, and/or watch his films here.

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Bass Sounds: One Song Highlights the Many Different Sounds Made by Different Bass Guitars

If you’re a sea­soned bass play­er, the diver­si­ty of bass sounds in the “Bass Sounds” videos here will hard­ly sur­prise you. Most oth­er peo­ple — includ­ing many musi­cians — have lit­tle under­stand­ing of the range of the bass, an instru­ment thought to just hold down the low end. Yes, it does do that, but it doesn’t always do it with bass fre­quen­cies. Bass tones and over­tones fall any­where in the range of 40hz — a low rum­ble more felt than heard — to a snap­py 4000hz, the high-midrange fre­quen­cy of snare drums and gui­tars.

That’s a lot of son­ic ter­ri­to­ry for an instru­ment to explore. It includes the sound of Paul McCartney’s Hofn­er Vio­lin Bass on “Pen­ny Lane,” a “bass-heavy tone with almost no mids or tre­ble,” Joel McIv­er writes at Mus­i­cRad­er; the smooth top end of Jaco Pas­to­ri­ous’ home­made fret­less Fend­er Jazz bass; and the buz­z­saw pow­er chords of Lem­my Kilmister’s Rick­en­backer 4001, which he played with midrange turned to 11 and bass con­trols com­plete­ly off.

Of course, ampli­fiers and effects make all the dif­fer­ence in famous bassists’ tones, but it starts at the fin­gers, the body, the pick­ups, and the frets, as bass play­er Bart Soeters demon­strates with a series of clas­sic, mod­ern, and obscure bass gui­tars, accom­pa­nied by the music of Joris Holtack­ers. Bass­es here include such rec­og­niz­able shapes as the Hofn­er, with its cham­bered body and f‑holes, the Fend­er Jazz and Pre­ci­sion bass­es, and the Gib­son SG. They also include unusu­al or unique instru­ments like the NS Design Bass­cel­lo and Soeters’ own Adamovic FBC sig­na­ture bass.

Boomy, woody, even reedy — bass gui­tars can rum­ble and they can croon. They can be imi­tat­ed by an elec­tric cel­lo — as Soeters demon­strates in the fol­low-up Bass Sounds II video at the top — make love­ly acoustic thumps, and gen­er­al­ly sound as per­cus­sive or melod­ic as you like. Will edu­cat­ing oth­ers about the range of bass gui­tar tones change unfor­tu­nate stereo­types about bass play­ers (demon­strat­ed below via inter­pre­tive dance and spo­ken word by The Kids in the Hall’s Kevin McDon­ald and Bruce McCul­loch)? Only time will tell. But it can cer­tain­ly  sharp­en the music appre­ci­a­tion skills of musi­cians and non-musi­cians alike. See all the dif­fer­ent bass­es list­ed on the Bass Sounds YouTube pages here and here.

via Laugh­ing Squid

Relat­ed Con­tent: 

Watch Some of the Most Pow­er­ful Bass Gui­tar Solos Ever: Ged­dy Lee, Flea, Boot­sy Collins, John Dea­con & More

The Neu­ro­science of Bass: New Study Explains Why Bass Instru­ments Are Fun­da­men­tal to Music

The Sto­ry Behind the Icon­ic Bass-Smash­ing Pho­to on the Clash’s Lon­don Call­ing

Paul McCart­ney Offers a Short Tuto­r­i­al on How to Play the Bass Gui­tar

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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Behold the Astronomicum Caesareum, “Perhaps the Most Beautiful Scientific Book Ever Printed” (1540)

Art, sci­ence, and mag­ic seem to have been rarely far apart dur­ing the Renais­sance, as evi­denced by the elab­o­rate 1540 Astro­nom­icum Cae­sareum — or “Emperor’s Astron­o­my” — seen here. “The most sump­tu­ous of all Renais­sance instruc­tive man­u­als, ” the Met­ro­pol­i­tan Muse­um of Art notes, the book was cre­at­ed over a peri­od of 8 years by Petrus Api­anus, also known as Api­an, an astron­o­my pro­fes­sor at the Uni­ver­si­ty of Ingol­stadt. Mod­ern-day astronomer Owen Gin­gerich, pro­fes­sor emer­i­tus at Har­vard Uni­ver­si­ty, calls it “the most spec­tac­u­lar con­tri­bu­tion of the book-maker’s art to six­teenth-cen­tu­ry sci­ence.”

Apian’s book was main­ly designed for what is now con­sid­ered pseu­do­science. “The main con­tem­po­rary use of the book would have been to cast horo­scopes,” Robert Bat­teridge writes at the Nation­al Library of Scot­land. Api­an used as exam­ples the birth­days of his patrons: Holy Roman Emper­or Charles V and his broth­er Fer­di­nand I. But the Astro­nom­icum Cae­sareum did more than cal­cu­late the future.

Despite the fact that the geo­cen­tric mod­el on which Api­an based his sys­tem “would begin to be over­tak­en just 3 years after the book’s pub­li­ca­tion,” he accu­rate­ly described five comets, includ­ing what would come to be called Halley’s Comet.

Api­an also “observed that a comet’s tail always points away from the sun,” Fine Books and Col­lec­tions writes, “a dis­cov­ery for which he is cred­it­ed.” He used his book “to cal­cu­late eclipses,” notes Gin­gerich in an intro­duc­tion, includ­ing a par­tial lunar eclipse in the year of Charles’ birth. And, “in a pio­neer­ing use of astro­nom­i­cal chronol­o­gy, he takes up the cir­cum­stances of sev­er­al his­tor­i­cal eclipses.” These dis­cus­sions are accom­pa­nied by “sev­er­al mov­able devices” called volvelles, designed “for an assort­ment of chrono­log­i­cal and astro­log­i­cal inquiries.”

Medieval volvelles were first intro­duced by artist and writer Ramón Llull in 1274. A “cousin of the astro­labe,” Get­ty writes, the devices con­sist of “lay­ered cir­cles of parch­ment… held togeth­er at the cen­ter by a tie.” They were con­sid­ered “a form of ‘arti­fi­cial mem­o­ry,’” called by Lund University’s Lars Gis­lén “a kind of paper com­put­er.” Api­an was a spe­cial­ist of the form, pub­lish­ing sev­er­al books con­tain­ing volvelles from his own Ingol­stadt print­ing press. The Astro­nom­icum Cae­sareum became the pin­na­cle of such sci­en­tif­ic art, using its hand-col­ored paper devices to sim­u­late the move­ments of the astro­labe. “The great vol­ume grew and changed in the course of the print­ing,” Gin­gerich writes, “even­tu­al­ly com­pris­ing fifty-five leaves, of which twen­ty-one con­tain mov­ing parts.”

Api­an was reward­ed hand­some­ly for his work. “Emper­or Charles V grant­ed the pro­fes­sor a new coat of arms,” and “the right to appoint poets lau­re­ate and to pro­nounce as legit­i­mate chil­dren born out of wed­lock.” He was also appoint­ed court math­e­mati­cian, and copies of his extra­or­di­nary book lived on in the col­lec­tions of Euro­pean aris­to­crats for cen­turies, “a tri­umph of the printer’s art,” writes Gin­gerich, and an astron­o­my, and astrol­o­gy, “fit for an emper­or.”

Relat­ed Con­tent: 

16th Cen­tu­ry Book­wheels, the E‑Readers of the Renais­sance, Get Brought to Life by 21st Cen­tu­ry Design­ers

A Medieval Book That Opens Six Dif­fer­ent Ways, Reveal­ing Six Dif­fer­ent Books in One

160,000+ Medieval Man­u­scripts Online: Where to Find Them

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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Meet the Linda Lindas, the Tween Punk Band Who Called Out Racism & Misogyny and Scored a Record Deal

“Sticks and stones may break my bones,” we chant­ed as kids, but “words will nev­er hurt me.” The say­ing seems to both invite phys­i­cal vio­lence and deny the real effects of ver­bal abuse. Maybe this was once effec­tive as a stock play­ground retort, but it’s nev­er been true, as any­one who’s been picked on as a child can attest. When the taunts are racist, the dam­age is expo­nen­tial­ly mul­ti­plied. Not only are kids being sin­gled out and mocked for immutable char­ac­ter­is­tics, but their fam­i­ly and entire cul­ture of ori­gin are being tar­get­ed.

What to do? Lash out? Fight back? Ignore it and pre­tend it isn’t hap­pen­ing? To quote anoth­er cliche, “the best revenge is suc­cess.” More appro­pri­ate­ly for the case at hand, take an orig­i­nal line from Radiohead’s Thom Yorke: “Be con­struc­tive with your blues.”

The Lin­da Lin­das, a four-piece punk band rang­ing in age from 10 to 16 would agree. When one of the girls was harassed by a class­mate, they got bummed about it, then ral­lied, wrote a song, went viral, and scored a record deal. Deal­ing with bul­lies will rarely lead to such joy­ful results, but it’s worth pay­ing atten­tion when it does.

The song, “Racist, Sex­ist Boy” has “become some­thing of a 2021 anthem,” writes NPR, with its glee­ful call-outs (“Pos­er! Block­head! Riffraff! Jerk face!”) and crunchy pow­er chords. “In what has become a very famil­iar cycle to music-indus­try watch­ers, the band land­ed a record deal almost as soon as its video went viral,” sign­ing with L.A.’s Epi­taph Records. “By Fri­day, the band’s per­for­mance of ‘Racist, Sex­ist Boy’ had been post­ed on Epi­taph’s YouTube chan­nel.” The video comes from a per­for­mance at the Los Ange­les Pub­lic Library, which you can watch in full above, with an intro­duc­tion and inter­view with the band. (See a setlist on YouTube and don’t miss their cov­er of Biki­ni Kil­l’s “Rebel Girl” at 35:56.)

So, who are the Lin­da Lin­das? On their Band­camp page, they describe them­selves as “Half Asian / half Lat­inx. Two sis­ters, a cousin, and their close friend. The Lin­da Lin­das chan­nel the spir­it of orig­i­nal punk, pow­er pop, and new wave through today’s ears, eyes and minds.” You can meet the mul­ti-tal­ent­ed tweens and teens in the video above, made in 2019 by a fifth grade teacher to inspire his stu­dents. The girls are hard­ly new to the music busi­ness. Clips in the video show them per­form­ing with Mon­ey Mark and open­ing for Biki­ni Kill. They got their start in 2018 at Girlschool LA, “a cel­e­bra­tion of females chal­leng­ing the sta­tus quo,” and they’ve been men­tored by Karen O of the Yeah Yeah Yeahs.

The Lin­da Lin­das also cap­tured the atten­tion of Amy Pohler, who fea­tured the band in her Net­flix doc­u­men­tary Mox­ie. See a clip above. Not every kid who fights bul­ly­ing with music — or art, sci­ence, sports, or what­ev­er their tal­ent — can expect celebri­ty, and we shouldn’t set kids up to think they can all win the inter­net lot­tery. But the Lin­da Lin­das have become heroes for mil­lions of young girls who look like them, and who dream not of fame and for­tune but of a unit­ed front of friend­ship and fun against racism, misog­y­ny, and the pains of grow­ing up.

Relat­ed Con­tent: 

Ven­er­a­ble Female Artists, Musi­cians & Authors Give Advice to the Young: Pat­ti Smith, Lau­rie Ander­son & More

Ele­men­tary School Kids Sing David Bowie’s “Space Odd­i­ty” & Oth­er Rock Hits: A Cult Clas­sic Record­ed in 1976

Hear 11-Year-Old Björk Sing “I Love to Love”: Her First Record­ed Song (1976)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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De-Mystifying Mindfulness: A Free Online Course by Leiden University

From Chris Goto-Jones–now Dean of Human­i­ties and Pro­fes­sor of Phi­los­o­phy at the Uni­ver­si­ty of Victoria–comes a free course which was named ‘one of the best online cours­es of all time’ in 2020. The course descrip­tion for De-Mys­ti­fy­ing Mind­ful­ness reads:

Inter­est in med­i­ta­tion, mind­ful­ness, and con­tem­pla­tion has grown expo­nen­tial­ly in recent years. Rather than being seen as mys­ti­cal prac­tices from ancient Bud­dhism or eso­teric phi­los­o­phy, they are increas­ing­ly seen as tech­nolo­gies root­ed in evi­dence from psy­chol­o­gy and neu­ro­science. Mind­ful­ness has become the basis for numer­ous ther­a­peu­tic inter­ven­tions, both as a treat­ment in health­care and as a means of enhanc­ing well-being and hap­pi­ness. For mil­lions around the world, mind­ful­ness has become a life-style choice, enhanc­ing and enrich­ing every­day expe­ri­ence. Mind­ful­ness is big busi­ness.

But, what actu­al­ly is mind­ful­ness? Is it real­ly good for you? Can any­one learn it? How can you rec­og­nize char­la­tans? Would you want to live in a mind­ful soci­ety, and would it smell like san­dal­wood? What does it feel like to be mind­ful? Are you mind­ful already, and how would you know?

Evolv­ing from the pop­u­lar Hon­ours Acad­e­my course at Lei­den Uni­ver­si­ty [in the Nether­lands], this inno­v­a­tive course com­bines con­ven­tion­al schol­ar­ly inquiry from mul­ti­ple dis­ci­plines (rang­ing from psy­chol­o­gy, through phi­los­o­phy, to pol­i­tics) with expe­ri­en­tial learn­ing (includ­ing spe­cial­ly designed ‘med­i­ta­tion labs,’ in which you’ll get chance to prac­tice and ana­lyze mind­ful­ness on your­self). In the end, the course aims to pro­vide a respon­si­ble, com­pre­hen­sive, and inclu­sive edu­ca­tion about (and in) mind­ful­ness as a con­tem­po­rary phe­nom­e­non.

You can take De-Mys­ti­fy­ing Mind­ful­ness for free by select­ing the audit option upon enrolling. If you want to take the course for a cer­tifi­cate, you will need to pay a fee.

De-Mys­ti­fy­ing Mind­ful­ness will be added to our list, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

Free Guid­ed Med­i­ta­tions From UCLA: Boost Your Aware­ness & Ease Your Stress

Philoso­pher Sam Har­ris Leads You Through a 26-Minute Guid­ed Med­i­ta­tion

How Mind­ful­ness Makes Us Hap­pi­er & Bet­ter Able to Meet Life’s Chal­lenges: Two Ani­mat­ed Primers Explain

Stream 18 Hours of Free Guid­ed Med­i­ta­tions

Lis­ten to Bill Mur­ray Lead a Guid­ed Med­i­ta­tion on How It Feels to Be Bill Mur­ray

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Real D‑Day Landing Footage, Enhanced & Colorized with Artificial Intelligence (June 6, 1944)


Steven Spiel­berg’s Sav­ing Pri­vate Ryan drew great acclaim for its har­row­ing depic­tion of “D‑Day,” the 1944 Allied land­ing oper­a­tion that proved a deci­sive blow against Nazi Ger­many. More specif­i­cal­ly, Spiel­berg and his cre­ators recre­at­ed the land­ing on Oma­ha Beach, one of five code-named stretch­es of the Nor­mandy coast. The video above depicts the land­ing on anoth­er, Juno Beach. This, its uploader stress­es, “is not the famous movie D‑day the Sixth of June but actu­al and real footage.” No won­der it feels more real­is­tic than that 1956 Hen­ry Koster spec­ta­cle — and, in anoth­er way, more so than Spiel­berg’s pic­ture, whose use of not just col­or and widescreen dimen­sions but advanced visu­al effects made World War II vis­cer­al in a way even those who’d nev­er seen com­bat could feel.

The tak­ing of Oma­ha Beach was assigned to the Unit­ed States Army, with sup­port from the U.S. Coast Guard as well as the U.S., British, Cana­di­an and Free French navies. As such, it made a suit­able inclu­sion indeed for an Amer­i­can war sto­ry like Sav­ing Pri­vate Ryan. Juno Beach, how­ev­er, was pri­mar­i­ly a Cana­di­an job: that coun­try’s army land­ed there under sup­port from the Roy­al Cana­di­an Navy (with addi­tion­al help from sev­er­al oth­er Allied navies).

As on Oma­ha Beach, the troops who first land­ed on Juno Beach came under heavy Ger­man fire and sus­tained seri­ous casu­al­ties. But with­in two hours the Allied forced man­aged to over­come these coastal defens­es and began mak­ing their way inland — a direc­tion in which the 3rd Cana­di­an Infantry Divi­sion man­aged to push far­ther than any of D‑Day’s oth­er land­ing forces.

These Juno Beach D‑Day clips ben­e­fit from a tech­nol­o­gy unavail­able even in Sav­ing Pri­vate Ryan’s day: arti­fi­cial intel­li­gence-based enhance­ment and col­oriza­tion process­es. Orig­i­nal­ly shot in black-and-white like most (but not all) Army footage of the 1940s, it’s been “motion-sta­bi­lized, con­trast- and bright­ness-enhanced, de-noised, upscaled, restored to full HD and arti­fi­cial­ly col­orized.” The result looks crisp enough that any­one with­out first-hand mem­o­ries of the West­ern Front — a gen­er­a­tion, alas, now fast leav­ing the stage — may well for­get that it isn’t a war film but a film of war. None of the par­tic­i­pants are re-enac­tors: not the Allied troops board­ing their boats by the hun­dreds, not Gen­er­al Dwight D. Eisen­how­er, not the Ger­man pris­on­ers of war, and cer­tain­ly not the wound­ed and dead. What’s more, none of their actions are rehearsed: as the 77th anniver­sary of D‑Day approach­es, we should remem­ber that, what­ev­er the brav­ery on their faces, not one of these men could have felt assured of vic­to­ry.

Relat­ed Con­tent:

The Nor­mandy Inva­sion Cap­tured on 16 mm Kodachrome Film (1944)

Pho­to Archive Lets You Down­load 4,300 High-Res Pho­tographs of the His­toric Nor­mandy Inva­sion

Watch Col­orized 1940s Footage of Lon­don after the Blitz: Scenes from Trafal­gar Square, Pic­cadil­ly Cir­cus, Buck­ing­ham Palace & More

Dra­mat­ic Col­or Footage Shows a Bombed-Out Berlin a Month After Germany’s WWII Defeat (1945)

Bryan Cranston Nar­rates the Land­ing on Oma­ha Beach on the 75th Anniver­sary of the D‑Day Inva­sion

David Lynch Recounts His Sur­re­al Dream of Being a Ger­man Solid­er Dying on D‑Day

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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De-Mystifying Mindfulness: A Free Online Course by Leiden University

From Chris Goto-Jones–now Dean of Human­i­ties and Pro­fes­sor of Phi­los­o­phy at the Uni­ver­si­ty of Victoria–comes a free course which was named ‘one of the best online cours­es of all time’ in 2020. The course descrip­tion for De-Mys­ti­fy­ing Mind­ful­ness reads:

Inter­est in med­i­ta­tion, mind­ful­ness, and con­tem­pla­tion has grown expo­nen­tial­ly in recent years. Rather than being seen as mys­ti­cal prac­tices from ancient Bud­dhism or eso­teric phi­los­o­phy, they are increas­ing­ly seen as tech­nolo­gies root­ed in evi­dence from psy­chol­o­gy and neu­ro­science. Mind­ful­ness has become the basis for numer­ous ther­a­peu­tic inter­ven­tions, both as a treat­ment in health­care and as a means of enhanc­ing well-being and hap­pi­ness. For mil­lions around the world, mind­ful­ness has become a life-style choice, enhanc­ing and enrich­ing every­day expe­ri­ence. Mind­ful­ness is big busi­ness.

But, what actu­al­ly is mind­ful­ness? Is it real­ly good for you? Can any­one learn it? How can you rec­og­nize char­la­tans? Would you want to live in a mind­ful soci­ety, and would it smell like san­dal­wood? What does it feel like to be mind­ful? Are you mind­ful already, and how would you know?

Evolv­ing from the pop­u­lar Hon­ours Acad­e­my course at Lei­den Uni­ver­si­ty [in the Nether­lands], this inno­v­a­tive course com­bines con­ven­tion­al schol­ar­ly inquiry from mul­ti­ple dis­ci­plines (rang­ing from psy­chol­o­gy, through phi­los­o­phy, to pol­i­tics) with expe­ri­en­tial learn­ing (includ­ing spe­cial­ly designed ‘med­i­ta­tion labs,’ in which you’ll get chance to prac­tice and ana­lyze mind­ful­ness on your­self). In the end, the course aims to pro­vide a respon­si­ble, com­pre­hen­sive, and inclu­sive edu­ca­tion about (and in) mind­ful­ness as a con­tem­po­rary phe­nom­e­non.

You can take De-Mys­ti­fy­ing Mind­ful­ness for free by select­ing the audit option upon enrolling. If you want to take the course for a cer­tifi­cate, you will need to pay a fee.

De-Mys­ti­fy­ing Mind­ful­ness will be added to our list, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

Free Guid­ed Med­i­ta­tions From UCLA: Boost Your Aware­ness & Ease Your Stress

Philoso­pher Sam Har­ris Leads You Through a 26-Minute Guid­ed Med­i­ta­tion

How Mind­ful­ness Makes Us Hap­pi­er & Bet­ter Able to Meet Life’s Chal­lenges: Two Ani­mat­ed Primers Explain

Stream 18 Hours of Free Guid­ed Med­i­ta­tions

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Creative Thinking: A Free Online Course from Imperial College London

From Peter Childs (Head of the Dyson School of Design Engi­neer­ing at Impe­r­i­al Col­lege Lon­don) comes a free course that explores cre­ative think­ing tech­niques, and how to apply them to every­day prob­lems and glob­al chal­lenges. The course descrip­tion for Cre­ative Think­ing: Tech­niques and Tools for Suc­cess reads:

In today’s ever-grow­ing and chang­ing world, being able to think cre­ative­ly and inno­v­a­tive­ly are essen­tial skills. It can some­times be chal­leng­ing to step back and reflect in an envi­ron­ment which is fast paced or when you are required to assim­i­late large amounts of infor­ma­tion. Mak­ing sense of or com­mu­ni­cat­ing new ideas in an inno­v­a­tive and engag­ing way, approach­ing prob­lems from fresh angles, and pro­duc­ing nov­el solu­tions are all traits which are high­ly sought after by employ­ers.

The great­est inno­va­tors aren’t nec­es­sar­i­ly the peo­ple who have the most orig­i­nal idea. Often, they are peo­ple- or teams- that have har­nessed their cre­ativ­i­ty to devel­op a new per­spec­tive or more effec­tive way of com­mu­ni­cat­ing an idea. You can train your imag­i­na­tion to seize oppor­tu­ni­ties, break away from rou­tine and habit, and tap into your nat­ur­al cre­ativ­i­ty.

This course will equip you with a ‘tool-box’, intro­duc­ing you to a selec­tion of behav­iours and tech­niques that will aug­ment your innate cre­ativ­i­ty. Some of the tools are suit­ed to use on your own and oth­ers work well for a group, enabling you to lever­age the pow­er of sev­er­al minds.

You can take Cre­ative Think­ing: Tech­niques and Tools for Suc­cess for free by select­ing the audit option upon enrolling. If you want to take the course for a cer­tifi­cate, you will need to pay a fee.

Cre­ative Think­ing will be added to our list, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

The Long Game of Cre­ativ­i­ty: If You Haven’t Cre­at­ed a Mas­ter­piece at 30, You’re Not a Fail­ure

How Walk­ing Fos­ters Cre­ativ­i­ty: Stan­ford Researchers Con­firm What Philoso­phers and Writ­ers Have Always Known

David Lynch Explains How Sim­ple Dai­ly Habits Enhance His Cre­ativ­i­ty

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