
If you know nothÂing else about medieval EuroÂpean illuÂmiÂnatÂed manÂuÂscripts, you sureÂly know the Book of Kells. “One of Ireland’s greatÂest culÂturÂal treaÂsures” comÂments Medievalists.net, “it is set apart from othÂer manÂuÂscripts of the same periÂod by the qualÂiÂty of its artÂwork and the sheer numÂber of illusÂtraÂtions that run throughÂout the 680 pages of the book.” The work not only attracts scholÂars, but almost a milÂlion visÂiÂtors to Dublin every year. “You simÂply can’t travÂel to the capÂiÂtal of IreÂland,” writes Book Riot’s EriÂka HarÂlitz-Kern, “withÂout the Book of Kells being menÂtioned. And rightÂfulÂly so.”
The ancient masÂterÂpiece is a stunÂning examÂple of HiberÂno-SaxÂon style, thought to have been comÂposed on the ScotÂtish island of Iona in 806, then transÂferred to the monastery of Kells in CounÂty Meath after a Viking raid (a stoÂry told in the marÂvelous aniÂmatÂed film The Secret of Kells). ConÂsistÂing mainÂly of copies of the four gospels, as well as indexÂes called “canon tables,” the manÂuÂscript is believed to have been made priÂmarÂiÂly for disÂplay, not readÂing aloud, which is why “the images are elabÂoÂrate and detailed while the text is careÂlessÂly copied with entire words missÂing or long pasÂsages being repeatÂed.”
Its exquisÂite illuÂmiÂnaÂtions mark it as a cerÂeÂmoÂniÂal object, and its “intriÂcaÂcies,” argue TrinÂiÂty ColÂlege Dublin proÂfesÂsors Rachel Moss and Fáinche Ryan, “lead the mind along pathÂways of the imagÂiÂnaÂtion…. You haven’t been to IreÂland unless you’ve seen the Book of Kells.” This may be so, but thankÂfulÂly, in our digÂiÂtal age, you need not go to Dublin to see this fabÂuÂlous hisÂtorÂiÂcal artiÂfact, or a digÂiÂtiÂzaÂtion of it at least, entireÂly viewÂable at the online colÂlecÂtions of the TrinÂiÂty ColÂlege Library. (When you click on the preÂviÂous link, make sure you scroll down the page.) The pages, origÂiÂnalÂly capÂtured in 1990, “have recentÂly been resÂcanned,” TrinÂiÂty ColÂlege Library writes, using state-of-the-art imagÂing techÂnolÂoÂgy. These new digÂiÂtal images offer the most accuÂrate high-resÂoÂluÂtion images to date, proÂvidÂing an expeÂriÂence secÂond only to viewÂing the book in perÂson.”
What makes the Book of Kells so speÂcial, reproÂduced “in such varÂied places as Irish nationÂal coinage and tatÂtoos?” asks ProÂfesÂsors Moss and Ryan. “There is no one answer to these quesÂtions.” In their free online course on the manÂuÂscript, these two scholÂars of art hisÂtoÂry and theÂolÂoÂgy, respecÂtiveÂly, do not attempt to “proÂvide definÂiÂtive answers to the many quesÂtions that surÂround it.” Instead, they illuÂmiÂnate its hisÂtoÂry and many meanÂings to difÂferÂent comÂmuÂniÂties of peoÂple, includÂing, of course, the peoÂple of IreÂland. “For Irish peoÂple,” they explain in the course trailÂer above, “it repÂreÂsents a sense of pride, a tanÂgiÂble link to a posÂiÂtive time in Ireland’s past, reflectÂed through its unique art.”
But while the Book of Kells is still a modÂern “symÂbol of IrishÂness,” it was made with mateÂriÂals and techÂniques that fell out of use sevÂerÂal hunÂdred years ago, and that were once spread far and wide across Europe, the MidÂdle East, and North Africa. In the video above, TrinÂiÂty ColÂlege Library conÂserÂvaÂtor John Gillis shows us how the manÂuÂscript was made using methÂods that date back to the “develÂopÂment of the codex, or the book form.” This includes the use of parchÂment, in this case calf skin, a mateÂrÂiÂal that rememÂbers the anatomÂiÂcal feaÂtures of the aniÂmals from which it came, with markÂings where tails, spines, and legs used to be.
The Book of Kells has weathÂered the cenÂturies fairÂly well, thanks to careÂful preserÂvaÂtion, but it’s also had perÂhaps five rebindÂings in its lifeÂtime. “In its origÂiÂnal form,” notes HarÂlitz-Kern, the manÂuÂscript “was both thickÂer and largÂer. ThirÂty folios of the origÂiÂnal manÂuÂscript have been lost through the cenÂturies and the edges of the existÂing manÂuÂscript were severeÂly trimmed durÂing a rebindÂing in the nineÂteenth cenÂtuÂry.” It remains, nonetheÂless, one of the most impresÂsive artiÂfacts to come from the age of the illuÂmiÂnatÂed manÂuÂscript, “described by some,” says Moss and Ryan, “as the most famous manÂuÂscript in the world.” Find out why by seeÂing it (virÂtuÂalÂly) for yourÂself and learnÂing about it from the experts above.
For anyÂone interÂestÂed in getÂting a copy of The Book of Kells in a nice print forÂmat, see The Book of Kells: ReproÂducÂtions from the manÂuÂscript in TrinÂiÂty ColÂlege, Dublin.
RelatÂed ConÂtent:
Take a Free Online Course on the Great Medieval ManÂuÂscript, the Book of Kells
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness

