As someÂone who had masÂtered radio, film, and stage at such a young age, it shouldn’t be a surÂprise that Orson Welles once flirtÂed with the idea of runÂning for office. It nevÂer hapÂpened, but Welles got pretÂty close in 1944 by ghost-writÂing speechÂes for Franklin Delano Roosevelt’s re-elecÂtion camÂpaign. This in-depth artiÂcle at SmithÂsonÂian by Erick TrickÂey goes into greater detail about this mix of enterÂtainÂment and polÂiÂtics, and shows how both have always influÂenced each othÂer.
In the final four months of 1944, AmerÂiÂca was still at war with Japan and GerÂmany, and RooÂsevelt was seekÂing an unpreceÂdentÂed fourth term to bring the war to a close. Roosevelt’s RepubÂliÂcan chalÂlenger Thomas Dewey quesÂtioned the ailÂing president’s staÂmiÂna and wellÂness for the job, along with accuÂsaÂtions of corÂrupÂtion and incomÂpeÂtence.
Welles was still Hollywood’s goldÂen boy, with a career that had takÂen off durÂing Roosevelt’s secÂond term with his infaÂmous War of the Worlds radio play, pickÂing up on America’s pre-war paraÂnoia. It had conÂtinÂued through 1941’s CitÂiÂzen Kane and its thinÂly veiled attack on William RanÂdolph Hearst and othÂer oliÂgarchs. Welles’ voice carÂried authorÂiÂty and gravÂiÂtas. He was also marÂried to Rita HayÂworth at the time, and enjoyÂing the upside of HolÂlyÂwood sucÂcess.
RooÂsevelt engaged the left-wing Welles in the last month of the camÂpaign and soon the actor was travÂelÂing the counÂtry and delivÂerÂing speechÂes at ralÂlies for FDR. In one stop he called RepubÂliÂcans “the parÂtiÂsans of privÂiÂlege, the chamÂpiÂons of monopÂoly, the old oppoÂnents of libÂerÂty, the deterÂmined adverÂsaries of the small busiÂness and the small farm.”
Welles also supÂplied ideas and jokes for FDR’s speechÂes. When Dewey and othÂer RepubÂliÂcans attacked FDR’s dog Fala, Welles’ penned this: “Well, of course, I don’t resent attacks, and my famÂiÂly doesn’t resent attacks — but Fala does resent them. You know, Fala is Scotch, and being a ScotÂtie, as soon as he learned that the RepubÂliÂcan ficÂtion writÂers, in ConÂgress and out, had conÂcoctÂed a stoÂry that I had left him behind on the AleutÂian Islands and had sent a destroyÂer back to find him — at a cost to the taxÂpayÂers of 2 or 3 or 8 or $20 milÂlion — his Scotch soul was furiÂous. He has not been the same dog since.”
The AmerÂiÂcan pubÂlic seemed to agree that going after a pet was a bit too much. The nationÂalÂly broadÂcast speech turned FDR’s forÂtunes around. And at FDR’s final ralÂly at FenÂway Park in Boston, the presÂiÂdent introÂduced both Welles (“The DraÂmatÂic Voice”) and Frank SinaÂtra (“The Voice”). Welles spoke out against GOP elitÂism: “By free enterÂprise they want excluÂsive right to freeÂdom. They are stuÂpid enough to think that a few can enjoy prosÂperÂiÂty at the expense of the rest.”
Days latÂer, FDR won 53 perÂcent of the popÂuÂlar vote and took the elecÂtoral colÂlege, 432–99. In one sense though, Dewey’s attacks on FDR’s health were foundÂed: RooÂsevelt died five months latÂer on April 12, 1945.
FDR had writÂten to Welles to thank him for the ralÂly, but also wrote about that April’s meetÂing of the UnitÂed Nations. The man had the weight of the free world upon his shoulÂders, and Welles felt it. The artist wrote a euloÂgy for FDR for the New York Post:
DesÂperÂateÂly we need his courage and his skill and wisÂdom and his great heart. He moved ahead of us showÂing a way into the future. If we lose that way, or fall beside it, we have lost him indeed. Our tears would mock him who nevÂer wept except when he could do no more than weep. If we despair. because he’s gone — he who stood against despair — he had as well nevÂer have lived, he who lived so greatÂly.
You can read it online here.
RelatÂed ConÂtent:
Hear Orson Welles’ IconÂic War of the Worlds BroadÂcast (1938)
Rare Video Shows FDR WalkÂing: Filmed at the 1937 All-Star Game
LisÂten to Eight InterÂviews of Orson Welles by FilmÂmakÂer Peter BogÂdanovich (RIP)
The Hearts of Age: Orson Welles’ SurÂreÂalÂist First Film (1934)
Ted Mills is a freeÂlance writer on the arts who curÂrentÂly hosts the Notes from the Shed podÂcast and is the proÂducÂer of KCRÂW’s CuriÂous Coast. You can also folÂlow him on TwitÂter at @tedmills, and/or watch his films here.




